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Belfast, Northern Ireland—2004. Shannon Dillon, twenty-six, discovers a hidden document in a cramped and dimly lit attic, sparking speculation that beloved author C. S. Lewis had once been involved in the occult. When gangsters steal the controversial papers, they leave a trail of death. Shannon, who once trained as an IRA sniper, vows revenge. Leaving home for America, she recruits Simon Magister, thirty-four, a nerdy literature professor at an evangelical college. Against his Christian convictions, Simon is drawn in by scholarly curiosity and a repressed attraction to Shannon. Together, they are thrust into a deadly race to retrieve the coveted Belfast Document, which Shannon believes wi...
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A comprehensive account of the history of silver in medicine, its clinical benefits and advantages as a broad spectrum antimicrobial agent.
First multi-year cumulation covers six years: 1965-70.
Jeffrey Clark has been working at UCLA for a number of years as a professor of history and has been a lifelong researcher on his own time. His deepest interests are in human behavior and human relations that define our world. After thirty plus years of diligent research, he decided to make his findings public by going on a speaking tour. Six countries accepted his proposed topic, to be presented as scientific lectures. His tour turned out to be a great success yet controversial, in more ways he could imagine. His speeches stirred up the publics mood in each country, and that mood began spreading around the globe via the Internet. Upon returning home, he found himself in the center of officia...
Panic Fiction explores a unique body of antebellum American women’s writing that illuminates women’s relationships to the marketplace and the links between developing ideologies of domesticity and the formation of an American middle class. Between the mid-1830s and the late 1850s, authors such as Hannah Lee, Catharine Sedgwick, Eliza Follen, Maria McIntosh, and Maria Cummins wrote dozens of novels and stories depicting the effects of financial panic on the home and proposing solutions to economic instability. This unique body of antebellum American women’s writing, which integrated economic discourse with the language and conventions of domestic fiction, is what critic Mary Templin ter...