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A history of the School of Oriental and African Studies in London from its foundation in 1916.
The city of Nairobi is a rich context for the study of sociolinguistic phenomena. The coexistence of speakers of many different languages, further differentiated by socio-economic status, age and ethnicity provide conditions for the development of a mixed code such as Sheng, an urban variety of Kenyan Swahili which has morphed from a "youth language" into a vernacular of wider use. Sheng is a unique phenomenon in the study of linguistic change and innovation in an African context, a reflection of the ethnolinguistic diversity of Kenya, and language asymmetry created by socio-economic disparities. It also provides a window into understanding the processes of urban multilingualism, within the ...
Arab painting, preserved mainly in manuscript illustrations of the 12th to 14th centuries, is here treated as an artistic corpus fully deserving of appreciation in its own terms, and not as a mere precursor to Persian painting. The book assembles papers by a distinguished list of scholars that illuminate the variety of material that survives in scientific as well as literary manuscripts. Because of the contexts in which the paintings appear, a major theoretical concern is, precisely, the relationship of painting to text. It rejects earlier scholarly habits of analysing paintings in isolation, and proposes the integration of text and image as a more satisfactory framework within which to elucidate the characteristics and functions of this impressive body of work.
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