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Fiction. SAFE MODE is Sam Riviere's first book-length prose text. Framed as an 'ambient novel', a term coined by the American writer Tan Lin, SAFE MODE abandons the traditional novel's temporal logic in favour of spatial and atmospheric dispersal, combining intensely personal material with unacknowledged appropriated content to explore the narratives made possible by mood, or the moods made possible by narrative. Which is which? Does it even matter?
One of the most widely celebrated artists of his generation, Atkins makes videos, draws and writes, exploiting and subverting the conventions of moving image and literature. A Primer for Cadavers collects his fictions for the first time.
Sam Riviere follows up his state-of-the-nation collection 81 Austerities with an elliptical amuse-bouche served up with no blurb, biographical note or anything else by way of authorial explanation. The text, too, is much like being at a party where you know no one and no one bothers with introductions. A woman called Kimberly is weighing a marble egg while harpsichord music plays, Veronique fiddles with a remote control, and Bathsheba complicates the shadows of a fern.
Funded by Arts Council England, Faber New Poets aims to identify and support emerging talents at an early stage in their careers. Through a programme of mentorship, bursary and pamphlet publication, the scheme offers four poets a year the time, guidance and encouragement they require to help in the development of their work in the longer term.In 2010, the awarded poets are Joe Dunthorne, Annie Katchinska, Sam Riviere and Tom Warner.MidairIf it all goes wrong, midair,I doubt I could put us down safely in a river.I suspect I'd slam us nose first into the circuit boardof a densely populated suburb.If I could, our rescue might be beamed across the globe;stood on the wing as though we stood on water.If it all goes wrong,I doubt I could put us down.
Poetry. Young Adult. HUMBERT SUMMER is a book about the febrile matter of fantasy in its rawest form alternately subversive, awkward, romantic, and unsettling. Written between the ages of sixteen and twenty-three, the poems in A.K. Blakemore's debut full-length collection navigate the challenging space between adolescence and adulthood in a culture quick to dismiss, commodify, or fetishise the female body and imagination."
"Two Twin Pipes Sprout Water brings together five discrete sequences of poems and poem-stories. Moving through different voices and times, landscapes and interiors, Lila Matsumoto's new collection offers a sense of the world as an observed tableau, inviting the reader to participate in the creation of a strange yet familiar world full of ordinary-extraordinary moments." -- back cover.
The Faber poetry list, originally founded in the 1920s, was shaped by the taste of T.S. Eliot, who was its guiding light for nearly forty years. Each passing decade has seen the list grow with the addition of poets who are arguably the finest of their generation. The Faber Poetry Diary is a celebration of this remarkable Faber list. The poets in this year's diary are: Emily Berry, William Blake, Robert Burns, Lord Byron, John Clare, Sophie Collins, Julia Copus, W.H. Davies, Walter de la Mare, Emily Dickinson, T.S. Eliot, Thomas Hardy, Seamus Heaney, George Herbert, Zbigniew Herbert, Gerard Manley Hopkins, A.E. Housman, Ted Hughes, Ben Jonson, John Keats, Zaffar Kunial, Philip Larkin, Lachlan Mackinnon, Louis MacNeice, John Milton, William Morris, Bernard O'Donoghue, Sylvia Plath, Maurice Riordan, Sam Riviere, Christina Rosetti, Dante Gabriel Rossetti, William Shakespeare, Hannah Sullivan, Wislawa Szymborska, Edward Thomas, Jack Underwood, William Wordsworth, W.B. Yeats.
The debut collection from Hannah Regel, whose forthcoming novel The Last Sane Woman is out this year with Verso. "In OLIVER REED, growing-up happens naturally, clip clip clop, at the same time as it requires someone or something--line break or literal incision--to break you in. OLIVER REED is about how a pony body gets trained and a pony mind gets educated, over and over and over again. Time, in this book, loops more than it progresses: 'Sorry attends her Birth' after 'Sorry is a Girl, Grown Up.' I wish I'd read OLIVER REED at fourteen or eighteen; then again, I sort of feel like I did. This we already know: if looking at young girls never gets old, writing about them doesn't, either."--from...
Poems both punishing and radiant. No one is writing like Minnis, and no one should dare.
Fiction. LGBTQIA Studies. Asian and Asian American Studies. Young Adult. FIERCE FEMMES AND NOTORIOUS LIARS: A DANGEROUS TRANS GIRL'S CONFABULOUS MEMOIR is the highly sensational, ultra-exciting, sort-of true coming-of-age story of a young Asian trans girl, pathological liar, and kung-fu expert who runs away from her parents' abusive home in a rainy city called Gloom. Striking off on her own, she finds her true family in a group of larger-than-life trans femmes who live in a mysterious pleasure district known only as the Street of Miracles. Under the wings of this fierce and fabulous flock, the protagonist blossoms into the woman she has always dreamed of being, with a little help from the unscrupulous Doctor Crocodile. When one of their number is brutally murdered, she joins her sisters in forming a vigilante gang to fight back against the transphobes, violent johns, and cops that stalk the Street of Miracles. But when things go terribly wrong, she must find the truth within herself in order to stop the violence and discover what it really means to grow up and find your family.