Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Knife 1
Knife è il magazine di Nero Cafè, rivista disponibile sia in free download, sia in formato cartaceo. I contenuti sono dedicati ai generi giallo, noir, thriller, horror, gothic, weird e mistero. Gli argomenti affrontati spaziano dalla letteratura – sì, lo ammettiamo, è l’argomento preponderante – al cinema, al teatro, ai fumetti, alla poesia, alla musica, alla cronaca nera. All’interno di ogni numero trovate recensioni di libri, film e fumetti, interviste a scrittori, editori, registi, disegnatori, articoli e speciali sugli argomenti di volta in volta trattati.
Giallo Cinema and Its Folktale Roots
The Italian giallo film genre--the equivalent of the American whodunit but incorporating extreme violence and sex--was based on popular British and American fiction of the 30s and 40s, adapted to the explicitly liberal filmmaking of 1970s and 1980s Europe. Seldom released in American theaters, these films were usually distributed as redacted bootlegs, awaiting digital technology to be restored to their original content and pristine visual form. This book analyzes the censored sex and violence of giallo films, finding in them an inherent beauty and tracing their literary antecedents to the elements of the fairy tale as described by Russian folklorist Vladimir Propp. Each chapter covers a film and its director, from 1962 to 1987. The author argues that despite their formulaic production and designation as "Euro-sleaze," these films are works of individuality and artistic virtue.
Billboard
In its 114th year, Billboard remains the world's premier weekly music publication and a diverse digital, events, brand, content and data licensing platform. Billboard publishes the most trusted charts and offers unrivaled reporting about the latest music, video, gaming, media, digital and mobile entertainment issues and trends.
We all love Ennio Morricone
“We all love Ennio Morricone” è tanti libri in uno. È il racconto del dietro le quinte di un disco tributo in cui i più grandi della musica mondiale hanno reinterpretato i più grandi successi del maestro. È la storia di un premio Oscar alla carriera (quello del 2007) e di tutto il lavoro che è stato fatto per far arrivare Ennio a sfilare sul red carpet del Kodak theatre di Los Angeles. Ed è infine la storia di una collaborazione durata 18 anni. Quella tra Ennio e Luigi, due lati differenti della stessa medaglia. Quando i due si sono incontrati Ennio sentiva il bisogno di far conoscere al mondo la sua musica assoluta, quella che non componeva per il cinema. Luigi lo seguì in quell’avventura, ma mostrò ad Ennio qualcosa di totalmente nuovo e affascinante: il mondo era pronto a riconoscerlo come icona pop, era pronto a riempire teatri e arene per ascoltarlo suonare dal vivo. Ennio doveva solo diventarne consapevole. Quella che state per leggere è una delle più grandi avventure musicali del nuovo secolo, raccontata da un punto di vista inedito e interno.
Giallo!
Traces the giallo mystery/horror genre from its genesis in Italian cinema of the 1960s and 1970s to its contemporary place in the global cult-film canon. Italian giallo films have a peculiar allure. Taking their name from the Italian for "yellow"- reflecting the covers of pulp crime novels-these genre movies were principally produced between 1960 and the late 1970s. These cinematic hybrids of crime, horror, and detection are characterized by elaborate set-piece murders, lurid aesthetics, and experimental soundtracks. Using critical frameworks drawn from genre theory, reception studies, and cultural studies, Giallo! traces this historically marginalized genre's journey from Italian cinemas to the global cult-film canon. Through close textual analysis of films including The Girl Who Knew Too Much (1963), Blood and Black Lace (1964), The Bird with the Crystal Plumage (1970), The Black Belly of the Tarantula (1971), and The Case of the Bloody Iris (1972), Alexia Kannas considers the rendering of urban space in the giallo and how it expresses a complex and unsettling critique of late modernity.
Spaghetti Westerns--the Good, the Bad and the Violent
Spaghetti Westerns--mostly produced in Italy or by Italians but made throughout Europe--were bleaker, rougher, grittier imitations of Hollywood Westerns, focusing on heroes only slightly less evil than the villains. After a main filmography covering 558 Spaghetti Westerns, another section provides filmographies of personnel--actors and actresses, directors, musical composers, scriptwriters, cinematographers. Appendices provide lists of the popular Django films and the Sartana films, a listing of U.S.-made Spaghetti Western lookalikes, top ten and twenty lists and a list of the genre's worst.
House of Psychotic Women
Cinema is full of neurotic personalities, but few things are more transfixing than a woman losing her mind onscreen. Horror as a genre provides the most welcoming platform for these histrionics: crippling paranoia, desperate loneliness, masochistic death-wishes, dangerous obsessiveness, apocalyptic hysteria. Unlike her male counterpart - ‘the eccentric’ - the female neurotic lives a shamed existence, making these films those rare places where her destructive emotions get to play. HOUSE OF PSYCHOTIC WOMEN is an examination of these characters through a daringly personal autobiographical lens. Anecdotes and memories interweave with film history, criticism, trivia and confrontational imager...
Roman Urbanism in Italy
This study presents new evidence for the development of commerce and inter-regional trade through survey and analysis of urban layout and architecture. The study of Roman urbanism – especially its early (Republican) phases – is extensively rooted in the evidence provided by a series of key sites, several of them located in Italy. Some of these Italian towns (e.g. Fregellae, Alba Fucens, Cosa) have received a great deal of scholarly attention in the past and they are routinely referenced as textbook examples, framing much of our understanding of the broad phenomenon of Roman urbanism. However, discussions of these sites tend to fall back on well-established interpretations, with relativel...
Marvelous Bodies
Historically a source of emigrants to Northern Europe and the New World, Italy has rapidly become a preferred destination for immigrants from the global South. Life in the land of la dolce vita has not seemed so sweet recently, as Italy struggles with the cultural challenges caused by this surge in immigration. Marvelous Bodies by Vetri Nathan explores thirteen key full-length Italian films released between 1990 and 2010 that treat this remarkable moment of cultural role reversal through a plurality of styles. In it, Nathan argues that Italy sees itself as the quintessential internal Other of Western Europe, and that this subalternity directly influences its cinematic response to immigrants,...
The Pleasure and Pain of Cult Horror Films
The horror genre harbors a number of films too bold or bizarre to succeed with mainstream audiences, but offering unique, startling and often groundbreaking qualities that have won them an enduring following. Beginning with Victor Sjostrom's The Phantom Carriage in 1921, this book tracks the evolution and influence of underground cult horror over the ensuing decades, closing with William Winckler's Frankenstein vs. the Creature from Blood Cove in 2005. It discusses the features that define a cult film, trends and recurring symbols, and changing iconography within the genre through insightful analysis of 88 movies. Included are works by popular directors who got their start with cult horror films, including Oliver Stone, David Cronenberg and Peter Jackson.
