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Safe Mode
Fiction. SAFE MODE is Sam Riviere's first book-length prose text. Framed as an 'ambient novel', a term coined by the American writer Tan Lin, SAFE MODE abandons the traditional novel's temporal logic in favour of spatial and atmospheric dispersal, combining intensely personal material with unacknowledged appropriated content to explore the narratives made possible by mood, or the moods made possible by narrative. Which is which? Does it even matter?
Sam Riviere
Funded by Arts Council England, Faber New Poets aims to identify and support emerging talents at an early stage in their careers. Through a programme of mentorship, bursary and pamphlet publication, the scheme offers four poets a year the time, guidance and encouragement they require to help in the development of their work in the longer term.In 2010, the awarded poets are Joe Dunthorne, Annie Katchinska, Sam Riviere and Tom Warner.MidairIf it all goes wrong, midair,I doubt I could put us down safely in a river.I suspect I'd slam us nose first into the circuit boardof a densely populated suburb.If I could, our rescue might be beamed across the globe;stood on the wing as though we stood on water.If it all goes wrong,I doubt I could put us down.
Dead Souls
'Mordant, torrential, incantatory, Bolano-esque, Perec-ian, and just so explosively written that I had to stop and shake the language-shrapnel from my hair and wipe it off my eyeglasses so I could keep reading' Jonathan Lethem 'Full of clever postmodern flourishes, self-referential winks and riotous set pieces. It's funny, smart and beautifully written' Alex Preston, The Guardian 'I absolutely adored Dead Souls. Reading it felt like overhearing the most exhilarating, funny, mean conversation imaginable--which is to say it made me extremely happy and I dreaded it ending' Megan Nolan, author of Acts of Desperation 'I first heard about Solomon Wiese on a bright, blustery day on the South Bank.....
Standard Twin Fantasy
Sam Riviere follows up his state-of-the-nation collection 81 Austerities with an elliptical amuse-bouche served up with no blurb, biographical note or anything else by way of authorial explanation. The text, too, is much like being at a party where you know no one and no one bothers with introductions. A woman called Kimberly is weighing a marble egg while harpsichord music plays, Veronique fiddles with a remote control, and Bathsheba complicates the shadows of a fern.
81 Austerities
All three-dimensional objects can be experienced in two dimensions: it just takes some careful unpicking of the seams. Witty, comic, plaintive, touching, acerbic, droll, cavalier, caffeinated, irreverent, stringent: Austerities, the mind-altering substantial debut from Sam Riviere, seems to achieve the impossible in being all things at once. Initially conceived as a response to the 'austerity measures' implemented by the coalition government in 2011, the poems quickly began taking on a life in kind: 'cutting' themselves on levels of sentiment, structure and even subject matter. Not content to merely build a series of freethinking poems, these remarkable pieces seem eagerly and mischievously to analyze their moment of creation, then weigh their worth, then consign their excess to the recycling bin thereafter. Experience is speedy, the poems seem to say, so dizzyingly fast that the poetry will inevitably be running to catch up - often arriving at a scene the moment after the moment has gone. The effect is as funny and it is startling, beguiling as it is surprising, and makes Austerities a vivid reminder that deprivation, as Leonard Cohen put it, can be the mother of poetry.
Humbert Summer
Poetry. Young Adult. HUMBERT SUMMER is a book about the febrile matter of fantasy in its rawest form alternately subversive, awkward, romantic, and unsettling. Written between the ages of sixteen and twenty-three, the poems in A.K. Blakemore's debut full-length collection navigate the challenging space between adolescence and adulthood in a culture quick to dismiss, commodify, or fetishise the female body and imagination."
After Fame
After Fame is a discursive rendering of the Roman epigrammatist Martial's Book I. Its 118 poems, on themes such as work, friendship and public life, are modelled after the source material through a variety of 'treatments' - most notably machine translation (for which Latin still presents near-insurmountable difficulties), employing the results as scaffolding for poems that quickly improvise their way clear of their originals. As it progresses, the book is increasingly interrupted by reflections on authorship, technology, cultural complicity and the privileged, mediating role of the poet: all fixations of Martial's work that still resonate today. Pitched between translation and new writing, After Fame challenges the integrity of both categories, dramatising the obscurity of its source, refraining from easy equivalences, while insisting on its contemporary relevance.
Two Twin Pipes Sprout Water
"Two Twin Pipes Sprout Water brings together five discrete sequences of poems and poem-stories. Moving through different voices and times, landscapes and interiors, Lila Matsumoto's new collection offers a sense of the world as an observed tableau, inviting the reader to participate in the creation of a strange yet familiar world full of ordinary-extraordinary moments." -- back cover.
Poemland
Poems both punishing and radiant. No one is writing like Minnis, and no one should dare.
Poems on the Underground
This wonderful new edition of Poems on the Underground is published to celebrate the 150th anniversary of the Underground in 2013. Here 230 poems old and new, romantic, comic and sublime explore such diverse topics as love, London, exile, families, dreams, war, music and the seasons, and feature poets from Sappho to Carol Ann Duffy and Wendy Cope, including Chaucer and Shakespeare, Milton, Blake and Shelley, Whitman and Dickinson, Yeats and Auden, Seamus Heaney and Derek Walcott and a host of younger poets. It includes a new foreword and over two dozen poems not included in previous anthologies.
