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Arthurian Women
Featuring three original and 14 classic essays, this volume examines literary representations of women in Arthuriana and how women artists have viewed them. The essays discuss the female characters in Arthurian legend, medieval and modern readers of the legend, modern critics and the modern women writers who have recast the Arthurian inheritance, and finally women visual artists who have used the material of the Arthurian story. All the essays concentrate interpretation on a female creator and the work. This collection contains a useful bibliography of material devoted to female characters in Arthurian literature.
The French of Medieval England
Essays on the complexity of multilingualism in medieval England.
Vernacular Literary Theory from the French of Medieval England
Excerpts from texts (with translation) from the French of medieval England offer a guide to medieval literary theory.
Poems of Cupid, God of Love
The lightheartedness of these works both masks and enhances their engagement with provocative issues of continuing interest today: conduct in society, literary practice and moral praxis, relations between men and women, the value of received wisdom. This volume offers texts of two medieval French poems by Christine de Pizan: the "Epistre au dieu d'amours" and "Dit de la Rose," together with the first translation of these poems into modern English. The medieval English adaptation of Christine's "Epistre," Thomas Hoccleve's "The Letter of Cupid," is likewise presented here, and provided with a modern English translation. Finally, an eighteenth-century version of Hoccleve's poem, George Sewell's "The Proclamation of Cupid," is edited here for the first time. The editions of these poems by Christine, last edited a century ago, are based on the most recent scholarly findings. The edition of Hoccleve's poem reproduces its authorial punctuation from manuscript for the first time, and thus sheds light on the vexed question of fifteenth- century English metrics. The lively modern English translations of both can be used by students, scholars, and the general reader.
Medieval Masculinities
Since the mid-1970s men's studies, and gender studies has earned its place in scholarship. What's often missing from such studies, however, is the insight that the concept of gender in general, and that of masculinity in particular, can be understood only in relation to individual societies, examined at specific historical and cultural moments. An application of this insight, "Medieval Masculinities" is the first full-length collection to explore the issues of men's studies and contemporary theories of gender within the context of the Middle Ages. Interdisciplinary and multicultural, the essays range from matrimony in medieval Italy to bachelorhood in "Renaissance Venice", from friars and sa...
Christine de Pizan
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Fama
In medieval Europe, the word fama denoted both talk (what was commonly said about a person or event) and an individual's ensuing reputation (one's fama). Although talk by others was no doubt often feared, it was also valued and even cultivated as a vehicle for shaping one's status. People had to think about how to "manage" their fama, which played an essential role in the medieval culture of appearances.At the same time, however, institutions such as law courts and the church, alarmed by the power of talk, sought increasingly to regulate it. Christian moral discourse, literary and visual representation, juristic manuals, and court records reflected concern about talk. This book's authors consider how talk was created and entered into memory. They address such topics as fama's relation to secular law and the preoccupations of the church, its impact on women's lives, and its capacity to shape the concept of literary authorship.
Christine de Pizan
Christine de Pizan wrote voluminously, commenting on various aspects of the late-medieval society in which she lived. Considered by many to be the first French woman of letters, Christine and her writing have been difficult to place ever since she began putting her thoughts on the page. Although her work was neglected in the eighteenth and nineteenth century, there has been a eruption of Christine studies in recent decades, making her the perfect subject for a casebook. This volume serves as a useful guide to contemporary research exploring Christine's life and work as they reflected and influenced her socio-political milieu.
