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Taiping Guangji A Collection of Ancient Novels in China; Theme of Karma (Vol. 102-145)
"Taiping Guangji" （太平广记） is the first collection of ancient classical Chinese documentary novels. The book has 500 volumes with 10 catalogues . It is a kind of book based on the documentary stories of the Han Dynasty and the Song Dynasty. 14 people including Li Fang, Hu Mongolian ﹑ Li Mu , Xu Xuan , Wangke Zhen , Song white , Lv Wenzhong worked under Song Taizong Emperor’s command for the compilation. It began in the second year of Taiping Xingguo (977 A.D) and was completed in the following year (978 Ad.). This book is basically a collection of ancient stories compiled by category. The book is divided into 92 categories according to the theme, and is divided into more than 1...
“Liaozhai” 聊斋志异; Strange Tales from a Chinese Lonely Studio (Complete Translation)
Liaozhai Zhiyi (Liaozhai; Chinese: 聊齋, or 聊齋誌異), called in English Strange Tales from a Chinese Lonely Studio is a collection of Classical Chinese stories by Pu Songling comprising close to five hundred "marvel tales" in the zhiguai and chuanqi styles which serve to implicitly criticise societal issues then. Dating back to the Qing dynasty, its earliest publication date is given as 1740. Since then, many of the critically lauded stories have been adapted for other media such as film and television. The main characters of this book apparently are ghosts, foxes, immortals and demons, but the author focused on the everyday life of commoners. He used the supernatural and the unexplainable to illustrate his ideas of society and government. He criticized the corruption and injustice in society and sympathized with the poor. The book is complete translation of all volumes (Vol. 1 to 12) of Liaozhai.
Above Clouds
From soil to cloud, from valley to peak, From dark to bright, in this complex and changeable world, What one could take as life, What one could take as an enlightenment. The story revolves around two characters: Guang He and Sheng He: Guang He was abandoned by his mother and abused by his stepmother when he was a child, and after he grew up, he was sentenced to ten years' imprisonment for injuring a person by mistake, and after his release from prison, he searched for the road to redemption; Sheng He was born in the darkness, but preferred to be bright, and was trapped in the valley, but his heart belonged to the mountains; she is a ray of light that shone through the jungle when Guang He sunk in the darkness of the fog, and she is a resilient straw when Guang He plunged into the dangerous shoals. She is a soft straw when Guang He falls into the dangerous shoals of the rapids. Do people who have made mistakes deserve to be forgiven? How can the goodness drowned by the prejudices of the world seek redemption? Please don't let your words become the knife that kills. How to achieve salvation for others and salvation for oneself? Who pays for the sins of all?
Bleating in Southern California
As R. W. Emerson says, by necessity, by proclivity, and by delight, we all quote. As B. Disraeli says, the wisdom of the wise and the experience of the ages are perpetuated by quotations. Confucius and Lao-tzu are famous philosophers in ancient China, who still have a great influence over modern Chinese. Besides, many Chinese proverbs and idioms also keep swaying modern Chinese. A lot of Western proverbs and quotations also make a dent in modern Chinese. One of the main purposes of my book is to promote the understanding between the East and the West. My book consists of hundreds Chinese and Western quotations and proverbs, which are witty, inspirational, self-improving, or humorous. As the ...
China, East Asia and the Global Economy
Takeshi Hamashita, arguably Asia's premier historian of the longue durée, has been instrumental in opening a new field of inquiry in Chinese, East Asian and world historical research. Engaging modernization, Marxist and world system approaches, his wide-ranging redefinition of the evolving relationships between the East Asia regional system and the world economy from the sixteenth century to the present has sent ripples throughout Asian and international scholarship. His research has led him to reconceptualize the position of China first in the context of an East Asian regional order and subsequently within the framework of a wider Euro-American-Asian trade and financial order that was long...
Timurid Art and Culture
The nineteen papers collected in this volume were delivered at a symposium held in Toronto, November 1989 in order to discuss the art and culture of Timurid times. The papers cover the last decades of the fourteenth century and the whole of the fifteenth, in an area of western Asia extending roughly from the Euphrates to the Hindu Kush and to the Altai. Among the subjects covered were: 'Discourses of an Imaginary Arts Council in Fifteenth-Century Iran'; 'The Persian Court between Palace and Tent: From Timur to ‘Abbas I'; 'Turkmen Princes and Religious Dignitaries: A Sketch in Group Profiles'; 'Craftsmen and Guild Life in Samarkand'; 'The Baburnama and the Tarikh-i Rashidi: Their Mutual Relationship'; 'Geometric Design in Timurid/Turkmen Architectural Practice: Thoughts on a Recently Discovered Scroll and Its Late Gothic Parallels' and 'Repetition of Compositions in Manuscripts: The Khamsa of Nizami in Leningrad.
Shih-shuo Hsin-yü
A collection of anecdotes, conversations, and remarks concerning historic personalities of 150 to 420 A.D. China.
Officialdom Unmasked
It has been said that the downfall of the Qing dynasty was due not so much to the 1911 Revolution as to the pervasive corruption and weakness within the Qing administration. The regime was rotting from within, and it did not take much to topple the three-hundred-year-old dynasty. Officialdom Unmasked (官場現形記) was written by Li Boyuan in the early years of the twentieth century as the dynasty crumbled. Bizarre though they may seem, the stories told in the novel are based on true stories. From senior ministers to junior clerks, few were immune from taking bribes, stealing, philandering, dereliction of duty, or other wrongdoings. Here the writer portrays an official class who placed their selfish interests above that of the state, and who were so devoid of any moral rectitude that one could but wonder how a once mighty empire had fallen into so complete a decline. Unlike most satires, often written with a degree of humour which evoke a chuckle here and there, this work came from a broken heart; it brings only tears, not smiles.
