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Great Lakes Logia
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Western Voices in Canadian Art
The story of artists in Western Canada, and how they changed the face of Canadian art “Listen to the visual voices of artists. They tell us so poignantly who we are, what we must cherish, and what we must address as a society.” Patricia Bovey Throughout her remarkable career as a gallery director, curator, and author, Patricia Bovey has tirelessly championed the work of Western Canadian artists. Western Voices in Canadian Art brings this lifelong passion to a crescendo, delivering the most ambitious survey of Western Canadian Art to date. Beginning with the earliest European-trained artists in Western Canada, and moving up to present day, Bovey amplifies the depth, scope, and importance ...
Margaret and I
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Border Crossings
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Alberta Art and Artists
Alberta Trade Non-Fiction Book Award nominee 2008 Just as Canada is often overlooked or undervalued within the international art world, the province of Alberta has struggled against being overlooked within the national context, despite its rich art history and vigorous and ever-changing art scene. Alberta Art and Artists, by former vice-president of collections at the Glenbow Museum Patricia Ainslie and art critic and journalist Mary-Beth Laviolette, provides a comprehensive visual record of the historical, modern, and contemporary art scene in Alberta. Throughout three sections, Ainslie and Laviolette provide introductions to the art they describe, explaining beginnings and development of movements, art schools, sketch clubs, galleries, and artist-run centres; the significance of artists and teachers to those institutions and movements; and the importance of social and political context to all artistic events. Also included in this fantastic volume are the biographies of each of the artists showcased.
Silver
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C Magazine
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Annual Report
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Euphoria and Dystopia
Euphoria and Dystopia: The Banff New Media Institute Dialogues is a compendium of some of the most important thinking about art and technology to have taken place in the last few decades at the international level. Based on the research of the Banff New Media Institute (BNMI) from 1995 to 2005, the book celebrates the belief that the creative sector, artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. The book is organized by key themes that have underscored the dialogues of the BNMI and within each are carefully ed...
