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Stone Mad
First published in 1966, this acclaimed Irish classic is an account of time as an apprentice stonecarver by a craftsman who was one of Ireland’s most respected sculptors. The young Seamus Murphy, studying modelling at the Crawford School of Art in Cork in the 1920s, took the unusual step of apprenticing himself to a master stone carver to learn the ancient craft of the mason. ‘Stone Mad’ tells the story of his seven years of growing knowledge of the challenges and joys of stone – and of the men who worked it. His artistic feeling for quality responded to his workmates’ reverence for the ‘well made thing’. The result is a book of surpassing beauty, full of warmth, humour and profound perception.
A Darkness Visible
Afghanistan is a collection of stunning, lyrical photographs from an acclaimed, prize-winning photojournalist. From 1994 to 2006, Seamus Murphy photographed the effects of the Taliban regime, the tumultuous years of civil war, and the historical elections following the fall of the Taliban. Alongside scenes of war and politics, his magnificent photographs capture intimate images of domesticity, work, and leisure. Seamus Murphy has won six World Press Photo awards and has received widespread acclaim for his work in Afghanistan and the Middle East.
The Hollow of the Hand
FINALIST IN THE PHOTO BOOK CATEGORY OF THE PICTURES OF THE YEAR AWARD Between 2011 and 2014 PJ Harvey and Seamus Murphy set out on a series of journeys together to Kosovo, Afghanistan, and Washington DC. Harvey collected words, Murphy collected pictures, and together they have created an extraordinary chronicle of our life and times. The Hollow of the Hand marks the first publication of Harvey's powerful poetry, in conversation with Murphy's indelible images. It is a landmark project and will be published internationally in October 2015. As PJ Harvey says: 'Gathering information from secondary sources felt too far removed for what I was trying to write about. I wanted to smell the air, feel ...
The Casino and Society in Britain
This book is a study of the British casino industry and how it has been shaped by criminality, prohibition, regulation and liberalization since the beginning of the First World War. The reader will gain a detailed knowledge of the history, culture, identity and participants within the British casino industry, which has, to date, escaped the attention of a dedicated historical and criminological investigation. This monograph fills this gap in inquiry while drawing on primary source material that has not been used previously, including, but not confined to, records in the National Archives relating to the Gaming Board of Great Britain and the Metropolitan Police. In addition to archive material, oral histories, newspapers, published journals and books have been utilised and referenced where appropriate. Envisaged to close a gap in historical research, this book will be of interest to historians, criminologists, regulators, students and individuals interested in gambling, society and cultural history.
The Casino and Society in Britain
This book is a study of the British casino industry and how it has been shaped by criminality, prohibition, regulation and liberalization since the beginning of the First World War. The reader will gain a detailed knowledge of the history, culture, identity and participants within the British casino industry, which has, to date, escaped the attention of a dedicated historical and criminological investigation. This monograph fills this gap in inquiry while drawing on primary source material that has not been used previously, including, but not confined to, records in the National Archives relating to the Gaming Board of Great Britain and the Metropolitan Police. In addition to archive material, oral histories, newspapers, published journals and books have been utilised and referenced where appropriate. Envisaged to close a gap in historical research, this book will be of interest to historians, criminologists, regulators, students and individuals interested in gambling, society and cultural history.
The American Dance Festival
The American Dance Festival has been a magnet drawing together diverse artists, styles, theories, and dance training methods; from this creative mix the ADF has emerged as the sponsor of performances by some of the greatest choreographers and dance companies of our time. Jack Anderson traces the development of ADF from its beginnings in New England to its seasons at Duke University. He displays the ADF for the multidimensional creature it is—a center for performances, a school for the best young dancers in the country, and a provider of community and professional services.
