Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Transcending Patterns
In Transcending Patterns: Silk Road Cultural and Artistic Interactions through Central Asian Textiles, Mariachiara Gasparini investigates the origin and effects of a textile-mediated visual culture that developed at the heart of the Silk Road between the seventh and fourteenth centuries. Through the analysis of the Turfan Textile Collection in the Museum of Asian Art in Berlin and more than a thousand textiles held in collections worldwide, Gasparini discloses and reconstructs the rich cultural entanglements along the Silk Road, between the coming of Islam and the rise of the Mongol Empire, from the Tarim to Mediterranean Basin. Exploring in detail the iconographic transfer between different...
Clothing the Past: Surviving Garments from Early Medieval to Early Modern Western Europe
An astonishing number of medieval garments survive, more-or-less complete. Here the authors present 100 items, ranging from homely to princely. The book’s wide-ranging introduction discusses the circumstances in which garments have survived to the present; sets and collections; constructional and decorative techniques; iconography; inscriptions on garments; style and fashion. Detailed descriptions and discussions explain technique and ornament, investigate alleged associations with famous people (many of them spurious) and demonstrate, even when there are no known associations, how a garment may reveal its own biography: a story that can include repair, remaking, recycling; burial, resurrection and veneration; accidental loss or deliberate deposition. The authors both have many publications in the field of medieval studies, including previous collaborations on medieval textiles such as Medieval Textiles of the British Isles AD 450-1100: an Annotated Bibliography (2007), the Encyclopedia of Medieval Dress and Textiles of the British Isles (2012) and online bibliographies.
Byzantium in Eastern European Visual Culture in the Late Middle Ages
Byzantium in Eastern European Visual Culture in the Late Middle Ages, edited by Maria Alessia Rossi and Alice Isabella Sullivan, engages with issues of cultural contact and patronage, as well as the transformation and appropriation of Byzantine artistic, theological, and political models, alongside local traditions, across Eastern Europe. The regions of the Balkan Peninsula, the Carpathian Mountains, and early modern Russia have been treated in scholarship within limited frameworks or excluded altogether from art historical conversations. This volume encourages different readings of the artistic landscapes of Eastern Europe during the late medieval period, highlighting the cultural and artistic productions of individual centers. These ought to be considered individually and as part of larger networks, thus revealing their shared heritage and indebtedness to artistic and cultural models adopted from elsewhere, and especially from Byzantium. See inside the book.
Changing Views of Textile Conservation
"Recognizing conservation as a dynamic social force, the eighty-one readings in this volume draw attention to the cultural significance of textiles and dress, illustrating the intellectual foundations as well as important changes in conservation practice." -- Back cover.
Sacred and Social
"This book provides a theological treatment of a body of literature commonly called Catholic Social Teaching (CST). This literature is mainly comprised of papal, conciliar, and episcopal statements addressing social concerns from the 19th to the 21st centuries. What is often neglected in studies of CST, however, is the underlying theology that it presumes, especially the biblical and patristic roots that have forged a broader tradition of social thought than found in the more recent writings of the Catholic hierarchy. The book argues that, prior to the documents of the modern papacy, there was already a rich existing tradition that shaped and informed a Catholic lens on social reality. Himes makes the case that the presence or absence of a previous Catholic imagination largely determines whether the later writings of CST can be judged successful in their teaching or not. Rather than an analysis of the recent texts, this book illustrates the theological basis for the ethical commitments in CST through a treatment of fundamental theological themes-creation, incarnation, Trinity, Body of Christ-that gave rise to a Catholic social imagination"--
Virtue Ethics in the Middle Ages
This collection surveys the tradition of medieval commentaries on Aristotle's "Nicomachean Ethics" from its thirteenth-century origins to the fifteenth century, concentrating on the conception of the moral and intellectual virtues in a continuous interplay of ancient and Christian moral thought.
Medieval Clothing and Textiles
The best new research on medieval clothing and textiles, drawing from a range of disciplines and with a special focus on reconstruction.
The Critique of Bioethical Principlism in Contrast to an African Approach to Bioethics
Though some argue that bioethics in the Black African world is simply a reflection of the Western approach to bioethics, this work suggests otherwise. While the Western approach (bioethical principlism) claims to offer an absolute approach to bioethics in a universalized common morality, this book argues that bioethical principlism can be complemented with African approaches to bioethics. Western principlism, as primarily presented by Thomas L. Beauchamp and James F. Childress, can hardly be incarnated in the African context of bioethical problems unless it is complemented by a contextual normative understanding of African social realities, realities that themselves must be enriched by bioet...
When Silk was Gold
The material presented in this volume significantly extends what has been known to date of Asian textiles produced from the Tang (618-907) through the early Ming period (late 14th-early 15th century), and new documentation gives full recognition to the importance of luxury textiles in the history of Asian art. Costly silks and embroideries were the primary vehicle for the migration of motifs and styles from one part of Asia to another, particularly during the Tang and Mongol (1207-1368) periods. In addition, they provide material evidence of both the cultural and religious ties that linked ethnic groups and the impetus to artistic creativity that was inspired by exposure to foreign goods.
