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Reading Wang Wenxing
The first book-length study of Wang Wenxing in English offering biographic, cultural, textual, literary, and linguistic readings of his work. The essays cover topics such as Wang's writing principles, typology of characters, analysis of lexicon, employment of stream-of-consciousness, musicality, relationship to Modernist writers of the West, relationship to Lu Xun, and issues of translating Wang's works into Western languages. Original contributions by Wang Wenxing illuminates his own writing through a discussion of his way of reading, and a biographical essay by Ch'en Chu-yun, his wife, who shares with the reader moments in their private life and the writing habits of her husband. In addition, this manuscript appends outlines of Wang's novels and bibliographies that are valuable to both students and scholars in their studies of Wang Wenxing's writing in particular as well as to the understanding of Taiwanese and Chinese literatures in general.
台灣文學英譯叢刊（No.36）
李喬（1934-），極具代表性的當代臺灣作家。本輯選譯其短篇小說八篇，包括：早期蕃仔林的故事〈哭聲〉；反映現代社會生活的壓抑、恐 懼、和痛苦的〈昨日水蛭〉、〈恐男症〉、〈蜘蛛〉、〈人球〉；關切政治議題的〈告密者〉和〈孽龍〉；以及主題帶有佛教思想的〈某種花卉〉。 Taiwan Literature: English Translation Series introduces to English readers the voices of Taiwanese writers and scholars, with viewpoints on their own literature, in order to improve understanding among readers and scholars abroad of the currents and tendencies of literature in Taiwan, as well as to enhance the study of...
台灣文學英譯叢刊（No.39）
本輯選譯臺灣文學現代派作家王文興的兩篇小說、六篇散文，以及七篇論文。除了兩篇新近「出土」和發表的小說外，特別介紹作家過去鮮為人注意，有關作家成長過程、思想理念、宗教信仰的散文，和其多種文藝評論，呈現他對中國古典文學、電影、書法、英文小說的研究和寫作觀點，有助於英文讀者對王文興全面的認識。 Wang Wen-hsing is an internationally renowned modernist writer who has long been regarded by Taiwan writers as a bellwether of literary aesthetics. His reputation rests on his devotion to an innovative literary language and writing style, demonstrated primarily in hi...
The Art of Being Alone
This extensive selection of Tanikawa Shuntaro's poetry reflects the full depth and breadth of his work, from his appearance as a fresh new voice to the mastery of his later poetry. It traces his artistic development and his shift in focus from man's cosmic destiny to the pathos of everyday life and a more internalized struggle with the nature of human expression. Lovers of poetry will find the experience exhilarating. The only such collection in English, this volume will prove indispensable to students and scholars of Japanese literature, as it opens a valuable new perspective on postware Japanese literature. The Introduction clarifies the social and artistic background of Tanikawa's extraordinary work and career, illuminating major themes as his poetry evolves over time.
Years of Sadness
This anthology focuses on autobiographical works by Wang Anyi, the most prolific and critically acclaimed woman writer in contemporary China, highlighting a personal and emotional dimension of her writing that is essential to a deeper understanding of her creativity and productivity. The three pieces selected for this volume—"A Woman Writer's Sense of Self," "Utopian Verses," and "Years of Sadness"—explore some of the most fundamental and complex issues concerning Wang's identity as a woman and as a writer in early post-socialist China, the creative and emotional challenges she faced during her sojourn in the United States in the early 1980s, and her memories of adolescent years, a period of obsession, uncertainty, and loneliness during the Cultural Revolution.
Representing Lives in China
The chapters in this ground-breaking volume examine the complex practices of biographical writing in Ming and Qing China. The authors draw on a rich variety of sources to answer some basic questions: Who were the writers of these texts and the subjects of their biographical constructions? What motivated these textual productions and sustained the routes from (re)creations to (re)publications? The informed and fascinating readings illuminate the enduring appeal of representing and represented lives in Chinese history.
Anthology of Kokugaku Scholars
Kokugaku "national study" is an academic field of study that spans a number of disciplines, including philology, poetry, literature, linguistics, history, religion, and philosophy. It began as a movement to recapture a sense of Japanese uniqueness, by focusing on Japanese poetic and linguistic elements found in the earliest surviving texts. As the movement grew, there was an attempt to separate native religious elements from Buddhist elements. This expanded to a vigorous attempt to weed out Confucian (and by extension anything "Chinese") elements from native elements. This began as an investigation into the earliest anthology, Man'yoshu, which some Kokugaku scholars argued preserved a pristi...
Portrait of a Suburbanite
This volume is a translation of Choi Seung-ja's 1991 anthology titled Portrait of a Suburbanite. Published in the series of "100 Prominent Korean Poets" by Mirae Press, the poems in this volume were selected from four of Choi's previous works titled, Love of This Age (1981), Merry Diary (1984), House of Memory (1989), and the subsequently published My Tomb, Green (1993). Speaking with a fierce sense of equality and independence, Choi Seung-ja's poetry battled ossified forms of language not only on the political but also the personal front. Like her male colleagues, Choi parodied and critiqued the idol of the father, but even further, she insightfully explored irreverent content to reveal the...
The Residue of Dreams
The Residue of Dreams is the first English-language publication of the classical-style poems of Jao Tsung-i (b. 1917), a prominent artist-calligrapher, scholar-poet, and polymath living in Hong Kong. Jao's poems in various traditional forms reflect the tumultuous history of twentieth-century China, but also demonstrate the enduring resonance of its classical culture. The Residue of Dreams contains a broad-ranging selection of Jao's poems covering topics from the Second World War and his travels in Southeast Asia, to Nietzsche and the scribes of medieval Dunhuang. The poems give a vivid impression of one of the most erudite minds of our time, and show a new side of contemporary Chinese literature that has mostly been overlooked in English-language publications. All poems are presented both in the original Chinese text and in English translation, accompanied by scholarly notes with identification of many of Jao's allusions and cultural references. The introduction places Jao's poetry in the context of modern Chinese literary studies and elucidates its cultural background for general readers.
