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Known for over thirty years in the Soviet Union and Eastern Europe, the music of Estonian composer Veljo Tormis (born 1930) was not heard in the West until the 1990s. Tormis has written more than 200 choral works, an opera, a ballet/cantata, thirty film scores, vocal and instrumental chamber music, solo songs, and several orchestral pieces. Educated at the Tallinn and Moscow Conservatories, Tormis has integrated the techniques of 20th-century art music with the melodies of the regilaul or ancient Estonian folksong.Ancient Song Recovered: The Life and Music of Veljo Tormis is the first book in a Western language about a master of 20th-century choral music. The book includes chapters on Estoni...
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Double Native speaker's Dictionary Unique features, It is first printed dictionary book as equivalent 5 dictionaries in one, such as: (i) English Cantonese (ii) English Cantonese (Yale romanized) (iii) English Cantonese (Jyutping romanized) (iv) English Cantonese (plain romanized) & (v) Cantonese tones English. it's in a funnie, easier, intelligent and super powerful dictionary in over a century. Focus on speaking. Two extraordinarily methods. World's no 1 easy. i) Multiple 3 options Romanized, 'it makes 25 times faster to learn Cantonese for non-chinese native speakers' ii) Cantonese tones English, 'it makes 125 times faster for both native speakers to learn English or Cantonese' - i) There...
The definite origins of OPM in one book In 2017, economic journalist and Original Pilipino Music obsessive Tina Arceo-Dumlao published Himig at Titik: A Tribute to OPM Songwriters, a limited-edition collection of interviews with the progenitors of OPM, the songwriters of the 1970s and the 1980s, from Manila Sound to all the way to Socio-Political Themes Redux, her love letter to the music she grew up with. Now Inquirer Books presents a revised and updated e-book version of Himig at Titik: A Tribute to OPM Songwriters, with rare full-color photographs, including exclusive interviews with Hotdog’s Dennis Garcia, Sen. Tito Sotto, Pepe Smith, Sampaguita, Freddie Aguilar, Lolita Carbon, Willy Cruz, National Artist for Music Ryan Cayabyab, Danny Javier, Jim Paredes, Jose Mari Chan, Rey Valera, Vehnee Saturno, Odette Quesada, Joey Ayala, Gary Granada, Gary Valenciano and many others. Himig at Titik is an e-book that celebrates the music that is truly sariling atin. Part of the proceeds will benefit the PhilPop Foundation. Himig at Titik: A Tribute to OPM Songwriters by Tina Arceo-Dumlao is available for P695 ($14) from Amazon, Google Books, Apple Books, Lazada and the Inquirer Shop.
The African songs here are written using European notation, and we should understand that songs cannot be written as authentically as the music is played in its original form. African music does not implement temporality or major or minor chords. Therefore, the sheet music for African songs here is like a rough draft of the original music. You won't be able to play an African song by the sheet music alone. This is true for jazz and the blues, and it is just as true for African folk music. African music always assumes improvisation, adding variations and syncopation. Its main task is not to be reproduced, but to get everyone involved, since music, by definition, is the expression of emotional...
This wide-ranging volume explores how gender and language are used and transformed to discuss, enact, and project social differences in light of global economic and political changes in the late nineteenth, twentieth, and early twenty-first centuries. It presents analyses of language and gender from a broad spectrum of national contexts: Catalonia, Canada, China, India, Japan, Nigeria, Vietnam, Philippines, Tonga, and the United States. Cases studies consider language and gender in changing workplaces, schools and immigrant integration workshops, as well as in new and emerging sites for consumption and the production of identity. They also analyze the changing meanings of multilingualism, and the construction of ideologies about gender and language in colonial and postcolonial/national ideologies. The papers engage with and contribute to theoretical conceptualizations of globalization, cosmopolitanism, (post)colonialism, (trans)nationalism, and public spheres by drawing on a variety of sociolinguistic analytic strategies (variation analysis, media analysis, interactional sociolinguistics, ethnography of speaking, sociology of language, colonial discourse analysis).