Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Embodied Performance
Embodied Performance presents a methodology by which performer-interpreters can bring their intuitive interpretations to the scholarly conversations about biblical compositions. It may not be comfortable, for scholarship is out of practice in listening to emotion and intuition. It may not be the only way to bring the fullness of human meaning making into scholarly discussions. It is a beginning, as Sarah Agnew, storyteller and scholar, places herself as the subject and object under examination, observing her practice as a biblical storyteller making meaning through embodied performance, and develops a coherent method rigorously tested with an Embodied Performance Analysis of Romans. Follow S...
Hold Them Close
The poems in Hold Them Close express the joys and hardships of life in its breadth, from the sacred story of Christian spirituality, to the profanity of injustice; through the isolation of the poet and PhD student's life and the deep connections to family, friends, community, and creation. In her third collection of poetry, Sarah Agnew continues to give voice to vulnerability, and thereby seek strength.
First Lady of the Confederacy
When Jefferson Davis became president of the Confederacy, his wife, Varina Howell Davis, reluctantly became the First Lady. For this highly intelligent, acutely observant woman, loyalty did not come easily: she spent long years struggling to reconcile her societal duties to her personal beliefs. Raised in Mississippi but educated in Philadelphia, and a long-time resident of Washington, D.C., Mrs. Davis never felt at ease in Richmond. During the war she nursed Union prisoners and secretly corresponded with friends in the North. Though she publicly supported the South, her term as First Lady was plagued by rumors of her disaffection. After the war, Varina Davis endured financial woes and the l...
Whisper on My Palm
In her fourth poetry collection, Sarah Agnew takes the reader on a poetic journey through community and individual crises of bushfires and the global pandemic, loneliness and friendship, and the grief following her beloved Dad's sudden death. With characteristic courage and vulnerability, these poems will lead you through lament and healing, loss and love, and the continued unfolding of self-understanding.
Lineage Book
Includes inclusive "Errata for the Linage book."
Hold Them Close
The poems in Hold Them Close express the joys and hardships of life in its breadth, from the sacred story of Christian spirituality, to the profanity of injustice; through the isolation of the poet and PhD student’s life and the deep connections to family, friends, community, and creation. In her third collection of poetry, Sarah Agnew continues to give voice to vulnerability, and thereby seek strength.
To Gender or Not to Gender
Can Othello be a woman? Can Ophelia be a man? Why not? Intended for Shakespeare lovers, scholars, and Shakespearean theater professionals, this study explores ways in which gender is being reinterpreted by British and North American productions since the turn of the millennium. First discussing gender theory, including modern, individualistic identity, this book leads to deep shifts in thinking about sex, gender identity and expression, and sexuality seen in 21st century Shakespearean production casting, directing, and acting decisions. The inclusion of selected productions and characters such as Othello, Richard III, Ophelia, and Olivia encourage readers to make use of "category creation" to reinterpret these characters by rethinking gender. Covered productions are divided into three sections including those that "cross-sex" cast, those that "resex" a character, and those that leave open questions of gender considering how terms like "gender-blending," "gender-bending," or "gender-blind" are meaningful in 21st century Shakespeare.
