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Winner of the American Historical Association’s 2022 Eugenia M. Palmegiano Prize. White publishers and editors used their newspapers to build, nurture, and protect white supremacy across the South in the decades after the Civil War. At the same time, a vibrant Black press fought to disrupt these efforts and force the United States to live up to its democratic ideals. Journalism and Jim Crow centers the press as a crucial political actor shaping the rise of the Jim Crow South. The contributors explore the leading role of the white press in constructing an anti-democratic society by promoting and supporting not only lynching and convict labor but also coordinated campaigns of violence and fr...
When the eleven- and twelve-year-olds on the Cannon Street YMCA All-Star team registered for a baseball tournament in Charleston, South Carolina, in June 1955, it put the team and the forces of integration on a collision course with segregation, bigotry, and the southern way of life. White teams refused to take the field with the Cannon Street All-Stars, the first Black Little League team in South Carolina. The Cannon Street team won the tournament by forfeit and advanced to the state tournament. When all the white teams withdrew in protest, the Cannon Street team won the state tournament. If the team had won the regional tournament in Rome, Georgia, it would have advanced to the Little Leag...
The untold history of an American catastrophe The ultrawealthy largely own and guide the newspaper system in the United States. Through entities like hedge funds and private equity firms, this investor class continues to dismantle the one institution meant to give voice to average citizens in a democracy. Margot Susca reveals the little-known history of how private investment took over the newspaper industry. Drawing on a political economy of media, Susca’s analysis uses in-depth interviews and documentary evidence to examine issues surrounding ownership and power. Susca also traces the scorched-earth policies of layoffs, debt, cash-outs, and wholesale newspaper closings left behind by private investors and the effects of the devastation on the future of news and information. Throughout, Susca reveals an industry rocked less by external forces like lost ad revenue and more by ownership and management obsessed with profit and beholden to private fund interests that feel no responsibility toward journalism or the public it is meant to serve.
Mass media and the Church of Jesus Christ of Latter-day Saints evolved alongside each other, and communications technology became a fundamental part of the Church’s institutions and communities. Gavin Feller investigates the impact of radio, television, and the internet on Mormonism and what it tells us about new media’s integration into American life. The Church wrestled with the promise of new media to help implement its vision of Zion. But it also had to contend with threat that media posed to the family and other important facets of the Latter-day Saint faith. Inevitably, media technologies forced the leadership and lay alike to reconsider organizational values and ethical commitments. As Feller shows, the conflicts they faced illuminate the fundamental forces of control and compromise that enmesh an emerging medium in American social and cultural life. Intriguing and original, Eternity in the Ether blends communications history with a religious perspective to examine the crossroads where mass media met Mormonism in the twentieth century.
Uncovering the history and examining the legacy of lynching in the state of Virginia Although not as associated with lynching as other southern states, Virginia has a tragically extensive history with these horrific crimes. This important volume examines the more than one hundred people who were lynched in Virginia between 1866 and 1932. Its diverse set of contributors—including scholars, journalists, activists, and students—recover this wider history of lynching in Virginia, interrogate its legacy, and spotlight contemporary efforts to commemorate the victims of racial terror across the commonwealth. Together, their essays represent a small part of the growing effort to come to terms with the role Virginia played in perpetuating America’s national shame.
A unique theory of trust building in engagement journalism that proposes journalists move to an ethic of care as they prioritize listening and learning within communities instead of propping up problematic institutions. In How Journalists Engage, Sue Robinson explores how journalists of different identities, especially racial, enact trusting relationships with their audiences. Drawing from case studies, community-work, interviews, and focus groups, she documents a growing built environment around trust building and engagement journalism that represents the first major paradigm shift of the press's core values in more than a century. As Robinson shows, journalists are being trained to take on...
This volume recounts notable episodes of distortion throughout American media history. It examines several of the lurid hoaxes and conspiracy theories that have inspired press coverage, as well as some of the political lies promoted by partisan gladiators, whether of the eighteenth century or today. The book moves beyond the sensational stories to show the enduring and systemic nature of media manipulation that occurs on far more consequential issues. It exposes persistent and deeply destructive falsehoods that have been told about women, people of color, immigrants, the LGBTQ+ community, unions, commercial products, highlighting how longstanding “bipartisan” myths have effectively margi...
Women Journalists at Ground Zero tells the rich and moving stories of 24 journalists who reported live from New York City, Washington, D.C., and the Pittsburgh area during and following the September 11 terrorist attacks on the World Trade Center and Pentagon. Recounting their professional and personal experiences in reporting a disaster of great magnitude, women such as ABC's Cynthia McFadden and Ann Compton, CNN's Judy Woodruff, NBC's Rehema Ellis, and many other television, radio, newspaper, magazine, and photojournalists show us how the news "happened" and what it takes to cover crisis.