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Fiction. SAFE MODE is Sam Riviere's first book-length prose text. Framed as an 'ambient novel', a term coined by the American writer Tan Lin, SAFE MODE abandons the traditional novel's temporal logic in favour of spatial and atmospheric dispersal, combining intensely personal material with unacknowledged appropriated content to explore the narratives made possible by mood, or the moods made possible by narrative. Which is which? Does it even matter?
Sam Riviere follows up his state-of-the-nation collection 81 Austerities with an elliptical amuse-bouche served up with no blurb, biographical note or anything else by way of authorial explanation. The text, too, is much like being at a party where you know no one and no one bothers with introductions. A woman called Kimberly is weighing a marble egg while harpsichord music plays, Veronique fiddles with a remote control, and Bathsheba complicates the shadows of a fern.
One of the most widely celebrated artists of his generation, Atkins makes videos, draws and writes, exploiting and subverting the conventions of moving image and literature. A Primer for Cadavers collects his fictions for the first time.
"Two Twin Pipes Sprout Water brings together five discrete sequences of poems and poem-stories. Moving through different voices and times, landscapes and interiors, Lila Matsumoto's new collection offers a sense of the world as an observed tableau, inviting the reader to participate in the creation of a strange yet familiar world full of ordinary-extraordinary moments." -- back cover.
Poetry. Young Adult. HUMBERT SUMMER is a book about the febrile matter of fantasy in its rawest form alternately subversive, awkward, romantic, and unsettling. Written between the ages of sixteen and twenty-three, the poems in A.K. Blakemore's debut full-length collection navigate the challenging space between adolescence and adulthood in a culture quick to dismiss, commodify, or fetishise the female body and imagination."
'Mordant, torrential, incantatory, Bolano-esque, Perec-ian, and just so explosively written that I had to stop and shake the language-shrapnel from my hair and wipe it off my eyeglasses so I could keep reading' Jonathan Lethem 'Full of clever postmodern flourishes, self-referential winks and riotous set pieces. It's funny, smart and beautifully written' Alex Preston, The Guardian 'I absolutely adored Dead Souls. Reading it felt like overhearing the most exhilarating, funny, mean conversation imaginable--which is to say it made me extremely happy and I dreaded it ending' Megan Nolan, author of Acts of Desperation 'I first heard about Solomon Wiese on a bright, blustery day on the South Bank.....
Poetry. Fiction. Hybrid Genre. Women's Studies. Art. "In Hannah Regel's brilliant collection, OLIVER REED, the figure of the horse becomes an object for language's brutality and the all too familiar subjugation of women's voices, bodies, and labour. An impressive hyperbolic pastiche of pleasurable misbehavior guides a girl named Sorry through her own undoing while naming new tools for calculated resistance. 'Kill the language. Kill it. Get the shovel. We're making a belt.' I would gladly do whatever she tells me to do and wouldn't think of doing otherwise. Regel creates a new order for the ecstatic wreckage of obedience."--Cassandra Troyan
In Their Own Words is a celebration of the variousness of contemporary poets living and writing in the UK today. 56 poets talk about their own poetic voices and their work. Essential reading for anybody who cares about poetry.A backstage peek behind the poetry of some of the best contemporary UK writers. Edited by T.S. Eliot prize winner George Szirtes and Helen Ivory — two of the UK’s most respected poets and teachers.In Their Own Words is an examination of the voices writing in the UK today – the book addresses multiculturalism, page and stage, and LBG issues, as well as traditional ‘page’ poetry.This book is not retrospective, it is a representation of the poetry world as a living, breathing developing thing.Readers will get an insight into the many ways the poetic voice can develop – it’s a behind the scenes look at the poetics of the poetry.There is nothing currently available quite like it.
Poems both punishing and radiant. No one is writing like Minnis, and no one should dare.
Rachel Long’s much-anticipated debut collection of poems, My Darling from the Lions, explores shame, love and healing through her intimate poetic voice. Shortlisted for the Rathbones Folio Prize Shortlisted for the Costa Poetry Award Shortlisted for the Forward Prize for Best First Collection Shortlisted for the Jhalak Prize 'An enchanting and heartwarming new voice in poetry.' – Bernardine Evaristo, author of Girl, Woman, Other Each poem has a vivid story to tell – of family quirks, the perils of dating, the grip of religion or sexual awakening – stories that are, by turn, emotionally insightful, politically conscious, wise, funny and outrageous. Long reveals herself as a razor-shar...