Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
1960Now
A “powerful photo collection” documenting the Black Lives Matter movement and its parallels to the historic fight for civil rights (Publishers Weekly). The fight for equality continues, from 1960 to now. Combining portraits of past and present social justice activists with documentary images from recent protests throughout the United States, #1960Now sheds light on the parallels between the 1960s Civil Rights Movement and the Black Lives Matter movement of today. Shelia Pree Bright’s striking black-and-white photographs capture the courage and conviction of ‘60s leaders and a new generation of activists, offering a powerful reminder that the fight for justice is far from over. #1960Now represents an important new contribution to American protest photography. “Visually arresting . . . activism photography shot across the U.S., from Ferguson, Missouri, to Atlanta to Philadelphia.” —Essence “While millions of cellphone photos are generated each day—some forceful testaments to racial violence and injustice—few possess the grace and quiet lyricism of her images.” —The New York Times Lens blog
Young Americans (2017)
Young Americans examine the attitudes and values of Generation Y as American citizens. The series shows diverse young Americans who are new to the voting system and exploring ideas of what it means to be American. The sitters expressed their perspectives in a statement and posed in their chosen stance with the American flag. Young Americans series exhibited as a solo show at the High Museum of Atlanta in 2008, curated by Julian Cox, Deputy Directo Chief Curator of the Art Gallery of Ontario, Canada.
A Different Kind of Order
Every three years the curators of New York's International Center of Photography gather the most interesting contemporary photography and video from around the world to explore a specific issue, trend, or movement. Past Triennials have focused on themes of identity, environmentalism and fashion. The 2013 Triennial, A Different Kind of Order, presents a variety of artworks that illuminate the new visual and social territory in which photography operates today. Created by 27 international artists, these works--photographs, films, videos, installations, performances and other media--reflect the growing influence of new paradigms associated with digital image making and networking. Approximately...
Devour the Land
Tracing the impacts of militarism on the American landscape, through the lens of art, environmental studies, and politics Devour the Land considers how contemporary photographers have responded to the US military's impact on the domestic environment since the 1970s, a dynamic period for environmental activism as well as for photography. This catalogue presents a lively range of voices at the intersection of art, environmentalism, militarism, photography, and politics. Alongside interviews with prominent contemporary artists working in the landscape photography tradition, the images speak to photographers' varied motivations, personal experiences, and artistic approaches. The result is a surp...
Sheila Pree Bright - Suburbia
American photographer, Bill Owens, documented the suburbs in the early 1970’s producing a body of work using a photo-journalistic approach. Also, Gregory Crewdson examined the suburbs in 1990’s, capturing large color photographs in a cinematic way showing psychological portrayals of white suburban lifestyles. Middle class multi-ethnic lifestyles do not have a presence within the contemporary art world. In 'Suburbia', I explore suburban life within the African American culture. It is intended to show a contrast between the American media’s projection of “typical” African American communities and a realistic picture of normal African American daily life.
Everyone I Love is a Stranger to Someone
Look, the future is all telepathy and disappointment and pretending we haven't always been winging it. Every day we're the strongest we'll ever be. What doesn't kill you hasn't killed you yet. From Greek mythology to Top 40, Pavlov to Sartre, the space station to the zoo, "Everyone I Love is a Stranger to Someone" collides dark humor and unexpected sweetness.
Contact High
ONE OF AMAZON'S BEST ART & PHOTOGRAPHY BOOKS 0F 2018 AN NPR AND PITCHFORK BEST MUSIC BOOK OF 2018 PICK ONE OF TIME'S 25 BEST PHOTOBOOKS OF 2018 NEW YORK TIMES, ASSOCIATED PRESS, WALLSTREET JOURNAL, ROLLING STONE, AND CHICAGO SUN HOLIDAY GIFT GUIDE PICK The perfect gift for music and photography fans, an inside look at the work of hip-hop photographers told through their most intimate diaries—their contact sheets. Featuring rare outtakes from over 100 photoshoots alongside interviews and essays from industry legends, Contact High: A Visual History of Hip-Hop takes readers on a chronological journey from old-school to alternative hip-hop and from analog to digital photography. The ultimate companion for music and photography enthusiasts, Contact High is the definitive history of hip-hop’s early days, celebrating the artists that shaped the iconic album covers, t-shirts and posters beloved by hip-hop fans today. With essays from BILL ADLER, RHEA L. COMBS, FAB 5 FREDDY, MICHAEL GONZALES, YOUNG GURU, DJ PREMIER, and RZA
The Decisive Moment
One of the most famous books in the history of photography, this volume assembles Cartier-Bresson's best work from his early years.
Photography – A Feminist History
*** 'An epic and fascinating book.' The Bookseller 'Emma Lewis' sprawling new book shines a light on overlooked feminist histories' - AnOther Magazine How did the abolitionist movement interact with women's entry into the field of photography? What does the medium have to do with menstrual taboos? Is there even such a thing as a 'feminist image'? Whether working in the studio or on the front line, women have contributed to every aspect of photography's short history. For some, gender is front and centre; for others, it's merely incidental. All have been affected by the power structures beyond their camera lenses. Far too many have been, and continue to be, overlooked. Mapping photographic de...
A Box of Ten Photographs
In 1971, with an advertisement in the June issue of Artforum, Diane Arbus announced the offering of her limited-edition portfolio, A box of ten photographs. At the time of her death, one month later, only four were sold. Two were purchased from Arbus by Richard Avedon; another by Jasper Johns. The last of the four was purchased by Bea Feitler, art director at Harper's Bazaar. Arbus signed the prints in all four sets, and each was accompanied by an overlying vellum sheet inscribed with an extended caption. For Feitler, Arbus added an eleventh photograph. This is the first publication to focus exclusively on A box of ten photographs, using the eleven-print set that Arbus assembled for Feitler....
