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Comics and Stuff
Considers how comics display our everyday stuff—junk drawers, bookshelves, attics—as a way into understanding how we represent ourselves now For most of their history, comics were widely understood as disposable—you read them and discarded them, and the pulp paper they were printed on decomposed over time. Today, comic books have been rebranded as graphic novels—clothbound high-gloss volumes that can be purchased in bookstores, checked out of libraries, and displayed proudly on bookshelves. They are reviewed by serious critics and studied in university classrooms. A medium once considered trash has been transformed into a respectable, if not elite, genre. While the American comics of...
Projections
“A fascinating read for anyone with an interest in the graphic novel, its origins, and its continuing evolution as a literary art form.” —Midwest Book Review When Art Spiegelman’s Maus won the Pulitzer Prize in 1992, it marked a new era for comics. Comics are now taken seriously by the same academic and cultural institutions that long dismissed the form. And the visibility of comics continues to increase, with alternative cartoonists now published by major presses and more comics-based films arriving on the screen each year. Projections argues that the seemingly sudden visibility of comics is no accident. Beginning with the parallel development of narrative comics at the turn of the ...
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The Graphic Novel
This book provides both students and scholars with a critical and historical introduction to the graphic novel. Jan Baetens and Hugo Frey explore this exciting form of visual and literary communication, showing readers how to situate and analyse graphic novels since their rise to prominence half a century ago. Several key questions are addressed: what is the graphic novel? How do we read graphic novels as narrative forms? Why is page design and publishing format so significant? What theories are developing to explain the genre? How is this form blurring the categories of high and popular literature? Why are graphic novelists nostalgic for the old comics? The authors address these and many other questions raised by the genre. Through their analysis of the works of many well-known graphic novelists - including Bechdel, Clowes, Spiegelman and Ware - Baetens and Frey offer significant insights for future teaching and research on the graphic novel.
Word Myths
Wilton debunks the most persistently wrong word histories and gives the real stories behind perennial mis-etymologized words.
Comics through Time
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. Comics and graphic novels have recently become big business, serving as the inspiration for blockbuster Hollywood movies such as the Iron Man series of films and the hit television drama The Walking Dead. But comics have been popular throughout the 20th century despite the significant effects of the restrictions of the Comics Code in place from the 1950s through 1970s, which prohibited the depiction of zombies and use of the word "horror," among many other rules. Comics through Time...
To Anyone Who Ever Asks: The Life, Music, and Mystery of Connie Converse
ONE OF THE NEW YORKER'S BEST BOOKS OF THE YEAR CHOSEN BY PITCHFORK AS ONE OF THE TEN BEST MUSIC BOOKS OF 2023 ONE OF LOUDER THAN WAR'S BEST BOOKS OF THE YEAR SHORTLISTED FOR THE PLUTARCH AWARD INCLUDED IN PUBLISHERS WEEKLY'S SEVEN BOOKS FROM 2023 YOU SHOULDN'T OVERLOOK "It takes a great journalist to find the stories behind the mysteries we carry. Howard Fishman has done that with his superb examination of Connie Converse." - Ken Burns "Nothing short of remarkable." - Publishers Weekly "A massive and fascinating feat." - MOJO Magazine The true story of Connie Converse - a mid-century New York singer and songwriter, who mysteriously disappeared - and one writer's quest to understand her life....
Drawing from the Archives
This book proposes a new history of the graphic novel by examining how it recirculates older comics in the present.
Tears on the Church House Floor
Do you ever cry out for God’s attention? Like the blind man who called out for Jesus’s healing, have you ever hoped for a miracle if only you could get God’s attention, hoping that he might turn your way and send you relief from life’s burdens? But what happens when we call out to God and hear no answer or receive no miracle? Has God passed us by, or are we missing something else with our blindness? In Tears on the Church House Floor, author Dan Pratt shares a deeply personal story about the grief that he and his family experienced in a traumatic year of their lives, losing a grandson, a mother, and beloved pet. But more than that, it is a story of the incredible God who did not just stop and turn to aid them in a moment; rather, God wove himself into their lives over a fifty-year period to prepare this family for a season of grief. Your tears matter to God. Each tear is collected by his Holy Spirit because he values you and will not leave you alone in your sorrows. While we may not see the whole story at each step in the journey, there is a coming day when we will see clearly all that God has done in our lives.
Deitch's Pictorama
Presenting a new type of graphic fiction from a legendary family inAmerican cartooning. Underground cartoonist Kim Deitch has recruited his entirecast of siblings to produce a unique, all-new "picto-fiction" pocket book.Deitch's Pictorama leads off with Kim's comic "The Sunshine Girl." Thenit's time for Seth's prose short story "Children of Aruf," about a man and hisdog... in a world where dogs talk. Third up is "Unlikely Hours," a paranoidpicto-story about a conspiracy of sentient rats written by Seth and illustratedby Kim. Next comes "The Golem," once again written by Seth and decorated with aseries of superb pencil illustrations by Simon, a prose novella about themythical Jewish monster/protector. Kim wraps with "The Cop on the Beat, the Manin the Moon and Me," one last comic - this one autobiographical. The bookfeatures an introduction by the Academy Award-winning animator, cartoonist andillustrator Gene (Tom and Jerry) Deitch, who happens to be the proudfather of the trio.
