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In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interseted in this multifaceted and elegant tradition.
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated at the royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature, and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interested in this multifaceted and elegant tradition.
In this rich collection of Sanskrit verse, the late Daniel Ingalls provides English readers with a wide variety of poetry from the vast anthology of an eleventh-century Buddhist scholar. Although the style of poetry presented here originated in royal courts, Ingalls shows how it was adapted to all aspects of life, and came to address issues as diverse as love, sex, heroes, nature, and peace. More than thirty years after its original publication, Sanskrit Poetry continues to be the main resource for all interested in this multifaceted and elegant tradition.
The stylistic difficulties of Sanskrit court verse and its boldness in dealing with love have hitherto prevented the translation of any of the great Sanskrit anthologies. Daniel Ingalls presents a vivid and unpedantic rendering of the 1739 verses found in the recently discovered anthology of Vidyākara. Separate essays are provided on the style and conventions of the poetry in each of the 50 sections of the collection, while the introduction gives the first general criticism by a Western scholar of the techniques and aims of Classical Sanskrit poetry. The notes offer a wealth of information on Sanskrit style and literature and on Indian antiquities.
It is multi-volume series work. The main pupose of this work is literary criticism, evaluating a great tradition of literature and to present comprehensive study of sanskrit literature. So far 6 volumes have been published. Each volume presents literature itself in successive periods of its development. Volume VI continues the exploration of Indian Literature (Kavya) into the eleventh century, from Padmagupta and Atula to Hilhana and Manovinoda. In the eleventh century besides what seems to be the culminating point of the storytelling tradition (Bhoja, Ksemendra, Somadeva, etc.), there are a number of surviving long novels, bu Soddhala, Jinesvara, Dhanesvara and Vardhamana. Even epics (e.g. ...
On the life and works of Kālidāsa, Sanskrit poet and dramatist; with English translation of his selected works.
6 Vol. Set, Book pub dates 1988-1994
The Present Volume Deals With The First Nine Hundred Years Of The Medieval Period Of Indian Literary History.A History Of Indian Literature Is An Account Of The Literary Activities Of The Indian People Carried Through In Many Languages And Under Different Social Conditions. It Is The Story Of A Multilingual Literature, A Plurality Of Linguistic Expressions And Cultural Experience And Also Of The Remarkable Unity Underlying Them.