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Chinese Literary Criticism of the Ch’ing Period (1644–1911)
In the Ch'ing period, traditional Chinese literary criticism reached its zenith. The ten essays in this volume, all papers presented at a research conference on Ch'ing literary criticism at Stanford University in June 1992, provide a good glimpse of both the breadth and depth of Ch'ing literary criticism, and point to ways to pursue a more thorough and systematic study of literary criticism of this period. Five essays in Chinese, five in English.
Tales of Magistrate Bao and His Valiant Lieutenants
Murder, mystery, and courtroom drama -- Chinese style! "Sanxia wuyi" (later revised and called "Qixia wuyi") is a semi-historical narrative of adventure, crime-detection, and courtroom drama. It revolves around the famed Song dynasty magistrate, Bao Zheng (999-1072), who is more commonly known as Magistrate Bao (Bao Gong) and is the quintessential incorruptible government official. This novel, derived from the oral narrative attributed to the Qing storyteller Shi Yukun (fl. 1870s), was first published in 1879, after undergoing a complex and fascinating textual evolution. The non-historical component of narrative, which represents the creative genius of the storyteller and his tradition, revolves around a group of compelling heroes and gallants -- foremost among them are Zhan Zhao, Hero Par Excellence, Jiang Ping, Diplomat Supreme and Unparalleled Underwater Genius, Ai Hu, Youngest of the Tried and True, and the beloved Bai Yutang, Gallant of Incomparable Elegance and Passion.
The Vision of China in the English Literature of the Seventeenth and Eighteenth Centuries
The Vision of China is the first book on China as it came to be reflected in English literature. As such, it also offers the first comprehensive study of the image of China in Western literature. Featuring essays by prominent Chinese scholars such as Qian Zongshu, Fan Cunzhong, and Chen Shouyi, it complements such works as Pierre Martino's L'Orient dans la litterature francaise au XVIIe et au XVIIIe siecle (1906), Ursula Aurich's China im Spiegel der deutschen Literature des 18. Jahrhunderts (1935), and E. Horst Tscharner's China in der deutschen Dichtung bis zur Klassik (1939).Together with William W. Appleton's A Cycle of Cathay: The Chinese Vogue in England during the 17th and 18th Centur...
Poetics of Emptiness
The Poetics of Emptiness uncovers an important untold history by tracing the historically specific, intertextual pathways of a single, if polyvalent, philosophical term, emptiness, as it is transformed within twentieth-century American poetry and poetics. This conceptual migration is detailed in two sections. The first focuses on "transpacific Buddhist poetics," while the second maps the less well-known terrain of "transpacific Daoist poetics." In Chapters 1 and 2, the author explores Ernest Fenollosa's "The Chinese Written Character as a Medium for Poetry" as an expression of Fenollosa's distinctly Buddhist poetics informed by a two-decade-long encounter with a culturally hybrid form of Bud...
Chinese Approaches to Literature from Confucius to Liang Ch'i-Ch'ao
These essays, by Chinese and Western scholars, treat selected aspects of Chinese literary theory, history, and criticism from the age of Confucius to the beginning of the twentieth-century. The topics examined include Confucius as a literary critic (Donald Holzman); the view of ch'i, or vital force, as a decisive element in creative writing (David Pollard); the literary theories of the eleventh-century poet and essayist Ou-yang Hsiu (Yu-shih Chen) and his contemporary Huang T'ing-chien (Adele Rickett); and the seventeenth-century philosopher-poet Wang Fu-chih (Siu-kit Wong). Other essays consider the Ch'ang-chou School of the Ch'ing dynasty (Florence Chia-ying Yeh Chao); the distinctive meth...
Tensions in World Literature
This collection gives a diversified account of world literature, examining not only the rise of the concept, but also problems such as the relation between the local and the universal, and the tensions between national culture and global ethics. In this context, it focuses on the complex relationship between Chinese literature and world literature, not only in the sense of providing an exemplary case study, but also as an introspection and re-location of Chinese literature itself. The book activates the concept of world literature at a time when it is facing the rising modern day challenges of race, class and culture.
The Emergence of Buddhist American Literature
The encounter between Buddhism and American literature has been a powerful one for both parties. While Buddhism fueled the Beat movement's resounding critique of the United States as a spiritually dead society, Beat writers and others have shaped how Buddhism has been presented to and perceived by a North American audience. Contributors to this volume explore how Asian influences have been adapted to American desires in literary works and Buddhist poetics, or how Buddhist practices emerge in literary works. Starting with early aesthetic theories of Ernest Fenollosa, made famous but also distorted by Ezra Pound, the book moves on to the countercultural voices associated with the Beat movement and its friends and heirs such as Ginsberg, Kerouac, Snyder, Giorno, Waldman, and Whalen. The volume also considers the work of contemporary American writers of color influenced by Buddhism, such as Maxine Hong Kingston, Charles Johnson, and Lan Cao. An interview with Kingston is included.
A Collection of Chinese Maxims
A beautiful collection of Chinese maxims now available in both the original Chinese and in English translation. They cover such diverse topics as government, learning, cultivation of character, affections, and ways of the world. Short and epigrammatic, these maxims are rich of the spirit and culture of China.
Rhetoric and the Discourses of Power in Court Culture
Key imperial and royal courts--in Han, Tang, and Song dynasty China; medieval and renaissance Europe; and Heian and Muromachi Japan--are examined in this comparative and interdisciplinary volume as loci of power and as entities that establish, influence, or counter the norms of a larger society. Contributions by twelve scholars are organized into sections on the rhetoric of persuasion, taste, communication, gender, and natural nobility. Writing from the perspectives of literature, history, and philosophy, the authors examine the use and purpose of rhetoric in their respective areas. In Rhetoric of Persuasion, we see that in both the third-century court of the last Han emperor and the fourtee...
