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Recollecting Resonances
Over time Dutch and Indonesian musicians have inspired each other and they continue to do so. Recollecting Resonances offers a way of studying these musical encounters and a mutual heritage one today still can listen to.
Insular Southeast Asia
This festschrift - dedicated to Bernd Nothofer - contains twelve contributions which comprise studies on linguistics and the cultural history of insular Southeast Asia. The lingustic studies range from an overview article to analyses of very specific linguistic features. James Collins and Alexander Adelaar discuss the positions of several languages and dialects of West and East Kalimantan. Karl-Heinz Pampus introduces an almost unknown linguist of the Mentawai language. Waruno Mahdi's article about the beginnings of the Commissie voor de Volkslectuur examines aspects of literary history as well as linguistic aspects. Some of the cultural studies have a historical approach. Wilfried Wagner an...
Structure and Style in Javanese
This book is a volume in the Penn Press Anniversary Collection. To mark its 125th anniversary in 2015, the University of Pennsylvania Press rereleased more than 1,100 titles from Penn Press's distinguished backlist from 1899-1999 that had fallen out of print. Spanning an entire century, the Anniversary Collection offers peer-reviewed scholarship in a wide range of subject areas.
Solo in the New Order
In this brilliant ethnography of contemporary Java, James Siegel analyzes how language operates to organize and to order an Indonesian people. Despite the imposition of Suharto's New Order, the inhabitants of the city of Solo continue to adhere to their own complex ideas of deference and hierarchy through translation between high and low Javanese speech styles. Siegel uncovers moments when translation fails and compulsive mimicry ensues. His examination of communication and its failures also exposes the ways a culture reconstitutes itself. It leads to insights into the "accidents" that precede the formulations of culture as such.
Rasa
The complex notion of "rasa," as understood by Javanese musicians, refers to a combination of various qualities, including: taste, feeling, affect, mood, sense, inner meaning, a faculty of knowing intuitively, and deep understanding. This leaves us with a number of questions: how is rasa expressed musically? Who or what has rasa, and what sorts of musical, psychological, perceptual, and sociological distinctions enter into this determination? How is the vocabulary of rasa structured, and what does this tell us about traditional Javanese music and aesthetics? In this first book on the subject, Rasa provides an entry into Javanese music as it is conceived by the people who know the tradition b...
Language and Politics
Language, this book argues, is political from top to bottom, whether considered at the level of an individual speaker's choice of language or style of discourse with others (where interpersonal politics are performed), or at the level of political rhetoric, or indeed all the way up to the formation of national languages. By bringing together this set of topics and highlighting how they are interrelated, the book will function well as a textbook on any applied or sociolinguistic course in which some or all of these various aspects of the politics of language are covered.
BASA 2019
This proceeding contains selected papers of The International Seminar On Recent Language, Literature, And Local Culture Studies “Kajian Mutakhir Bahasa, Sastra, Dan Budaya Daerah (BASA)” held on 20-21 September 2019 in Solo, Indonesia. The conference which was organized by Sastra Daerah, Faculty of Cultural Sciences Universitas Sebelas Maret and Culture Studies Postgraduate Program of Universitas Sebelas Maret. The conference accommodates topics for linguistics in general including issues in language, literature, local cultural studies, philology, folklore, oral literature, history, art, education, etc. Selecting and reviewing process for the The International Seminar On Recent Language,...
WAYANG WONG
Preface I have been teaching the history of performing arts and Javanese dance, Yogyakarta style, for twenty years, and there have always been two features of this history that made me think and rethink: (1) wayang wong was never performed outside the palace’s walls until the first quarter of the twentieth century, becase it was considered a pusaka (sacred heiloom): and (2) wayang wong performances were always put on the Tratag Bangsal Kĕncana stage and started at dawn. Numerous ex-wayang wong dancers of the Yogyakarta court gave me the same answers to my questions about hese facts. They said that: (1) wayang wong was a pusaka because it was created by Sultan Hamĕngkubuwana I; and (2) wa...
