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Finalist for the National Book Award and the National Book Critics Circle Award With an epigraph from Freud comparing the mind to a landscape in which all that ever was still persists, The Eternal City offers eloquent testimony to the struggle to make sense of the present through conversation with the past. Questioning what it means to possess and to be possessed by objects and technologies, Kathleen Graber’s award-winning second collection of poetry brings together the elevated and the quotidian to make neighbors of Marcus Aurelius, Klaus Kinski, Walter Benjamin, and Johnny Depp. Like Aeneas, who escapes Troy carrying his father on his back, the speaker of these intellectually and emotionally ambitious poems juggles the weight of private and public history as she is transformed from settled resident to pilgrim.
An impressive new collection from a poet whose previous book was a finalist for both the National Book Award and the National Book Critics Circle Award Taking its title from Heraclitus's most famous fragment, The River Twice is an elegiac meditation on impermanence and change. The world presented in these poems is a fluid one in which so much—including space and time, the subterranean realm of dreams, and language itself—seems protean, as the speaker's previously familiar understanding of the self and the larger systems around it gives way. Kathleen Graber’s poems wander widely, from the epistolary to the essayistic, shuffling the remarkable and unremarkable flotsam of contemporary life. One thought, one memory, one bit of news flows into the next. Yet, in a century devoted to exponentially increasing speed, The River Twice unfolds at the slow pace of a river bend. While the warm light of ideas and things flashes upon the surface, that which endures remains elusive—something glimpsed only for an instant before it is gone.
This important work, first published in 1934, is a concise statement of Pound's aesthetic theory. It is a primer for the reader who wants to maintain an active, critical mind and become increasingly sensitive to the beauty and inspiration of the world's best literature. With characteristic vigor and iconoclasm, Pound illustrates his precepts with exhibits meticulously chosen from the classics, and the concluding "Treatise on Meter" provides an illuminating essay for anyone aspiring to read and write poetry. ABC of Reading displays Pound's great ability to open new avenues in literature for our time.
Books on journalists typically focus on the dynamics of the newsmaking process. The Politics of News: The News of Politics extends this examination to explore the struggle between journalists, political actors, and the public for control of the news in democratic countries. The book shows how the news media function as an intermediary between governments and citizens, as well as between political actors (such as parties and interest groups) and the public. Essays present a diversity of views and are written by a distinguished group of authors that includes such luminaries as Jim Lehrer, Kathleen Hall Jamieson, Robert Picard, and Andrew Kohut. The Politics of News is policy-oriented. By diagn...
Why do some citizens vote while others do not? Why does less than half of the American voting public routinely show up at the polls? Why is it that the vast majority of political issues affecting our day-to-day lives fail to generate either public interest or understanding? These questions have troubled political scientists for decades. Here, Kathleen Hall Jamieson and Joseph N. Cappella provide the first conclusive evidence to date that it is indeed the manner in which the print and broadcast media cover political events and issues that fuels voter non-participation. This book illustrates precisely how the media's heavy focus on the game of politics, rather than on its substance, starts a "...
Diabetes happens in a life that already has a story. This book, composed of nearly forty personal narratives, based on taped interviews, about the lives of actual patients with diabetes, draws upon the collective experience of an endocrinologist and two nurse practitioners who worked together for twenty-five years. The people who describe their experiences with diabetes range from teenagers to physicians, immigrants, athletes, pregnant women, accountants, a prisoner, and a dairy farmer. They speak of the variety of ways they handle monitoring, diet, insurance coverage, sports, and fashion. Some talk of how they manage to drive trucks for a living or, for recreation, fly airplanes or go spelu...
You are The Girl, and The Girl is a Badass. From the opening lines, it’s clear The Girl at the center of these poems is damaged—which is another way to say she’s a survivor. If the Girl Never Learns moves from the personal to the mythic to the apocalyptic, because The Girl would do anything, even go to hell, to save her soul. So, she resists, takes action to overturn society’s suffocating ideal of Good Girldom. The poems’ sense of breathlessness reflects The Girl’s absolute need to control her own destiny, to outrun her past, while at the same time chasing a future she alone has envisioned and embodied. Because The Girl is, above all else, a badass.
The first collection of poetry Nobel Prize winning Transtromer completed after the debilitating stroke he suffered in 1990. Since its publication, it has sold over 30,000 in Sweden alone. This new bilingual edition offers readers Transtromer's seminal work for the first time as a single version. Transtromer is one of the world's most translated poets with books appearing in numerous editions in over fifty languages, and the recipient of a plethora of literary awards, most recently the Nobel Prize for Literature 2011.
The empty bar that someone was supposed to swing to him Did not arrive, & so his outstretched flesh itself became A darkening trapeze. The two other acrobats were thieves. --from "Elegy with a Darkening Trapeze Inside It" The Darkening Trapeze collects the last poems by Larry Levis, written during the extraordinary blaze of his final years when his poetry expanded into the ambitious operatic masterpieces he is known for. Edited and with an afterword by David St. John and published twenty years after Levis's death, this collection contains major unpublished works, including final elegies, brief lyrics, and a coda believed to be the last poem Levis wrote, a heart-wrenching poem about his son. The Darkening Trapeze is an astonishing collection by a poet many consider to be among the greatest of late-twentieth-century American poetry.
The speaker in Cape Verdean Blues is an oracle walking down the street. Shauna Barbosa interrogates encounters and the weight of their space. Grounded in bodily experience and the phenomenology of femininity, this collection provides a sense of Cape Verdean identity. It uniquely captures the essence of “Sodade,” as it refers to the Cape Verdean American experience, and also the nostalgia and self-reflection one navigates through relationships lived, lost, and imagined. And its layers of unusual imagery and sound hold the reader in their grip.