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Bill Brandt
Bill Brandt was the pre-eminent British photographer of the twentieth century and a founding father of photography's modernist tradition, whose half-century-long career defies neat categorization. This publication presents the photographer's entire oeuvre, with special emphasis on his investigation of English life in the 1930s and his innovative late nudes. The Museum of Modern Art has been exhibiting and collecting Brandt's photographs since the late 1940s, and recently has more than doubled its collection of vintage prints of his work, which form the core of this selection. An essay by Sarah Hermanson Meister sets his life and work in the context of twentieth century photographic history. ...
Picturing New York
Depicting the iconic New York that captivates the world's imagination and the idiosyncratic details that define New Yorkers' sense of home, this anthology of photographs from MoMA's extraordinary collection reveals New York in all its vitality, ambition and beauty.
Lange
The US was in the midst of the Depression when Dorothea Lange (1895-1965) began documenting its impact through depictions of unemployed men on the streets of San Francisco. Her success won the attention of Roosevelt's Resettlement Administration (later the Farm Security Administration), and in 1935 she started photographing the rural poor under its auspices. One day in Nipomo, California, Lange recalled, she "saw and approached [a] hungry and desperate mother, as if drawn by a magnet." The woman's name was Florence Owens Thompson, and the result of their encounter was seven exposures, including Migrant Mother. Curator Sarah Meister's essay provides a fresh context for this iconic work.
WEATHER, WEATHER
Combines text and original artwork in a meditation on weather and how it affects humans using photographs from the Museum of Modern Art.
Life of the City
The vitality of New York City - its energy, ambition and beauty - has long inspired great photographers, from Berenice Abbott to Garry Winogrand, from Lisette Model to Lee Friedlender. Composed of works selected from the collection of The Museum of Modern Art, Life of the City celebrates the great and continuing tradition of photography about New York. The book explores the drama of New York's architecture, ranging from cavernous brick canyons and towering stone pinnacles to humble storefronts and tenements. It captures the city's glittering lights - outdoors on the skyline and in the flash of speeding cars, indoors at a string of the urban venues where people come together, from nightclubs and jazz rooms to society galas and parties. Most of all there are New Yorkers themselves - the city's bakers and builders, its politicians and policemen, its solitary nighttime strollers, its morning crowds of pedestrians hurrying to work, its individuals who, in the photographs of Cindy Sherman, seem to be living out some cultural myth of what it means to belong in and to one of America's greatest urban centres.
Arbus, Friedlander, Winogrand
Catalog of an exhibition held at the Museum of Modern Art, New York.
The Hampton Album
Selected from an album of photographs orginally made for the Paris Exposition of 1900. Exhibited in the Edward Steichen Photography Center, Museum of Modern Art, in Jan. 1966.
Jan Groover, Photographer
"This book offers a discovery: for the first time a comprehensive monograph explores the entire oeuvre of photographic artist Jan Groover (1943-2012), whose personal collection was transferred to the Swiss-based Musée de l'Elysée in 2017. Generously illustrated, 'Jan Groover, photographer: laboratory of forms' traces the artist's career from the beginnings in America to her late years in western France. Having started her career as a painter, when she turned to photography in the 1970s she developed a distinct artistic attitude that saw her amalgamate the disciplines of photography and painting. She was especially known for her carefully composed photographic still-lifes. Essays on her life and work, her significance as an artist, alongside a very personal contribution by her husband, French artist and critic Bruce Boice, complement the images."--Back cover.
The Shape of Things
Catalog of an exhibition held October 29, 2016-May 7, 2017.
Masterworks of Modern Photography 1900-1940. The Thomas Walther Collection at the Museum of Modern Art, New York. Ediz. Illustrata
The extraordinary fecundity of the photographic medium between the first and second world wars can be persuasively attributed to the dynamic circulation of people, of ideas, of images, and of objects that was a hallmark of that era in Europe and the United States. Voluntary and involuntary migration, a profusion of publications distributed and read on both sides of the Atlantic, and landmark exhibitions that brought artistic achievements into dialogue with one another all contributed to a period of innovation that was a creative peak both in the history of photography and in the field of arts and letters. Few, if any, collections of photography capture the imaginative spirit of this moment as convincingly as the Thomas Walther Collection at The Museum of Modern Art.0This volume represents an important chapter in the rich and complex lives of these works, providing ample evidence of the brilliance of the photographers practicing on both sides of the Atlantic in the interwar period.00Exhibition: Museo d'arte della Svizzera italiana, Lugano, Switzerland (25.04-01.08.2021) / Jeu de Paume, Paris, France (14.09.2021-30.01.2022) / CAMERA, Turin, Italy (03-06.2022).
