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Tastes and Temptations
"John Varriano's book is not only a delightful read but draws fascinating parallels between two hitherto disparate fields: art history and the history of food in the Renaissance. Outstanding scholarship that opens whole new venues of inquiry."--Ken Albala, author of Eating Right in the Renaissance and Beans: A History "Art history and food history have traditionally been separate disciplines, parallel universes. In this book John Varriano makes a cosmic leap and lures the two into a stimulating, provocative, and always entertaining study--a tasting menu of gastronomic and visual delights."--Gillian Riley, author of The Oxford Companion to Italian Food "With wit and erudition, John Varriano s...
Art History and Its Institutions
"What is art history? The answer depends on who asks the question. Museum staff, academics, art critics, collectors, dealers and artists themselves all stake competing claims to the aims, methods, and history of art history. Dependent on and sustained by different - and often competing - institutions, art history remains a multi-faceted field of study. Art History and Its Institutions focuses on the professional and institutional formation of art history, showing how the discourses that shaped its creation continue to define the field today. Grouped into three sections, articles examine the sites where art history is taught and studied, the role of institutions in conferring legitimacy, the relationship between modernism and art history, and the systems that define and control it. From museums and universities to law courts and photography studios, the contributors explore a range of different institutions, revealing the complexity of their interaction and their impact on the discipline of art history." --BOOK JACKET.
Poussin's Paintings
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Landscape Narratives
This text covers the most popular types of landscapes designed today, from garden and park design, historic preservation and restoration, to community and regional planning.
The Art of Music
"The Art of Music takes the relationship between two of the more prominent and oft-intersecting branches of artistic creation as its subject. The liaison between music and the visual arts has inspired countless generations of artists. The two have had manifold complex interactions across all periods of history, in Western and non-Western contexts alike, yet their intersection has only become a rich vein for research by art historians and musicologists in the last thirty years. By tracing these relationships, new insights into the affinities of the arts become clear"--
The Moment of Caravaggio
A major reevaluation of Caravaggio from one of today's leading art historians This is a groundbreaking examination of one of the most important artists in the Western tradition by one of the leading art historians and critics of the past half-century. In his first extended consideration of the Italian Baroque painter Michelangelo Merisi da Caravaggio (1573-1610), Michael Fried offers a transformative account of the artist's revolutionary achievement. Based on the A. W. Mellon Lectures in the Fine Arts delivered at the National Gallery of Art, The Moment of Caravaggio displays Fried's unique combination of interpretive brilliance, historical seriousness, and theoretical sophistication, provid...
Parody and Festivity in Early Modern Art
Dwelling on the rich interconnections between parody and festivity in humanist thought and popular culture alike, the essays in this volume delve into the nature and the meanings of festive laughter as it was conceived of in early modern art. The concept of 'carnival' supplies the main thread connecting these essays. Bound as festivity often is to popular culture, not all the topics fit the canons of high art, and some of the art is distinctly low-brow and occasionally ephemeral; themes include grobianism and the grotesque, scatology, popular proverbs with ironic twists, and a wide range of comic reversals, some quite profound. Many hinge on ideas of the world upside down. Though the chapters most often deal with Northern Renaissance and Baroque art, they spill over into other countries, times, and cultures, while maintaining the carnivalesque air suggested by the book's title.
Poussin and Nature
"The work of the great French painter Nicolas Poussin (15941665) is most often associated with classically inspired settings and figures depicting solemn scenes from mythology or the Bible. Yet he also created some of the most influential landscapes in Western art, endowing them with a poetic quality that has been admired by artists as different as Constable, Turner, and Ce;zanne. As the British critic William Hazlitt noted in 1844, 'This great and learned man might be said to see nature through the glass of time'. This beautiful catalogue presents the first in-depth examination of Poussin's landscapes. Featured here are more than 40 paintings, ranging from the artist's early Venetian-inspired pastorals to his grandly structured and austere works, designed as metaphors or allegories for the processes of nature. Also included are approximately 60 drawings and essays by internationally renowned scholars who examine the painter's visual, literary, and philosophical influences as well as his relationships with his patrons and his place in the art-historical canon."--Publisher description.
Kermes 94/95
Numero doppio, 160 pagine, cm21x29,7, brossura, illustrato a colori, anno 2015 Questo numero speciale di Kermes, nell’ambito delle celebrazioni per il 350° anniversario della morte di Nicolas Poussin (1594-1665), esce in concomitanza con la mostra ‘Poussin et Dieu’ che il Musée du Louvre presenta nella primavera del 2015. Omaggio al ‘pittore-filosofo’, il volume si pone quale strumento scientifico di riferimento che riporta lo stato dell’arte a livello internazionale negli studi tecnici poussiniani e accompagna la mostra come adeguato complemento al catalogo per la comprensione scientifica delle tematiche. La pubblicazione è stata l’occasione per attivare un dibattito intern...
