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Lee is a tiny tiger who lives with his Mum in the safety of his tree top house. There he feels safe from the dangers of the dark jungle below. But one wild stormy night, Lee and his Mum are thrown to the ground and Lee is forced to face his fears in order to help her. A Tiger named Lee tells the story of a timid little tiger who refuses to leave his tree-top perch and go down to the jungle floor for fear of what may lie there. However, he and his Mum are thrown from the tree on a stormy night and the little tiger has to overcome his fears.
What if we have lost the ability to think straight? And what if this is why the shocking injustices of contemporary life go unchallenged in spite of being widely acknowledged? And what if the institution that is supposed to help us to think is in on the act? This is the thesis put forward by Zombie University, which shows the modern university as the fulcrum of our societies’ mode of control, tempting more and more young people to rituals of education that work to keep us down rather than raise us up.
Sinéad Murphy’s Effective History presents its reader with a thorough explanation and evaluation of H.-G. Gadamer’s concept of “effective history,” not only as it pertains to the broader range of hermeneutic and postmodern thinkers working in the wake of Kantian philosophy, but first and foremost as a careful and measured consideration of the practice of effective history as a critical method for philosophy in our current times. In this latter sense, the work pushes Gadamer’s thinking forward into new territory and provides an insightful estimation of the value of hermeneutic inquiry. Murphy demonstrates that the notion of effective history not only stems from a central issue in Kant’s critical philosophy (the divide between the empirical and transcendental, between history and pure knowledge), but that it is best understood through an analysis of the various ways that certain contemporary thinkers fall into the traps and contradictions that stem from Kant’s critical turn.
The theme of 'disinterest' is a dominant one in philosophical accounts of aesthetic experience, and, unlike many philosophical themes, it has had and continues to have a huge effect, on presuppositions about the nature of judgment, of feeling, of art, of resistance, of all of those experiences and activities that appear to operate at least partly outside of the given regulations of human existence. The Art Kettle has two aims: first, to show that 'modern' art - that is, art during and since the Enlightenment - is not only itself defined by 'disinterest,' by dearth of purpose, but functions as a standard for creativity, for free thinking, for choice, for indulgence, for questioning, and for protest, that suits very well the requirement, in our capitalist democracies, that differences and resistances expend themselves without effect on the combination of conservatism and consumption that supports these democracies; second, to show that the historical conflation of aesthetic experience and 'disinterest' is subject to resistance from another historical conflation: of aesthetic experience and use or purpose.
For once, these men are the objects; I am the subject. Me, me, me. Rosemary Mac Cabe was always a serial monogamist – never happier than when she was in a relationship or, at the very least, on the way to being in one. But in her desperate search for ‘the one’ – from first love to first lust, through a series of disappointments and the searing sting of heartbreak – she learned that finding love might mean losing herself along the way. This Is Not About You is a life story in a series of love stories. About Henry, with the big nose and the lovely mum, with whom sex was like having a verruca frozen off in the doctor’s surgery: ‘uncomfortable, but I had entered into this willingly’. About Dan, with the goatee. About Luke, who gave her a split condom. About Frank, who was married... But mostly, it’s about Rosemary, figuring out just how much she was willing to sacrifice for her happy ending.
What Would Jane Do? What's a strong, independent-minded woman supposed to do in a world of insipid dating guides? Sinéad Murphy responds by asking: Who has more time-tested secrets than Jane Austen, whose novels continue to captivate us almost two hundred years later? Whether you can recite paragraphs from Pride and Prejudice or just admired Colin Firth in his wet shirt, the romance of Jane Austen's world is one you'll never forget. Does love like that even exist today? Yes, it does . . . If you look closely at the women of Jane Austen's books, as the witty scholar Sinéad Murphy has, you'll discover Austen's countless tips for finding the right leading man, navigating the ups and downs of courtship, and building a happy, independent life for yourself.
Palestine + 100 poses a question to twelve Palestinian writers: what might your country look like in the year 2048 – a century after the tragedies and trauma of what has come to be called the Nakba? How might this event – which, in 1948, saw the expulsion of over 700,000 Palestinian Arabs from their homes – reach across a century of occupation, oppression, and political isolation, to shape the country and its people? Will a lasting peace finally have been reached, or will future technology only amplify the suffering and mistreatment of Palestinians? Covering a range of approaches – from SF noir, to nightmarish dystopia, to high-tech farce – these stories use the blank canvas of the...
The Real Ireland is the first study of Irish documentary film, but more than that, it is a study of Ireland itself--of how the idea of Ireland evolved throughout the twentieth century and how documentary cinema both recorded and participated in the process of change. More than just a film studies work, it is a discussion of history, politics and culture, which also explores the philosophical roots of the documentary idea, and how this idea informs concepts of society, self and nation. It features rare and previously unseen illustrations and a detailed documentary filmography, the first of its kind in print anywhere.
The longest-running war is the battle over how women should behave. “Conduct Books and the History of the Ideal Woman” examines six centuries of advice literature, analyzing the print origins of gendered expectations that continue to inform our thinking about women’s roles and abilities. Close readings of numerous conduct manuals from Britain and America, written by men and women, explain and contextualize the legacy of sexism as represented in prescriptive writing for women from 1372 to the present. While existing period-specific studies of conduct manuals consider advice literature within the society that wrote and read them, “Conduct Books and the History of the Ideal Woman” provides the only analysis of both the volumes themselves and the larger debates taking place within their pages across the centuries. Combining textual literary analysis with a social history sensibility while remaining accessible to expert and novice, this book will help readers understand the on-going debate about the often-contradictory guidelines for female behavior.
"An examination of the ways in which Covid policies, and the scientific debate which surrounded it, were politicized. In response to the Covid pandemic, public and private resources were expended on a vast scale-truly the equivalent of wartime. 2020 saw the greatest mobilization of emergency powers in human history: people around the world were confined to their homes, not allowed to attend religious services, see family living outside their households, or even take extended solitary walks outdoors. A few weeks after the first society-wide lockdowns in China and Italy, 3.9 billion people were living under some form of quarantine-half the world's population. In the aftermath of the pandemic, ...