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In 'Rich Enough: a Tale of the Times' by Hannah Farnham Sawyer Lee, readers are immersed in a gripping narrative that explores themes of social class, wealth, and morality in 19th-century America. Lee's literary style is characterized by detailed descriptions and complex characters that draw readers into the world of the wealthy elite and struggling working class. This novel is a prime example of American realism, addressing societal issues through a compelling storyline. The contrast between the opulence of the upper class and the hardships faced by the lower class is expertly portrayed, offering a thought-provoking reflection on the inequalities of the time. Hannah Farnham Sawyer Lee, a pr...
Reforming the World considers the intricate relationship between social reform and spiritual elevation and the development of fiction in the antebellum United States. Arguing that novels of the era engaged with questions about the proper role of fiction taking place at the time, Maria Carla Sánchez illuminates the politically and socially motivated involvement of men and women in shaping ideas about the role of literature in debates about abolition, moral reform, temperance, and protest work. She concludes that, whereas American Puritans had viewed novels as risqué and grotesque, antebellum reformers elevated them to the level of literature—functioning on a much higher intellectual and m...
Reveals how people transformed their experiences of financial crisis into a single event that would serve as a turning point in American history.
This reissue of the pioneering and standard book on antebellum women's domestic novels contains a new introduction situating the book in the context of important recent developments in the study of women's writing. Nina Baym considers 130 novels by 48 women, focusing on the works of a dozen especially productive and successful writers. Woman's Fiction is a major-work in nineteenth-century literature, reexamining changes in the literary canon and the meaning of sentimentalism, while responding to current critical discussions of 'the body' in literary texts.
This single-volume selection of the letters of Margaret Fuller invites acquaintance with a great American thinker of the Transcendentalist circle.
This volume gathers nearly half of some 300 letters written by Mary Telfair of Savannah to her best friend, Mary Few of New York. Telfair was born in 1790 to a wealthy, prominent, slaveholding Savannah family. Few, born in 1790 into equally affluent circumstances, moved with her family from Savannah to New York in 1799. Self-exiled because of their strong antislavery views, the Fews never returned to Georgia, yet they remained close to the Telfairs. The close friendship between Telfair and Few ended only with their deaths in the 1870s. Regular travelers, they met on many occasions. Chiefly, however, they kept in touch through frequent correspondence (Few's letters to Telfair remain undiscove...
Did Martin Luther really post his 95 Theses to the Wittenberg Castle Church door in October 1517? Probably not, says Reformation historian Peter Marshall. But though the event might be mythic, it became one of the great defining episodes in Western history, a symbol of religious freedom of conscience which still shapes our world 500 years later.
Panic Fiction explores a unique body of antebellum American women’s writing that illuminates women’s relationships to the marketplace and the links between developing ideologies of domesticity and the formation of an American middle class. Between the mid-1830s and the late 1850s, authors such as Hannah Lee, Catharine Sedgwick, Eliza Follen, Maria McIntosh, and Maria Cummins wrote dozens of novels and stories depicting the effects of financial panic on the home and proposing solutions to economic instability. This unique body of antebellum American women’s writing, which integrated economic discourse with the language and conventions of domestic fiction, is what critic Mary Templin ter...
There was, in the nineteenth century, a distinction made between "writers" and "authors," Susan S. Williams notes, the former defined as those who composed primarily from mere experience or observation rather than from the unique genius or imagination of the latter. If women were more often cast as writers than authors by the literary establishment, there also emerged in magazines, advice books, fictional accounts, and letters a specific model of female authorship, one that valorized "natural" feminine traits such as observation and emphasis on detail, while also representing the distance between amateur writing and professional authorship. Reclaiming Authorship focuses on the complex ways w...
Together along with generous selections from Fuller's Dial essays, New York essays, Italian dispatches, and unpublished journals. Special features are the complete text of Fuller's famous "Autobiographical Romance" (never before reprinted in its entirety) and nineteen of her poems, edited from her manuscripts. All of Fuller's major texts are completely annotated, with special attention to her literary and historical sources, as well as her knowledge of American Indian.