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Early Irish Sculpture and the Art of the High Crosses
An exciting new account of Irish high crosses This landmark study of Irish high crosses focuses on the carvings of an unnamed artist, the "Muiredach Master," whose monuments--completed in the early years of the 10th century--deserve a place alongside the Book of Kells as great works of their time. Drawing on a wealth of recent research, Roger Stalley describes in vivid detail how the crosses were made, where they were carved, and how they were lifted into place. His lively prose situates the works in their context, identifying patrons and exploring their motives, as well as venturing to understand what the crosses may have meant to those who gazed at them a millennium ago. In doing so, Stalley rejects preconceived notions about the imagery of the crosses, including the extent to which they were inspired by images from abroad.
Nineteenth-century Irish Sculpture
Paula Murphy, the leading expert on Irish sculpture, offers an extensive survey of the history of sculpture in Ireland in the nineteenth century, with particular emphasis on the large public works produced during the Victorian period. The works of such major figures as Patrick MacDowell, John Henry Foley, Thomas Kirk, and Thomas Farrell are discussed --as well as works by a host of lesser-known sculptors, including John Edward Carew, Christopher Moore, James Cahill, and Joseph Robinson Kirk. Lavishly illustrated, the book covers the work of many Irish sculptors who practiced abroad, particularly in London, and the work of English sculptors, including John Flaxman, Francis Chantrey, E. H. Baily, and Richard Westmacott, who were located in Ireland. Murphy makes extensive use of contemporary documentation, much of it from newspapers, to present the sculptors and their work in the religious and political context of their time. Published for the Paul Mellon Centre for Studies in British Art
Irish High Crosses
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Performance Art in Ireland
The first book devoted to Irish performance art and the first attempt at a history of this art form in the north and south of Ireland, this book brings together contributions by prominent Irish artists and major academics. It features rigorous critical and theoretical analysis as well as historical commentaries that provide an absorbing sense of the rich histories of performance art in Ireland. Presenting diverse visual documentation of performance art practices, this collection shows how performance art in Ireland engaged with--and in turn influenced and led by--contemporary performance and live art internationally. Copublished with the Live Art Development Agency.
Medieval C. 400-C. 1600
His is a sweeping, gloriously illustrated celebration of 1,600 years of Irish art and architecture. In five handsome, deeply researched volumes, Art and Architecture of Ireland provides an authoritative and fully illustrated account of the art and architecture of Ireland from the early Middle Ages to the end of the 20th century. Each volume has its own expert editor or editorial team and covers a specific area or chronological period. More than 250 scholars from around the world, who represent a broad range of disciplines, contribute texts that range from thematic and general to articles on techniques and historical developments, biographical entries, bibliographies, lists of artists and com...
Oliver Sheppard, 1865-1941
"The period from the 1890s to the 1930s was one of important cultural and political change in Ireland. The sculpture of Oliver Sheppard represented this - from the Celtic Revival to the Irish Free State. He was born into an artisan sculptor's family and grew up in Dublin's northside. He began his studies at the Dublin Metropolitan School of Art and continued in London (under Edouard Lanteri) and in Paris. In 1902 he returned to work in Dublin where he was the leading teacher of sculpture until his retirement in 1937. Sheppard's sensitive clay modelling was in the Romantic-Realist style of French and British sculpture of the late 19th century and he excelled in the subtle modelling of the bod...
Irish High Crosses
A study of the form, function & mystery of these Christian monuments scattered across Ireland.
Irish Public Sculpture
This book tells the story of public art in I reland from the High Croses of the Celtic period to the scul pture trails of today. It is also intended to serve as a ref erence book for those engaged in commissioning and making pu blic art today. '
Irish Art
Irish art of the early Christian era is justly celebrated. So, too, are the individual contributions of artists such as Jack B. Yeats. What is perhaps less widely accepted is the existence of a continuing and developing tradition of Irish art from the earliest times to the present day. Bruce Arnold traces the complex evolution of Irish art through three millennia, showing how it has drawn on Celtic, Anglo-Saxon, Norman, Mediterranean and other diverse sources. As the story unfolds, Arnold repatriates Irish artists who are frequently regarded as 'English'--including William Mulready, Daniel Maclise and James Barry--and shows how Irish painting and sculpture, illuminated manuscripts, metalwork and architecture together form a rich and distinctive cultural heritage.
From Ireland Coming
Lying at Europe's remote western edge, Ireland long has been seen as having an artistic heritage that owes little to influences beyond its borders. This publication, the first to focus on Irish art from the eighth century AD to the end of the sixteenth century, challenges the idea that the best-known Irish monuments of that period-the high crosses, the Book of Kells, the Tara Brooch, the round towers-reflect isolated, insular traditions. Seventeen essays examine the iconography, history, and structure of these familiar works, as well as a number of previously unpublished pieces, and demonstrate that they do have a place in the main currents of European art. While this book reveals unexpected...
