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The Wild Vine
After her mother's untimely death, seven-year-old Abigail must endure an alcoholic stepfather, a well-meaning but unsavory orphanage, and a grandfather ruled by a designing woman. The traumatic seeds of Abigail's unstable childhood grow, flourish and pervade her adolescence and marriage.
Central to Their Lives
Scholarly essays on the achievements of female artists working in and inspired by the American South Looking back at her lengthy career just four years before her death, modernist painter Nell Blaine said, "Art is central to my life. Not being able to make or see art would be a major deprivation." The Virginia native's creative path began early, and, during the course of her life, she overcame significant barriers in her quest to make and even see art, including serious vision problems, polio, and paralysis. And then there was her gender. In 1957 Blaine was hailed by Life magazine as someone to watch, profiled alongside four other emerging painters whom the journalist praised "not as notable...
They Treated Us Just Like Indians
On a typical day in Bennett County, South Dakota, farmers and ranchers work their fields and tend animals, merchants order inventory and stock shelves, teachers plan and teach classes, health workers aid the infirm in the county hospital or clinic, and women make quilts and heirlooms for their families or the county fair. Life is usually unhurried, with time for chatting with neighbors and catching up on gossip. But Bennett County is far from typical. Nearly a century ago the county was carved out of Pine Ridge Reservation and opened to white settlers. Today Bennett County sits awkwardly between the Pine Ridge and Rosebud Sioux Reservations, with nearly one-third of its land classified as "I...
The Secret World of Red Wolves
Red wolves are shy, elusive, and misunderstood predators. Until the 1800s, they were common in the longleaf pine savannas and deciduous forests of the southeastern United States. However, habitat degradation, persecution, and interbreeding with the coyote nearly annihilated them. Today, reintroduced red wolves are found only in peninsular northeastern North Carolina within less than 1 percent of their former range. In The Secret World of Red Wolves, nature writer T. DeLene Beeland shadows the U.S. Fish and Wildlife Service's pioneering recovery program over the course of a year to craft an intimate portrait of the red wolf, its history, and its restoration. Her engaging exploration of this top-level predator traces the intense effort of conservation personnel to save a species that has slipped to the verge of extinction. Beeland weaves together the voices of scientists, conservationists, and local landowners while posing larger questions about human coexistence with red wolves, our understanding of what defines this animal as a distinct species, and how climate change may swamp its current habitat.
Briefe an Friedrich August Wolf
(Im Anh.: Humboldts Mitschr. d. Ilias-Vorlesung Christian Gottlob Heynes aus d. Sommersemester 1789)
Bulletin
None
Singing My Mother's Song
This collection started as a whisper, a quiet mouth asking questions. Over the years it became a coherent voice that kept getting louder. Now it is a song, sprung from a yearning to fill in the missing parts, to understand my mother's story. Perhaps it's something that goes beyond what is experiential and real and moves into memory and imagination. Perhaps it is a book of magic, of synchronicity and colliding moments in time, too strange to be logical, too concise to be chance. Ultimately, it's a way of shedding light, in order to change the direction of a past. Sometimes, I think it has been formed by my imagined daughter, clearing the way ahead before her own birth. Or by whole generations of women, celebrating a future, formed from the heart of us.
Morning in the Burned House
The renowned poet and author of The Handmaid's Tale "brings a swift, powerful energy" to this "intimate and immediate" poetry collection (Publishers Weekly). These beautifully crafted poems -- by turns dark, playful, intensely moving, tender, and intimate -- make up Margaret Atwood's most accomplished and versatile gathering to date, setting foot on the middle ground / between body and word. Some draw on history, some on myth, both classical and popular. Others, more personal, concern themselves with love, with the fragility of the natural world, and with death, especially in the elegiac series of meditations on the death of a parent. But they also inhabit a contemporary landscape haunted by images of the past. Generous, searing, compassionate, and disturbing, this poetry rises out of human experience to seek a level between luminous memory and the realities of the everyday, between the capacity to inflict and the strength to forgive.
