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Chinese Modernity and Socialist Feminist Theory
This book assembles translations of the work of leading critical socialist feminist Song Shaopeng, presenting a concise narrative which theorizes China’s political and social development through a gendered lens. Providing insightful editor introductions, the book explores poignant themes from the late imperial to the contemporary eras to examine the evolution of Chinese socialist feminism. This includes analysis of the relationship between the party-state and the women’s movement, the gains and losses of collectivism for women’s liberation, and the inadequacy of contemporary gender studies in China at addressing the ongoing influence of political economy on the lives of women in China. Offering a succinct exploration of the historical and theoretical context of Song Shaopeng’s writings, this book will be a valuable resource for students and scholars of Chinese history and politics, as well as those of Chinese feminism and intellectual history.
Chinese Feminism Faces Globalization
Examining Chinese domestic as well as international circumstances surrounding the emergence of an independent women's movement in Beijing in the 1990s, this book seeks to explain how such a movement could have arisen after the repression of student activists in Tiananmen Square in 1989. It also places this emergence in the context of theories of social movements, civil society and globalization.
Not Just a Laughing Matter
This book offers the first comprehensive and in-depth exploration of the way Chinese humor fits into broader discourses on Chinese identity and modernity in an increasingly globalized world throughout the period of modern China. It brings together the expertise of scholars from a variety of disciplines – history, literature, linguistics, anthropology, sociology and the study of popular culture – to examine the many forms and modes in which political humor is expressed in modern China: films, cartoons, the visual arts, oral performances and online satire.
Telling Stories to Change the World
Telling Stories to Change the World is a powerful collection of essays about community-based and interest-based projects where storytelling is used as a strategy for speaking out for justice. Contributors from locations across the globe—including Uganda, Darfur, China, Afghanistan, South Africa, New Orleans, and Chicago—describe grassroots projects in which communities use narrative as a way of exploring what a more just society might look like and what civic engagement means. These compelling accounts of resistance, hope, and vision showcase the power of the storytelling form to generate critique and collective action. Together, these projects demonstrate the contemporary power of stories to stimulate engagement, active citizenship, the pride of identity, and the humility of human connectedness.
Marginalization in China
Bringing together historians, sociologists, and political scientists, this volume documents persistent prejudices against consistently marginal groups in China, and the moral claims they have mustered in response.
Transnationalism in East and Southeast Asian Comics Art
This book explores various aspects of transnationalism and comics art in six East Asian and seven Southeast Asian countries/territories. The 14 richly illustrated chapters embrace comics, cartoons, and animation relative to offshore production, transnational ownership, multinational collaboration, border crossings of comics art creators and characters, expansion of overseas markets, cartoonists in political exile, colonial underpinnings, adaptation of foreign styles and formats, representation of other cultures, and more. Using case studies, historical accounts, descriptive overviews, individual artists’ profiles, and representational analyses, and fascinatingly told through techniques as document use, interviews, observation, and textual analyses, the end result is a thorough, interesting, and compact volume on transnationalism and comics art in East and Southeast Asia.
Maoist Laughter
WINNER — 2020 Choice’s Outstanding Academic Title During the Mao years, laughter in China was serious business. Simultaneously an outlet for frustrations and grievances, a vehicle for socialist education, and an object of official study, laughter brought together the political, the personal, the aesthetic, the ethical, the affective, the physical, the aural, and the visual. The ten essays in Maoist Laughter convincingly demonstrate that the connection between laughter and political culture was far more complex than conventional conceptions of communist indoctrination can explain. Their sophisticated readings of a variety of genres—including dance, cartoon, children’s literature, come...
Premarital Abortion in China
Drawing on participant observations, in-depth interviews, and content analysis of online materials, Lai investigates the role of individual choice, relationships, and institutions in unmarried Chinese women’s decisions to terminate their pregnancies. Where many previous studies have focused on abortion in China as a state-mandated procedure to enforce the one-child policy, Lai looks at a new era, where abortion is primarily based on individuals’ decisions. While young women in China enjoy greater freedom to pursue their personal, sexual, and reproductive aspirations, their autonomy remains constrained by structural inequalities of gender, class, and migration status, which are reproduced through the intersection of state policies, market forces, and patriarchal family culture. In this book, Lai recounts the stories and presents the voices of unmarried young adult women, and documents the impact of sweeping socioeconomic transformation on their reproductive experiences in contemporary China amidst the ending of the one-child policy. Essential reading for scholars of Chinese society and of family and gender studies globally.
Xiangsheng and the Emergence of Guo Degang in Contemporary China
This book explores xiangsheng, one of the most popular folk art performance genres in China, its enlistment by official propaganda machine after the founding of the People’s Republic of China (PRC) and its revival in popularity under Guo Degang and his Deyun Club. Just as the 1950's saw the shift of xiangsheng 's social function from entertainment to the political tool of ‘serving the party’, Guo Degang has completed the paradigm shift by turning its focus back to ‘serving the people’ as a means of entertainment and social criticism. This volume examines how Guo has resurrected the essence of xiangsheng, successfully commercialised it in a market economy, and simultaneously deconstructed the official discourse through grassroots means.
Sensing China
This book presents the first collection of studies of the senses and sensory experiences in China, filling a gap in sensory research while offering new approaches to Chinese Studies. Bringing together 12 chapters by literary scholars and historians, this book critically interrogates the deeply rooted meanings that the senses have coded in Chinese culture and society. Built on an exploration of the sensorium in early Chinese thought and late imperial literature, this book reveals the sensory manifestations of societal change and cultural transformation in China from the nineteenth century to the present day. It features in-depth examinations of a variety of concepts, representations, and prac...
