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The China Order
What does the rise of China represent, and how should the international community respond? With a holistic rereading of Chinese longue durée history, Fei-Ling Wang provides a simple but powerful framework for understanding the nature of persistent and rising Chinese power and its implications for the current global order. He argues that the Chinese ideation and tradition of political governance and world order—the China Order—is based on an imperial state of Confucian-Legalism as historically exemplified by the Qin-Han polity. Claiming a Mandate of Heaven to unify and govern the whole known world or tianxia (all under heaven), the China Order dominated Eastern Eurasia as a world empire ...
Instrumental Lives
The musical instruments of East and Southeast Asia enjoy increasing recognition as parts of humanity’s intangible cultural heritage. Helen Rees edits a collection that offers vibrant new ways to link these objects to their materials of manufacture, the surrounding environment, the social networks they form and help sustain, and the wider ethnic or national imagination. Rees organizes the essays to reflect three angles of inquiry. The first section explores the characteristics and social roles of various categories of instruments, including the koto and an extinct Balinese wooden clapper. In section two, essayists focus on the life stories of individual instruments ranging from an heirloom ...
A General History of Chinese Art
This volume analyses the history of Chinese art during the time of the Ming Dynasty during which the various traditions of painting academies were developed further leading to new painting styles and schools. The volume also highlights the developments in music, crafts, porcelain, and architecture. A General History of Chinese Art comprises six volumes with a total of nine parts spanning from the Prehistoric Era until the 3rd year of Xuantong during the Qing Dynasty (1911). The work provides a comprehensive compilation of in-depth studies of the development of art throughout the subsequent reign of Chinese dynasties and explores the emergence of a wide range of artistic categories such as but not limited to music, dance, acrobatics, singing, story telling, painting, calligraphy, sculpture, architecture, and crafts. Unlike previous reference books, A General History of Chinese Art offers a broader overview of the notion of Chinese art by asserting a more diverse and less material understanding of arts, as has often been the case in Western scholarship.
Harmoniousness: Essays in Chinese Musicology
From prehistoric bone flutes to Confucian bell-sets, from ancient divination to his beloved qin, this book presents translations of thirteen seminal essays on musical subjects by Jao Tsung-i. In language as elegant and refined as the ancient texts he so admired, his journey takes readers through Buddhist incantation, the philosophy of musical instruments, acoustical numerology, lyric poetry, historical and sociological contexts, manuscript studies, dance choreography, repertoire formulation, and opera texts. His voice is authoritative and intimate, the expert crafting his arguments, both accessible and sophisticated, succinct and richly tapestried; and concealed within a deft modesty is a thinker privileging us with his most profound observation. The musician’s musician, the scholar’s scholar, bold yet cautious, flamboyant yet restrained, a man for all seasons, a harmoniousness of time and place.
Rebirth At Three And A Half: A Female Star Forced To Work To Survive Vol 6
After Gu Nuan's death, she is reborn into the body of a three-year-old girl. In order to survive, she can only strive to become a top star and accumulate popularity points to save her life. [Scene One] A famous, aloof director says: "Nuan Nuan is my ideal leading actress. Quick, let aunty give you a kiss and a hug!" [Scene Two] The grandmother, who had been pushing for grandchildren, exclaims: "Who needs grandchildren when I have my precious granddaughter!" Later, Gu Nuan becomes a top-tier star in the entertainment industry. But wait, those relatives who once kicked her when she was down now want to guilt-trip her? Sorry, I have no morals. But what's the deal with that little boy from kindergarten who keeps bringing her candy and clinging to her?! A tall man, towering at 1.9 meters behind her, narrows his eyes: 'Since you accepted my candy, from now on, you'll only eat the candy I give you for the rest of your life.'
The Political History of the Spring and Autumn Period and the Warring States Period
The book is the volume of “The Political History of the Spring and Autumn Period and the Warring States Period” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze ...
Literary Communication in Song Dynasty
Based on first-hand historical materials, this book explores the various aspects of literary communication during the Song Dynasty in China. The book investigates the single-channel dissemination of poetry and ci works, the dissemination of literary collections, the dissemination through wall inscriptions, the oral dissemination of Song ci, the remuneration and commercialization of literature in the Song Dynasty, the paths to fame for Song writers, the non-literary factors in the dissemination of literature and the dissemination of literary works through paintings and songs. The author provides insights into the six major questions in the study of literary communication: Who disseminates, where, how, what, to whom and the effects of dissemination. The author also seeks to provide detailed answers to the following questions. What was the role of female singers in both domestic and official entertainment? What were the costs and prices of the books? Who paid the authors? What methods did writers use to gain fame and social recognition? This work will be essential reading for scholars and students of Chinese studies, communication studies and media and cultural studies.
War and State Formation in Ancient China and Early Modern Europe
The Eurocentric conventional wisdom holds that the West is unique in having a multi-state system in international relations and liberal democracy in state-society relations. At the same time, the Sinocentric perspective believes that China is destined to have authoritarian rule under a unified empire. In fact, China in the Spring and Autumn and Warring States periods (656–221 BC) was once a system of sovereign territorial states similar to Europe in the early modern period. Both cases witnessed the prevalence of war, formation of alliances, development of the centralized bureaucracy, emergence of citizenship rights, and expansion of international trade. This book, first published in 2005, examines why China and Europe shared similar processes but experienced opposite outcomes. This historical comparison of China and Europe challenges the presumption that Europe was destined to enjoy checks and balances while China was preordained to suffer under a coercive universal status.
The Origin and Evolution of China's Names II
This is the second volume of a two-volume set on the names of China, focusing on the domestic and foreign names of the country in ancient and modern times. Using interdisciplinary approaches from fields such as history, geography, ethnic studies, linguistics, psychology and toponymy, this two-volume set examines the origin and evolution of China's names over more than 4,000 years of history. The second volume is divided into two parts. The first part explains the habitual self-names for China, which remain unaffected by political regime changes. The author explores the complex reasons for the emergence and evolution of indigenous names such as Zhongguo, Zhonghua, Jiuzhou and Sihai. The second part discusses the names of China in foreign languages. It looks at the origin, development, use and popularity of foreign names of China such as China, Serice, Taugas, Cathay and those associated with Han, Tang, the dragon and the lion. This book will appeal to both academic and general readers interested in Chinese history, Chinese historical geography and Chinese toponymy.
