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The Fruits of Empire
The Fruits of Empire is a history of American expansion through the lens of art and food. In the decades after the Civil War, Americans consumed an unprecedented amount of fruit as it grew more accessible with advancements in refrigeration and transportation technologies. This excitement for fruit manifested in an explosion of fruit imagery within still life paintings, prints, trade cards, and more. Images of fruit labor and consumption by immigrants and people of color also gained visibility, merging alongside the efforts of expansionists to assimilate land and, in some cases, people into the national body. Divided into five chapters on visual images of the grape, orange, watermelon, banana, and pineapple, this book demonstrates how representations of fruit struck the nerve of the nation’s most heated debates over land, race, and citizenship in the age of high imperialism.
Romantic Capabilities
Studying works by William Blake, Walter Scott, and Jane Austen, this volume examines the extent to which Romantic literary works can be said to prefigure the ways in which readers will engage with them after the time of their creation.
Playing It Straight
Outgrowth of the author's thesis (Yale University, 2007) under the title: The plague of jocularity: contesting humor in American art and culture, 1863-1893.
Knowing the West
This expansive survey of the art and culture of the American West presents richly diverse works by more than 35 distinct Native American nations considered alongside non-Native artists from the late eighteenth to early twentieth centuries. Knowing the West encourages deeper consideration of the variety of cultures that together reflect the complex histories and stories of the American West. Astonishing in range, historical significance, medium, and quality, more than 120 artworks by Native American and non-Native artists are presented—including textiles, baskets, paintings, pottery, beadwork, saddles, and prints—including many by women. The artworks are shown in meaningful dialogue, such...
Finder
Ash works part time for the Missing Persons Department in Washington DC. When the kidnapping case of six children proves to be very difficult, her other part time job coworkers show up unexpectedly on her doorstep, The covert SATU (Special Abduction Tactical Unit) hired by global leaders to find and abduct some of the world's most evil and bring them back for justice, with the use of their special forces training, along with abilities of telepathy, projection, psychometry, The Find for the six missing children was challenging enough but when the kidnapper takes one of the teams own children he signed his death warrant.
The Power of Objects in Eighteenth-Century British America
Over the course of the eighteenth century, Anglo-Americans purchased an unprecedented number and array of goods. The Power of Objects in Eighteenth-Century British America investigates these diverse artifacts—from portraits and city views to gravestones, dressing furniture, and prosthetic devices—to explore how elite American consumers assembled objects to form a new civil society on the margins of the British Empire. In this interdisciplinary transatlantic study, artifacts emerge as key players in the formation of Anglo-American communities and eventually of American citizenship. Deftly interweaving analysis of images with furniture, architecture, clothing, and literary works, Van Horn ...
The Urgency of Indigenous Values
In this book, Philip Arnold utilizes a collaborative method, derived from the “Two-Row Wampum” (1613) and his 40 year relationship with the Haudenosaunee, in exploring the urgent need to understand Indigenous values, support Indigenous Peoples, and to offer a way toward humanity’s survival in the face of ecological and environmental catastrophe. Indigenous values connect human beings with the living natural world through ceremonial exchange practices with non-human beings who co-inhabit the homelands. Arnold outlines Indigenous traditions of habitation and ceremonial gift economies and contrasts those with settler-colonial values of commodification where the land and all aspects of mat...
In Contemporary Rhythm
The definitive retrospective on Ernest L. Blumenschein (1874-1960), one of the founders of the Taos Society of Artists and perhaps the most accomplished of all the painters associated with that organization. Reproducing masterworks from a new exhibit along with additional works and historical photographs, this volume forms the most comprehensive assemblage of his paintings ever published.
A Strange Mixture
Attracted to the rich ceremonial life and unique architecture of the New Mexico pueblos, many early-twentieth-century artists depicted Pueblo peoples, places, and culture in paintings. These artists’ encounters with Pueblo Indians fostered their awareness of Native political struggles and led them to join with Pueblo communities to champion Indian rights. In this book, art historian Sascha T. Scott examines the ways in which non-Pueblo and Pueblo artists advocated for American Indian cultures by confronting some of the cultural, legal, and political issues of the day. Scott closely examines the work of five diverse artists, exploring how their art was shaped by and helped to shape Indian p...
Placing Islam
A free ebook version of this title is available through Luminos, University of California Press’s Open Access publishing program. Visit www.luminosoa.org to learn more. For centuries, the Mosque of Eyüp Sultan has been one of Istanbul’s most important pilgrimage destinations, in large part because of the figure buried in the tomb at its center: Halid bin Zeyd Ebû Eyûb el-Ensârî, a Companion of the Prophet Muhammad. Timur Hammond argues here, however, that making a geography of Islam involves considerably more. Following practices of storytelling and building projects from the final years of the Ottoman Empire to the early 2010s, Placing Islam shows how different individuals and groups articulated connections among people, places, traditions, and histories to make a place that is paradoxically defined by both powerful continuities and dynamic relationships to the city and wider world. This book provides a rich account of urban religion in Istanbul, offering a key opportunity to reconsider how we understand the changing cultures of Islam in Turkey and beyond.
