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Human Nature as Capacity
What is it to be human? What are our specifically human attributes, our capacities and liabilities? Such questions gave birth to anthropology as an Enlightenment science. This book argues that it is again appropriate to bring “the human” to the fore, to reclaim the singularity of the word as central to the anthropological endeavor, not on the basis of the substance of a human nature – “To be human is to act like this and react like this, to feel this and want this” – but in terms of species-wide capacities: capabilities for action and imagination, liabilities for suffering and cruelty. The contributors approach “the human” with an awareness of these complexities and particularities, rendering this volume unique in its ability to build on anthropology’s ethnographic expertise.
Reflections on Imagination
In this innovative volume, anthropologists turn their attention to a topic that has rarely figured as a focus of concerted investigation and yet which can be described as an intrinsic aspect of all human knowing and part of all processes by which human beings process information about themselves, their identities, their environments and their relations: the imagination. How do anthropologists use imagination in coming to know their research subjects? How might they, and how should they, use their imagination? And how do research subjects themselves understand, describe, justify and limit their use of the imagination? Presenting a range of case studies from a variety of locations including th...
Filmmaking for fieldwork
Designed for researchers seeking new ways to explore their field and media professionals aiming to extend their practice, this filmmaking handbook shows you how to plug in to issues at the intersection of documentary cinema and ethnography. Exploring the unique potential for filmmaking to describe lifeworlds and the role of video editing in generating new ideas about human experience, it offers practical and theoretical advice for those making their first films. Based on over twenty years of teaching and industry experience, Filmmaking for fieldwork aims to inspire the development of core skills in camera use, sound recording and editing that can be applied to sensory, observational, participatory, reflexive and immersive modes of storytelling. Written for a multi-disciplinary audience, this book covers all stages necessary to produce a documentary film, from conception through to preparation, production, editing and distribution.
Beyond the Visible and the Material
The contributors to this volume explore the legacy of Peter Rivière, recently-retired Professor of Social Anthropology, University of Oxford, in the development of the anthropology of Amazonia. This international group of leading specialists contributes to the substantial and growing body of Amazonian ethnography, discussing topics which include kinship and genealogy, the village as a unit of ethnographic observation and analysis, the human body in political and social processes, and gender relationships as aspects of political cosmological thinking. In addition the ethnology of the Guianas receives particular emphasis, as do the themes of shamanism, history, and colonialism as they have affected this region. In showing how alive the field of Amazonian anthropology has become, whilst pointing to conceptual aspects in need of further elaboration, the contributors demonstrate their shared conviction that the impact of Amazonian ethnology is becoming comparable to that of African ethnology in the 1950s and Melanesian ethnology in the 1980s.
Film As Ethnography
This work examines the reasons why anthropologists have not used the camera as a research instrument or film as a means of communicating ethnographic knowledge. It suggests that images and words in this discipline operate on different logical levels; that they are hierarchically related; that whereas writings may encompass the images produced by film, the inverse of this cannot be true. The author argues for this position further by suggesting that the visual is to the written mode as "thin description" (giving a record of the form of behaviour) is to "thick description" (giving an account of meaning).
The Adventure of the Real
Though relatively unsung in the English-speaking world, Jean Rouch (1917–2004) was a towering figure of ethnographic cinema. Over the course of a fifty-year career, he completed over one hundred films, both documentary and fiction, and exerted an influence far beyond academia. Exhaustively researched yet elegantly written, The Adventure of the Real is the first comprehensive analysis of his practical filmmaking methods. Rouch developed these methods while conducting anthropological research in West Africa in the 1940s–1950s. His innovative use of unscripted improvisation by his subjects had a profound impact on the French New Wave, Paul Henley reveals, while his documentary work launched the genre of cinema-vérité. In addition to tracking Rouch’s pioneering career, Henley examines the technical strategies, aesthetic considerations, and ethical positions that contribute to Rouch’s cinematographic legacy. Featuring over one hundred and fifty images, The Adventure of the Real is an essential introduction to Rouch’s work.
Handbook of Research Methods and Applications for Social Movements
This cutting-edge and authoritative Handbook covers a broad spectrum of social movement research methodologies, offering expert analysis and detailed accounts of the ways by which research can effectively be carried out on social movements and popular protests. Addressing practice-oriented questions, this Handbook engages with both theoretical and political considerations, unpacking the multidimensional nature of social movement research.
Rethinking Visual Anthropology
This text brings together a collection of essays by leading anthropologists, covering an entire range of visual representation and including discussions on the anthropology of art, the study of landscape, and the history of anthropology.
Redrawing Anthropology
Why should anthropologists draw? The answer proposed in this groundbreaking volume is that drawing uniquely brings together ways of making, observing and describing. In twelve chapters, a team of authors from the UK, Europe, North America and Australia explore the potential of a graphic anthropology to change the way we think about creativity and perception, to grasp the dynamics of improvisatory practice, and to refocus the study of material culture from ready-made objects onto the flows of materials involved in the generation of things. Drawing on expertise in fields ranging from craftwork, martial arts, and dance to observational cinema and experimental film, they ask what it means to fol...
Ethnicity & Conflict in the Horn of Africa
Social conflict is routinely attributed to ethnic differentiation because divinding lines between rival groups often follow ethnic contours; and cultural symbolism has often proved a potent ideological weapon. The purpose of this book is to examine the nature of the bond linking ethnicity to conflict in a variety of circumstances. The ten case studies from the Sudan, Ethiopia, Uganda and Kenya are based on primary research by anthropologists and historians who have long experience of the region. North America: Ohio U Press; Uganda: Fountain Publishers; Kenya: EAEP
