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Based on first-hand historical materials, this book explores the various aspects of literary communication during the Song Dynasty in China. The book investigates the single-channel dissemination of poetry and ci works, the dissemination of literary collections, the dissemination through wall inscriptions, the oral dissemination of Song ci, the remuneration and commercialization of literature in the Song Dynasty, the paths to fame for Song writers, the non-literary factors in the dissemination of literature and the dissemination of literary works through paintings and songs. The author provides insights into the six major questions in the study of literary communication: Who disseminates, where, how, what, to whom and the effects of dissemination. The author also seeks to provide detailed answers to the following questions. What was the role of female singers in both domestic and official entertainment? What were the costs and prices of the books? Who paid the authors? What methods did writers use to gain fame and social recognition? This work will be essential reading for scholars and students of Chinese studies, communication studies and media and cultural studies.
After Gu Nuan's death, she is reborn into the body of a three-year-old girl. In order to survive, she can only strive to become a top star and accumulate popularity points to save her life. [Scene One] A famous, aloof director says: "Nuan Nuan is my ideal leading actress. Quick, let aunty give you a kiss and a hug!" [Scene Two] The grandmother, who had been pushing for grandchildren, exclaims: "Who needs grandchildren when I have my precious granddaughter!" Later, Gu Nuan becomes a top-tier star in the entertainment industry. But wait, those relatives who once kicked her when she was down now want to guilt-trip her? Sorry, I have no morals. But what's the deal with that little boy from kindergarten who keeps bringing her candy and clinging to her?! A tall man, towering at 1.9 meters behind her, narrows his eyes: 'Since you accepted my candy, from now on, you'll only eat the candy I give you for the rest of your life.'
The book is the volume of “The History of Literature in Qin and Han Dynasty” among a series of books of “Deep into China Histories”. The earliest known written records of the history of China date from as early as 1250 BC, from the Shang dynasty (c. 1600–1046 BC) and the Bamboo Annals (296 BC) describe a Xia dynasty (c. 2070–1600 BC) before the Shang, but no writing is known from the period The Shang ruled in the Yellow River valley, which is commonly held to be the cradle of Chinese civilization. However, Neolithic civilizations originated at various cultural centers along both the Yellow River and Yangtze River. These Yellow River and Yangtze civilizations arose millennia befor...
This rich collection of writings--many translated especially for this volume and some available in English for the first time--provides a journey through the history of Chinese culture, tracing the Chinese understanding of women as elucidated in writings spanning more than two thousand years. From the earliest oracle bone inscriptions of the Pre-Qin period through the poems and stories of the Song Dynasty, these works shed light on Chinese images of women and their roles in society in terms of such topics as human nature, cosmology, gender, and virtue.
Annotation The stories of the Chinese great emperors reflect the ancient Chinese philosophy, ideology, their wisdom and their ways of administration. Liu Bang is an outstanding example. Rising from a peasant background to become Emperor, he founded the Han Dynasty which lasted for about four hundred years and essentially laid the foundations of China as we know it. Liu Bang (256 BC?195 BC), posthumously called Emperor Gaozu, was a low-ranking functionary in an obscure corner of the realm when he caught the wave of the great uprisings against the Qin Dynasty. First as leader of a local contingent and then as general of larger and larger armies, he eventually overthrew the despotic Qin emperor...
This book explores one of the central questions among many disciplines: how communities are formed. It investigates this question through the perspectives of scholar-artist communities in Northern Song China. You will learn how some of the then popular ephemeral artistic practices, such as whisking tea, burning aromatic substances, and playing and listening to qin music, were performed. Through these practices related sensory experiences were generated. The formation process of communities invovled many other aspects such as the interplay among people, materials, ephemeral arts, and sensory experiences, which is hard to identify in pure textual sources.
This is a unique and conclusive reference work about the 6,000 individual men and women known to us from China’s formative first empires. Over decennia Michael Loewe (Cambridge, UK) has painstakingly collected all biographical information available. Not only those are dealt with who set the literary forms and intellectual background of traditional China, such as writers, scholars, historians and philosophers, but also those officials who administered the empire, and the military leaders who fought in civil warfare or with China’s neighbours. The work draws on primary historical sources as interpreted by Chinese, Japanese and Western scholars and as supplemented by archaeological finds and inscriptions. By devoting extensive entries to each of the emperors the author provides the reader with the necessary historical context and gives insight into the dynastic disputes and their far-reaching consequences. No comparable work exists for this important period of Chinese history. Without exaggeration a real must for historians of both China and other cultures.
This book explores poems, novels, legends, operas and other genres of writing from the Ming Dynasty. It is composed of two parts: the literary history; and comprehensive reference materials based on the compilation of several chronologies. By studying individual literary works, the book analyzes the basic laws of the development of literature during the Ming Dynasty, and explores the influences of people, time, and place on literature from a sociological perspective. In turn, it conducts a contrastive analysis of Chinese and Western literature, based on similar works from the same literary genre and their creative methods. The book also investigates the relationship between literary theory and literary creation practices, including those used at various poetry schools. In closing, it studies the unique aesthetic traits of related works. Sharing valuable insights and perspectives, the book can serve as a role model for future literary history studies. It offers a unique resource for literary researchers, reference guide for students and educators, and lively read for members of the general public.
A seminal monograph first published by Rulan Chao Pian in 1967, this is the standard reference on SonQ dynasty music. The book provides a mirror for scholars to reflect on the cultural, social, and theoretical dimensions of Chinese music scholarship in the new millennium. This new reprint edition features a foreword by Bell Yung and an introduction by Joseph Lam.
Stories Old and New is the first complete translation of Feng Menglong’s Gujin xiaoshuo (also known as Yushi mingyan, Illustrious Words to Instruct the World), a collection of 40 short stories first published in 1620 in China. This is considered the best of Feng’s three such collections and was a pivotal work in the development of vernacular fiction. The stories are valuable as examples of early fiction and for their detailed depiction of daily life among a broad range of social classes. The stories are populated by scholars and courtesans, spirits and ghosts, Buddhist monks and nuns, pirates and emperors, and officials both virtuous and corrupt. The streets and abodes of late-Ming China...