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This book documents Johannesburg Pride from 1990 to 2005, and Cape Town's inagurual Pride in 1993.
Working-class stories are not always tales of the underprivileged and dispossessed. Common People is a collection of essays, poems and memoir written in celebration, not apology: these are narratives rich in barbed humour, reflecting the depth and texture of working-class life, the joy and sorrow, the solidarity and the differences, the everyday wisdom and poetry of the woman at the bus stop, the waiter, the hairdresser. Here, Kit de Waal brings together thirty-three established and emerging writers who invite you to experience the world through their eyes, their voices loud and clear as they reclaim and redefine what it means to be working class. Features original pieces from Damian Barr, Malorie Blackman, Lisa Blower, Jill Dawson, Louise Doughty, Stuart Maconie, Chris McCrudden, Lisa McInerney, Paul McVeigh, Daljit Nagra, Dave O’Brien, Cathy Rentzenbrink, Anita Sethi, Tony Walsh, Alex Wheatle and more.
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Written by an impressive selection of academics, attorneys, researchers, and activists, these essays explore the national debate in South Africa on the topic and consequences of their Civil Union Act. Contributions critically examine the legislative and advocacy process of marriage, the institution of marriage itself, and the meanings attached to it for lesbian, gay, bisexual, transgender, and intersex people. The combination of historical documents, personal reflections, and academic and activist analyses of same-sex marriage makes this collection invaluable for understanding this historic journey and its legal, social, cultural and religious ramifications.
A powerful critique of urban development in greater Johannesburg since the end of apartheid in 1994.
Defiant Desire records the lives of lesbian and gay South Africans of all races as they have lived in the face of censure, denial and oppression. The history of gay identity in South Africa is here in its past and present aspects: from a drag salon in Woodstock to a gay "shebeen" in kwaThema; from a church in a Pretoria nightclub to Johannesburg's lesbian and gay pride march; from Afrikaans love poetry to new activism. The book is a document of lesbian and gay struggle, and indispensable for those interested in the sexual politics coursing beneath the country's troubled passage to democracy.
This volume was first published by Inter-Disciplinary Press in 2013. As social constructs, masculinities and femininities are continually being challenged and reconstructed, and in so doing, new subjectivities are re/produced. The boundaries of gender thus remain both violent and vulnerable; violent in the Butlerian sense of subject formation and normative gender policing, and vulnerable as they are fraught with possibilities for new ways of gendering and new definitions of sexual difference. This volume thus examines the boundaries of masculinities and femininities through various cultural, socio-historical, and political contexts, and the tensions which arise from the constant challenges and reconstructions. Violent and Vulnerable Performances: Challenging the Gender Boundaries of Masculinities and Femininities contains fourteen chapters which demonstrate the situatedness of gender, and its impacts on race, class, sex, the body, identity, language, work, the family, and further cultural, socio-political, and economic processes.
The South African Truth and Reconciliation Commission was a noble attempt to begin to address the continuing traumatic legacy of Apartheid. This interdisciplinary collection critiques the work of the TRC 20 years since its establishment. Taking the paralysing political and social crises of the mid-1990s in South Africa as starting point, the book contains a collection of responses to the TRC that considers the notions of crisis, judgment and social justice. It asks whether the current political and social crises in South Africa are linked to the country’s post-apartheid transitional mechanisms, specifically, the TRC. The fact that the material conditions of the lives of many Apartheid victims have not improved, forms a major theme of the book. Collectively, the book considers the ‘unfinished business’ of the TRC.