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Wise Women is a collection of autobiographical essays by important and renowned teachers at mid-life. The essays, which are deeply personal, will focus on how these women negotiate the psychological, physical, and social changes brought on by menopause and how the aging process affects their lives as professionals, feminists, writers, mentors, and instructors in the academy. The book addresses such questions as the following: What challenges are left for the feminists who came of age during the women's movement and now have achieved academic success? How do women teachers experience their aging selves in the classroom? What legacy will mid-life women leave their younger women colleagues? All of these questions, as well as many others, are covered in this insightful and groundbreaking work.
Poetry. "'Not the drowned girl but the swimming one,' Rivara writes in ANIMAL BRIDE. These poems are written at the crossroads of womanhood: to be a woman in captivity or a woman breaking free. Like a 21st century Persephone, the woman at the heart of ANIMAL BRIDE journeys out of the underworld of a violent marriage to find strength in her animal self. Bride, wife, mother, lover--Rivara wrestles with many forms of being female, and summons the natural elements of fire and ice, air and water, to become a shapeshifter. I found myself reveling in the lyric energy of these lines, and how the voice grows brasher, more authoritative, more courageous. Poem after poem, there's a gathering strength a...
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This important work, first published in 1934, is a concise statement of Pound's aesthetic theory. It is a primer for the reader who wants to maintain an active, critical mind and become increasingly sensitive to the beauty and inspiration of the world's best literature. With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding "Treatise on Meter" provides an illuminating essay for anyone aspiring to read and write poetry. ABC of Reading displays Pound's great ability to open new avenues in literature for our time.
A few days before his death in 1996, Larry Levis mentioned to his friend and former instructor Philip Levine that he had "an all-but-completed manuscript" of poems. The poems were written in the six years following publication of his previous book, The Widening Spell of the Leaves, and continue and extend the jazz improvisations on themes that gave those poems their resonance. There are poems of sudden stops and threats from the wild: an opossum halts traffic and snaps at pedestrians in posh west Los Angeles; a migrant worker falls victim to the bites of two beautiful black widow spiders; horses starve during a Russian famine; a thief, sitting in the rigging of Columbus's ship, contemplates his work in the New World. The collection culminates in the elegies written to a world in which culture fragments; in which the beasts of burden - the horses, the migrant workers - are worked toward death; a world in which "Love's an immigrant, it shows itself in its work./ It works for almost nothing"; a world in which "you were no longer permitted to know, / Or to decide for yourself, /Whether there was an angel inside you, or whether there wasn't".
PressVisceral, physical, and powerful . . . Giragosian's language is lush, uncanny, haunting. Queer Fish is a book of passions intellectual and animal, crafted by a poet of unmatched compassion and talent. -Jennifer Whitaker
Finalist for the National Book Award and the National Book Critics Circle Award With an epigraph from Freud comparing the mind to a landscape in which all that ever was still persists, The Eternal City offers eloquent testimony to the struggle to make sense of the present through conversation with the past. Questioning what it means to possess and to be possessed by objects and technologies, Kathleen Graber’s award-winning second collection of poetry brings together the elevated and the quotidian to make neighbors of Marcus Aurelius, Klaus Kinski, Walter Benjamin, and Johnny Depp. Like Aeneas, who escapes Troy carrying his father on his back, the speaker of these intellectually and emotionally ambitious poems juggles the weight of private and public history as she is transformed from settled resident to pilgrim.
Drama. Poetry. Literary Nonfiction. In FAUN, Brandi George explores the sudden erasure of human and nonhuman populations from her hometown of Ovid, Michigan. Embodying various voices, forms, and media, a young girl named Lily undergoes a series of transformations guided by nymphs, flora, and fauna. A reworking of Ovid's Metamorphoses, FAUN also reflects on the themes of sexual violence that often occur in the mythic.
In poems alternately hard as "steel piled in a yard" and mysterious as "a handful / of winged insects throbbing against glass," there is real peril here, and real experience -- of travel, of work, of loves found and lives lost. The author teaches at Lynchburg Colllege (2004).