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The Library of Ancient Wisdom
A tour of an ancient library transports readers to Mesopotamia, introducing us to its people, their ideas, and their humanity. The library of Ashurbanipal, Assyria's last great king, held more than thirty thousand documents, an astonishing collection at the forefront of knowledge in its day, from ancient traditions in religion and literature to the latest developments in magic and medicine. When the Assyrian empire fell, the library burned to the ground, and its contents, cuneiform tablets impressed in clay, lay buried for thousands of years until a team of Victorian archaeologists discovered the remnants in modern-day Iraq. The clay had baked and hardened; the very fire that consumed the li...
The Shape of Stories
How were narratives composed in the ancient Near East? What patterns and principles, constraints and considerations guided the shaping of cuneiform stories? The study of narrative structures has emerged as a promising approach to the textual heritage of the cuneiform world. Engaging with practically any ancient text—whether literary, historical, or religious—requires some understanding of the narrative forms that shaped their content. This volume gives researchers the tools to better understand those form, illustrating each approach to narrative analysis with a case study from the cultures of the ancient Near East: Sumerian, Babylonian, Assyrian, and Hittite.
Legitimising Magic
As magic is a powerful means to influence the natural world and human beings, and is deeply connected to the divine sphere, persons using it are in constant need to justify its use. The ambivalence of magic to serve both well-wishing and ill-wishing aims puts the practitioners ever at risk. This volume illuminates the strategies adopted to legitimise the practice of magic and analyses how these justifications are phrased and formulated in cuneiform texts, thereby revealing the underlying principles and unexplained axioms of using magic in the Ancient Near East.
Gilgamesh
A poem for the ages, freshly and accessibly translated by an international rising star, bringing together scholarly precision and poetic grace Gilgamesh is a Babylonian epic from three thousand years ago, which tells of King Gilgamesh’s deep love for the wild man Enkidu and his pursuit of immortality when Enkidu dies. It is a story about love between men, loss and grief, the confrontation with death, the destruction of nature, insomnia and restlessness, finding peace in one’s community, the voice of women, the folly of gods, heroes, and monsters—and more. Millennia after its composition, Gilgamesh continues to speak to us in myriad ways. Translating directly from the Akkadian, Sophus Helle offers a literary translation that reproduces the original epic’s poetic effects, including its succinct clarity and enchanting cadence. An introduction and five accompanying essays unpack the history and main themes of the epic, guiding readers to a deeper appreciation of this ancient masterpiece.
Weapons of Words: Intertextual Competition in Babylonian Poetry
In Weapons of Words: Intertextual Competition in Babylonian Poetry Selena Wisnom offers an in-depth literary study of three poems central to Babylonian culture: Anzû, Enūma eliš, and Erra and Išum. Fundamentally interconnected, each poem strives to out-do its predecessors and competes to establish its protagonist, its ideals, and its poetics as superior to those that came before them. The first of its kind in Assyriology, Weapons of Words explores the rich nuances of these poems by unravelling complex networks of allusion. Through a sophisticated analysis of literary techniques, Selena Wisnom traces developments in the Akkadian poetic tradition and demonstrates that intertextual readings are essential for a deeper understanding of Mesopotamian literature.
Gilgamesh
"Reflections on a lost poem and its rediscovery by contemporary poets. Gilgamesh is the most ancient long poem known to exist. It is also the newest classic in the canon of world literature. Lost for centuries to the sands of the Middle East but found again in the 1850s, it tells the story of a great king, his heroism, and his eventual defeat. It is a story of monsters, gods, and cataclysms, and of intimate friendship and love. Acclaimed literary historian Michael Schmidt provides a unique meditation on the rediscovery of Gilgamesh and its profound influence on poets today. Schmidt describes how the poem is a work in progress even now, an undertaking that has drawn on the talents and obsessi...
Script and Society
By the 13th century BC, the Syrian city of Ugarit hosted an extremely diverse range of writing practices. As well as two main scripts – alphabetic and logographic cuneiform - the site has also produced inscriptions in a wide range of scripts and languages, including Hurrian, Sumerian, Hittite, Egyptian hieroglyphs, Luwian hieroglyphs and Cypro-Minoan. This variety in script and language is accompanied by writing practices that blend influences from Mesopotamian, Anatolian and Levantine traditions together with what seem to be distinctive local innovations. Script and Society: The Social Context of Writing Practices in Late Bronze Age Ugarit explores the social and cultural context of these...
Dirt and Denigration
Jack J. Lennon examines those groups in ancient Rome that were most frequently attacked using the language of dirtiness and contamination, whether because of their profession, ethnicity, or social position. Focusing on those that commonly laboured under the stigma of impurity, he considers the significance of denigration in Roman society, which he defines as attacks against individuals based specifically on their alleged dirtiness. The author demonstrates the importance of dirtiness as a mechanism within the wider processes of social and political interactions and marginalisation. In so doing he goes beyond the existing discussions of who was labelled unclean in ancient Rome to reveal how th...
The Divine/Demonic Seven and the Place of Demons in Mesopotamia
In The Divine/Demonic Seven and the Place of Demons in Mesopotamia, Gina Konstantopoulos analyses the Sebettu, a group of seven divine/demonic figures found across a wide range of Mesopotamian textual and artistic sources in Mesopotamia from the late third to first millennium BCE. The Sebettu appeared both as fierce, threatening demons and as divine, protective, figures. These seemingly contradictory qualities worked together, as their martial ferocity facilitated their religious and political role. When used in royal inscriptions, they became fierce warriors attacking the king’s enemies, retaining that demonic nature. This flexibility was not unique to the Sebettu, and this study thus provides a lens through which to examine the place of demons in Mesopotamia as a whole.
"The Scaffolding of Our Thoughts"
Francesca Rochberg has for more than thirty-five years been a leading figure in the study of ancient science. Her foundational insights on the concepts of “science,” “canon,” “celestial divination,” “knowledge,” “gods,” and “nature” in cuneiform cultures have demanded continual contemplation on the tenets and assumptions that underlie the fields of Assyriology and the History of Science. “The Scaffolding of Our Thoughts” honors this luminary with twenty essays, each reflecting on aspects of her work. Following an initial appraisal of ancient “science” by Sir Geoffrey Lloyd, the contributions in the first half explore practices of knowledge in Assyriological sources. The second half of the volume focuses specifically on astronomical and astrological spheres of knowledge in the Ancient Mediterranean. "This excellent Festschrift, dedicated to Francesca Rochberg, offers fascinating insight into the world of ancient magic and divination." -Lena-Sofia Tiemeyer, Journal for the Study of the Old Testament 43.5 (2019)
