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Costumes of Egypt, the lost legacies résume des décennies de recherche par Shahira Mehrez : il s'agit d'un ouvrage en quatre volumes qui recense et retrace l'origine de modes vestimentaires et de bijoux égyptiens jusqu'ici non documentés, dont la plupart sont aujourd'hui tombés en désuétude. Les costumes étudiés dans ce premier volume établissent qu'au-delà des situations géographiques éloignées, au-delà des diversités religieuses et ethniques, à travers des milliers d'années d'histoire et de civilisations successives, Nubiens, paysans de la Vallée du Nil, bédouins et habitants des oasis, à la fois chrétiens et musulmans, ont été les héritiers d'un même patrimoine. Anciens et nouveaux emblèmes se sont fondus dans une même tradition, définissant une identité égyptienne multiforme mais harmonieuse.Ils constituent une preuve indéniable et tangible de l'unité du pays et témoignent du fait que, tout au long de leur histoire, ces différentes communautés ont constitué les différentes facettes d'une nation multiculturelle et pluraliste.
The guide described by The New York Times as "indispensable," revised and updated for 2008, fills a vital niche for expatriates and Cairenes alike who need a helping hand to organize--and enjoy--the challenges of a sojourn in Cairo. The basics of daily life--finding a flat, transporting personal goods, investigating school options for children, navigating Egypt's famous bureaucracy, and the intricacies of feeding and clothing oneself and one's family from the local market--are all detailed here. Advice gathered from a wide range of Cairo insiders, both native and foreign, gives the reader a cornucopia of current facts on prices, neighborhoods, product availability, work and business opportun...
A thought-provoking and richly illustrated look at tradition and innovation in the work of the world-renowned architect
Walks the visitor around two hundred of the city's most interesting Islamic monuments
This book consists of a collage of images that attempts to convey the transformation of consumer culture and how it is related to the urban reshaping of the city of Cairo to meet with the demands of globalisation. Analyzing the shift from socialist economy to the opening up of Egypt’s economy, and how this has affected everyday life of the middle classes, the author touches on various themes such as the general changing lifestyles and conspicuous consumption, the spread of mobile phones, and coffee shops, the gated communities and secondary resorts. The “folklorisation of culture” through the flowering tourist industry, the expansion of local crafts, plastic surgery and the body as a site of consumption are all analysed. Although being influenced by the discourse of the Frankfurt school on the culture industry, this work attempts to highlight the paradoxes pertaining to the democratising effects of consumer culture without denying the growing flagrant class polarisation.
Hassan Fathy, the Egyptian architect known for his recognition of the potential of vernacular forms as a vital force in contemporary architectural design, sought to integrate the traditions of Islamic art with his modern visions for living. Guided by Fathy's principles, Ahmad Hamid, an architect who collaborated with Hassan Fathy in the Institute for Appropriate Technology, identifies questions about the nature of Islamic art and its building culture, as well as the origins of modern architecture. This richly illustrated book provides new insights into Hassan Fathy's profuse, pathbreaking design documents and built projects, while exploring the socioeconomic, environmental, psychological, and esthetic components of Fathy's work in the light of a quest for a new universal modernity for the twenty-first century.
Costumes of Egypt: The Lost Legacies sums up decades of Shahira Mehrez's research: it is a four-volume work recording and tracing the origin of hitherto undocumented ways of dressing and jewelry of Egyptian women, most of which have today become obsolete. The costumes surveyed in this first volume establish the fact that irrespective of distant geographic locations, beyond religious and ethnic diversity, and throughout thousands of years of history and successive civilizations, Nubians, Nile Valley peasants, Bedouins and oasis dwellers, both Christian and Muslim, were heirs to the same legacy. Old and new emblems were melted into one tradition, defining a multifaceted but harmonious Egyptian identity. This tradition provides undeniable and tangible proof of the unity of the country and bears witness to the fact that throughout history these various communities were the different parts of a multicultural and pluralistic nation.
This book is an exciting study of clothing as a complex cultural expression. The author analyses contemporary social meanings found in the symbols of dress and shows the way groups and individuals use the symbols like a language to reveal or conceal significant aspects of their personal identities. Reveal and Conceal contains thirty-three line drawings, clearly depicting the various modes and differences in dress. Forty-eight photographs are included in the book, most of which were taken by the author during her extensive interviews with the women and men of the Egyptian villages and cities she researched.
In this book the author uses primarily Arabic sources to discuss the transmission of the Black Death to the Middle East and the devastation the disease caused on the society and economics in Egypt and Syria.
An examination of how American newspaper articles on Muslims are strikingly negative by any measure. For decades, scholars and observers have criticized negative media portrayals of Muslims and Islam. Yet most of these critiques are limited by their focus on one specific location, a limited time period, or a single outlet. In Covering Muslims, Erik Bleich and A. Maurits van der Veen present the first systematic, large-scale analysis of American newspaper coverage of Muslims through comparisons across groups, time, countries, and topics. The authors demonstrate conclusively that coverage of Muslims is remarkably negative by any measure. They show that American newspapers have been consistentl...