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Hatkata
মলাটের জগন্নাথ প্রতীকী। রং আর তুলিতে উন্মোচিত শিল্পীর এক অসামান্য শিল্পকর্ম। বাঙালির জগন্নাথ দেবালয়ের বিগ্রহ-মাত্র নয়, জগতের নাথ-মাত্র নয়, খণ্ডিত অঙ্গে তিনি আবহমানকাল ঠুঁটো। বিতান চক্রবর্তীর ষষ্ঠ গ্রন্থ, যা একাধারে লেখকের প্রথম উপন্যাসিকা, “হাতকাটা”, মধ্য ও নিম্ন-মধ্যবিত্ত যুবার দৈনন্দিনতার প্রতিফলন।
Chinha
গ্রন্থ সংখ্যার বিচারে চার নম্বর হলেও, গল্পের বই হিসেবে “চিহ্ন” বিতান চক্রবর্তীর দ্বিতীয় বই। প্রথম বইটির মতোই গল্প লেখা আর গল্প বলা মিলেমিশে এক হয়ে গেছে এই বইটির সাতটি গল্পে। “গল্পগুলো পাঠকদের ভাবাবে”—বললে সুবিচার করা হবে না; বলা উচিত, এই গল্পগুলো আপনাদের টেনে নি...
Avinetar Journal
A collection of Bengali prose by well-known story-writer, Bitan Chakraborty
Landmark
None
Santiram-er Cha
তরুণ বিতান সাহিত্যকে ‘করে খাওয়া’-র একটি উপায় ভাবেনি। বরং সে এক সন্ধানী। সে মার-খাওয়া চরিত্রদের পিছু ধাওয়া করে তাদের অন্তর জানতে চেয়েছে। তার গল্পগুলিতে হাততালি পাওয়া নাটকীয়তা নেই। বরং আছে মৃদু স্বপ্ন, থাপ্পড় দেওয়া বাস্তব। অল্প কিছু মানুষকে ভোগের আনন্দ দিতে গিয়ে অধ...
A Bengali Lady in England by Krishnabhabini Das (1885)
This is a translation from Bengali to English of the first ever woman’s travel narrative written in the late nineteenth century when India was still under British imperial rule with Bengal as its capital. Krishnabhabini Das (1864–1919) was a middle-class Bengali lady who accompanied her husband on his second visit to England in 1882, where they lived for eight years. Krishnabhabini wrote her narrative in Bengali and the account was published in Calcutta in 1885 as England-e Bongomohila [A Bengali Lady in England]. This anonymous publication had the author’s name written simply as “A Bengali Lady”. It is not a travel narrative per se as Das was also trying to educate fellow Indians ...
Manottama
Published in 1868, Manottama is the first Bengali novel written by an unnamed Bengali woman identifying herself as 'A Woman belonging to the Hindu Lineage, ' which is technically not a pseudonym. Somehow evading the attention of literary historians, the text, or any detailed information about it was unavailable for a long time till it was unearthed by a researcher in London only in 2010. The subject of this novel is interesting because it tells us about the pitfalls of female education in the nineteenth century, a period that also saw the emancipation of Bengali women through education in a significant way. Written in the traditional Indian Puranic style of narration, with plenty of sub-plots and digression and without conforming to the western dictates of unity of time, place, and action, it provides a domestic picture where an educated wife has to compromise with the activities and worldview of an uneducated husband. A rudimentary attack on patriarchy, the slim novel needs greater attention now after more than a century of neglect
Khirer Putul - The Doll of Condensed Milk
English rendering of Abanindranath Tagore's Khirer Putul.
The Whispering Tree
Lovers can define love. What happens when a poet turns lover? He interprets it as a fever that "subsides after a week of nightmares." The poet describes fondness, if it fits as a perfect synonym of 'love, ' as smallpox. The lover bears "scarred memories" until death. He marks love as cancer that takes time to get diagnosed. The poet finds it insane as lovers "murmur, sing, laugh, quarrel, / and roam around, all, alone." Love, as he expounds, becomes "sweetest" when ubiquitous, and thus, he emerges as Radha. The merger was on the cards, perhaps! Had this not been true, Satchidanandan won't have corroborated love with the maladies. He became one with Radha and named it "unrealized!" Who else can portray love, if not a poet, in the light of the gopi who never admitted her attainment? A sense of submission prevails in this collection
Whorelight
The prostitution of light to rescue us from our darkness. The poems in this collection rescue me, take me through light to infallible hope and take every stray feeling to where they belong. whorelight: A collection of fifty-four free verses.
