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Impressions of Southern Italy
Naples was conventionally the southernmost stop of the Grand Tour beyond which, it was assumed, lay violent disorder: earthquakes, malaria, bandits, inhospitable inns, few roads and appalling food. On the other hand, Southern Italy lay at the heart of Magna Graecia, whose legends were hard-wired into the cultural imaginations of the educated. This book studies the British travellers who visited Italy's Southern territories. Spanning the late eighteenth century to the mid-twentieth century, the author considers what these travellers discovered, not in the form of a survey, but as a series of unfolding impressions disclosing multiple Southern Italies. Of the numerous travellers analysed within...
The Second Battlefield
This book investigates the connection between women's writing about WWI and the development of literary modernisms, focusing on issues of gender which remain topical today. Drawing on a wealth of unpublished diaries and letters, the book examines the way in which the new roles undertaken by women triggered a search for new forms of expression. Blending literary criticism and history, the book contributes to the scholarship of women and expands our definition of modernisms.
Boys in Khaki, Girls in Print
Generously illustrated, Boys in Khaki, Girls in Print is a scholarly yet accessible illumination of a hitherto untapped resource of women's writing and makes an important new contribution to the study of the literature of the Great War."--BOOK JACKET.
The Artistry of Exile
The Artistry of Exile is a new study of one of the most important myths of nineteenth-century literature. Romantic poetry abounds with allusions to the loss of Eden and the isolation of figures who are 'sick for home'. This book explores the way such thematic preoccupations are modified by the material reality of enforced travel away from home.
Comparing Grief in French, British and Canadian Great War Fiction (1977-2014)
Comparing Grief in French, British and Canadian Great War Fiction (1977-2014) offers a comparative analysis of twenty-three First World War novels. Engaging with such themes as war trauma, facial disfigurement, women’s war identities, communal bonds, as well as the concepts of mourning and post-memory, Anna Branach-Kallas and Piotr Sadkowski identify the dominant trends in recent French, British and Canadian fiction about the Great War. Referring to historical, sociological, philosophical and literary sources, they show how, by both consolidating and contesting national myths, fiction continues to construct the 1914-1918 conflict as a cultural trauma, illuminating at the same time some of our most recent ethical concerns.
A Sisterhood of Suffering and Service
As the body of First World War literature continues to grow, women’s experiences of this period remain largely obscure, particularly those of Canadian and Newfoundland women. A Sisterhood of Suffering and Service explores this obscurity and begins to redress it. This innovative collection discusses women’s activities in the workforce, overseas, within the domestic realm, and in literary representations to show that women were not bystanders who were quietly knitting for the duration; rather, they actively participated in wartime society, served their country in a variety of ways, made sacrifices, and were deeply affected by the vagaries of war. Incorporating the experiences of Newfoundland with those of Canada, and looking at girls as well as women, the volume enriches our knowledge of an important era in Canadian nation building and takes a step towards writing women into the historical narratives of the First World War.
Lesbian Empire
A critical reading of sexually radical fiction by British women in the years during and after World War I. Gay Wachman examines work by Sylvia Townsend Warner, Virginia Woolf and Radclyffe Hall, along with the less well known Clemence Dane, Rose Allatini and Evadne Price. These writers, she states, created a modernist literary tradition -one that functioned both within and against the repressive ideology of the British Empire.
Shell Shock, Memory, and the Novel in the Wake of World War I
This book helps readers understand the extent to which shell shock continues to shape modern memories of the First World War.
Facing Armageddon
Facing Armageddon is the first scholarly work on the 1914-18 War to explore, on a world-wide basis, the real nature of the participants experience. Sixty-four scholars from all over the globe deliver the fruits of recent research in what civilians and servicemen passed through, in the air, on the sea and on land.
Catching the Torch
Catching the Torch examines contemporary novels and plays written about Canada’s participation in World War I. Exploring such works as Jane Urquhart’s The Underpainter and The Stone Carvers, Jack Hodgins’s Broken Ground, Kevin Kerr’s Unity (1918), Stephen Massicotte’s Mary’s Wedding, and Frances Itani’s Deafening, the book considers how writers have dealt with the compelling myth that the Canadian nation was born in the trenches of the Great War. In contrast to British and European remembrances of WWI, which tend to regard it as a cataclysmic destroyer of innocence, or Australian myths that promote an ideal of outsize masculinity, physical bravery, and white superiority, contem...
