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Sanskrit Poetry, from Vidyākara's Treasury
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature, and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interested in this multifaceted and elegant tradition.
The Art of Sanskrit Poetry
This book is both an introduction to Sanskrit and an investigation into the relationship between the nine basic affective states and the form they take in the absence of self-interest according to the theory of Indian aesthetics as developed in the Dhvanyaloka and the Abhinavabharati.
An Anthology of Sanskrit Court Poetry
The stylistic difficulties of Sanskrit court verse and its boldness in dealing with love have hitherto prevented the translation of any of the great Sanskrit anthologies. Daniel Ingalls presents a vivid and unpedantic rendering of the 1739 verses found in the recently discovered anthology of Vidyākara. Separate essays are provided on the style and conventions of the poetry in each of the 50 sections of the collection, while the introduction gives the first general criticism by a Western scholar of the techniques and aims of Classical Sanskrit poetry. The notes offer a wealth of information on Sanskrit style and literature and on Indian antiquities.
Glimpses of Sanskrit Poetics and Poetry
Research papers on various aspects of Sanskrit poetics and modern Sanskrit poetry.
Into the Twilight of Sanskrit Court Poetry
At the turn of the twelfth-century into the thirteenth, at the court of King Laksmanasena of Bengal, Sanskrit poetry showed profound and sudden changes: a new social scope made its definitive entrance into high literature.Ê Courtly and pastoral, rural and urban, cosmopolitan and vernacular confronted each other in a commingling of high and low styles. A literary salon in what is now Bangladesh, at the eastern extreme of the nexus of regional courtly cultures that defined the age, seems to have implicitly reformulated its entire literary system in the context of the imminent breakdown of the old courtly world, as Turkish power expanded and redefined the landscape.Ê Through close readings of a little-known corpus of texts from eastern India, this ambitious book demonstrates how a local and rural sensibility came to infuse the cosmopolitan language of Sanskrit, creating a regional literary idiom that would define the emergence of the Bengali language and its literary traditions.
Sanskrit Poetry, from Vidyakara's Treasury
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interseted in this multifaceted and elegant tradition.
Figurative Poetry in Sanskrit Literature
This book is an attempt at resolving an important tangle, that of the utility of Figurative Poetry in Sanskrit Literature. In the shape of Sabdacitra and Ubhayacitra, connoting verbal juggleries and intellectual riddles this literature amuses vast shades of people, even today. Arthacitra is the real imagist poetry. Even old Sanskrit rhetoricians, Ananda, Abhinava and Panditaraja had a flash of its imagist appeal. The book is divided into seven chapters. Ch. I is introductory. It re-defines poetry and assesses the place of figurative poetry in that context. Ch. II deals with the historicity of different divisions and subdivisions of this branch of poetry as also with some new concepts either co-ordinate with them or contributory to their development. Chs. III & IV discuss the various divisions of Sabdacitra and Ubhayacitra with apt illustrations from copious sources. Chs. V & VI deal with Arthacitra and the development of Citrakavya right from the Vedic age. Ch. VII affirms and establishes the conviction of the concept treated in the previous chapters. The book is documented with Preface, Abbreviations, Appendices, Bibliography and Index.
A Treasury of Sanskrit Poetry
Poems; selected from Vedas, Upanishads and the works of various ancient Sanskrit authors.
History of Sanskrit Poetics
This book has inspired many scholars to study the numerous works on Alankara, to produce papers dealing with several aspects of Alankarasastra and to publish several important texts. The author has made substantial additions and changes in this edition and has included valuable new material.The book is divided into two parts. The first part contains an account of the important works on Alankarasastra, a brief analysis of their contents and the chronology of writers on Alankarasastra and other kindred matters. The second part comprises a review of subjects that fall under the purview of Alankarasastra. The author has attempted to show how from very small beginnings various theories of Poetics and Literary Criticism were evolved, to dilate upon the different aspects of an elaborate theory of Poetics and trace the history of literary theories in India.
