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Fahrenheit 451
Summaries and critical commentaries about Fahrenheit 451.
Donald Cammell
Provocative biography of the genius behind classic Brit-flick Performance, endorsed by many as the Bible of Decadence. Cammell inspired a generation of film-makers with his innovative approach and provocative subject matter, including Quentin Tarantino, Steven Soderbergh and Roger Avery yet he completed only four movies during his life. He remains, after his suicide in 1996, one of the most intriguing figures in the cinematic firmament and one of the least familiar. Includes a discussion of Cammell's early career in portraiture and a complete analysis of his films.
perforations: After the remainder: calls, comings, desiderata
A selected perforations compilation of material from 1992 until 2014: calls, articles, and more. Theory, anti-data, communitarian, ghostly, hysterical, missed aim, infra thin (where the brain rubber hits the road)
The Films of Robin Williams
From his first appearance as Mork from Ork on the 1970s sitcom Happy Days, Robin Williams was heralded as a singular talent. In the pre-cable television era, he was one of the few performers to successfully transition from TV to film. An Oscar-winning actor and preternaturally quick-witted comedian, Williams became a cultural icon, leaving behind a large and varied body of work when he unexpectedly took his own life in 2014. This collection of new essays brings together a range of perspectives on Williams and his oeuvre, including beloved hits like Mrs. Doubtfire, Good Morning, Vietnam, Good Will Hunting, The Fisher King, Dead Poets Society and Aladdin. Contributors explore his earlier work (Mork and Mindy, The World According to Garp) and his political and satirical films (Moscow on the Hudson, Toys). Williams's darker, less well-known fare, such as Being Human, One Hour Photo, Final Cut and Boulevard, is also covered. Williams's artistry has become woven into the fabric of our global media culture.
Dharma of the Dead
With the increased popularity of zombies in recent years, scholars have considered why the undead have so captured the public imagination. This book argues that the zombie can be viewed as an object of meditation on death, a memento mori that makes the fact of mortality more approachable from what has been described as America's "death-denying culture." The existential crisis in zombie apocalyptic fiction brings to the fore the problem of humanity's search for meaning in an increasingly global and secular world. Zombies are analyzed in the context of Buddhist thought, in contrast with social and religious critiques from other works.
The Knights Templar in Popular Culture
From the Arthurian epic poem Parzival to Dan Brown's The Da Vinci Code, Indiana Jones and the Last Crusade, and the Assassin's Creed video game series, the Knights Templar have captivated artists and audiences alike for centuries. In modern times, the Templars have featured in many narrative contexts, evolving in a range of contrasting story roles: the grail guardian, the heroic knight, the villainous knight, and the keeper of conspiracies. This study explores why these gone but not forgotten warrior monks remain prominent in popular culture; how history influenced the myth; and how the myth has influenced literature, film and video games.
The Reel Middle Ages
Those tales of old--King Arthur, Robin Hood, The Crusades, Marco Polo, Joan of Arc--have been told and retold, and the tradition of their telling has been gloriously upheld by filmmaking from its very inception. From the earliest of Georges Melies's films in 1897, to a 1996 animated Hunchback of Notre Dame, film has offered not just fantasy but exploration of these roles so vital to the modern psyche. St. Joan has undergone the transition from peasant girl to self-assured saint, and Camelot has transcended the soundstage to evoke the Kennedys in the White House. Here is the first comprehensive survey of more than 900 cinematic depictions of the European Middle Ages--date of production, country of origin, director, production company, cast, and a synopsis and commentary. A bibliography, index, and over 100 stills complete this remarkable work.
King Arthur on Film
This collection of eleven essays details more than 75 films, from Edwin Porter's 1904 Parsifal to the animated Quest for Camelot in 1998. A variety of critical perspectives are provided. The medieval and modern worlds collide in The Fisher King and Indiana Jones and the Last Crusade; issues of femininity and depictions of Morgan Le Fay are analyzed in the 1931 Connecticut Yankee and in Excalibur; concerns of masculinity are examined in First Knight and Dragonheart. A comprehensive filmography, selective bibliography and over 40 film stills complete this critical appreciation of the rich and varied cinematic tradition of Arthur.
From Camelot to Spamalot
"This book explores musicalizations of Arthurian legend as filtered through specific versions of the tale as told by Mark Twain, T.H. White, and Monty Python. For centuries, Arthurian legend with its tales of Camelot, romance, and chivalry has captured imaginations throughout Europe and the Americas. In the twentieth and twenty-first centuries, musical versions of King Arthur and his Knights of the Round Table have abounded in the United States, shaping the legend for American audiences through song. The ever-shifting, age-old tale of King Arthur and his world is one which thrives on adaptation for its survival. New generations tell the story in their own ways, updating or enhancing the rele...
Avalon Revisited
This book contains a collection of essays dealing with different re-workings of the Arthurian myth. The papers trace the Arthurian myth, inquiring into its origins in Ancient Rome, and pointing out influences from the Dark Ages up to the present. Reference is made to oral tradition, visual narrative and iconic messages in manuscript illumination, the myth in medieval chivalry and the decay of the latter. Parallelisms are drawn with Christian figures and beliefs, with Irish literature and Gaelic mythology, and with novels and films. The methodological approaches and points of view show great diversity: from an inquiry into the historical sources of the myth, to comparative literature, inter-textuality, feminist criticism, analysis of cinema up to a refreshing practical classroom exercise.
