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This book looks back to the period 1860 to 1950 in order to grasp how alternative visions of amity and co-existence were forged between people of faith, both within and resistant to imperial contact zones. It argues that networks of faith and friendship played a vital role in forging new vocabularies of cosmopolitanism that presaged the post-imperial world of the 1950s. In focussing on the diverse cosmopolitanisms articulated within liberal transnational networks of faith it is not intended to reduce or ignore the centrality of racisms, and especially hegemonic whiteness, in underpinning the spaces and subjectivities that these networks formed within and through. Rather, the book explores how new forms of cosmopolitanism could be articulated despite the awkward complicities and liminalities inhabited by individuals and characteristic of cosmopolitan thought zones.
The book examines the works of Akshay Kumar Dutta (1820–1886), who can be seen as ideologically inhabiting the cusp between religion and rationalism – the two most crucial avenues of debate and discussion in the public sphere in nineteenth-century Bengal. While nineteenth-century Bengal has been an important discourse within South Asian history, major figures of reform such as Rammohun Roy, Debendranath Tagore, Iswarchandra Vidyasagar, or Keshub Chunder Sen have generally been the focus. The book attempts to rescue Dutta from the clutches of academic amnesia, and to locate him as one of the foundational figures of intellectual refashioning among the common albeit educated public in nineteenth-century Bengal.
A bold retelling of the origins of contemporary Hinduism, and an argument against the long-established notion of religious reform. By the early eighteenth century, the Mughal Empire was in decline, and the East India Company was making inroads into the subcontinent. A century later Christian missionaries, Hindu teachers, Muslim saints, and Sikh rebels formed the colorful religious fabric of colonial India. Focusing on two early nineteenth-century Hindu communities, the Brahmo Samaj and the Swaminarayan Sampraday, and their charismatic figureheads—the “cosmopolitan” Rammohun Roy and the “parochial” Swami Narayan—Brian Hatcher explores how urban and rural people thought about faith...
"The History of the Fleet Street House": 20 p. at the end of v. 18.
This book redefines the origins of the women's rights campaigns in Britain. Contrary to the existing historiography, which argues that the Victorian Feminist movement began in the 1850s, this book, by bringing to light a wealth of unused sources, demonstrates that a vibrant community existed during the 1830s and 1840s. Previously neglected, this remarkable group of writers and reformers established both the ideologies and personnel network which provided the foundations of the women's rights campaigns of the coming decades.
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Why, Salmond asks, would nineteenth-century Hindus who come from an iconic religious tradition voice a kind of invective one might expect from Hebrew prophets, Muslim iconoclasts, or Calvinists? Rammohun was a wealthy Bengali, intimately associated with the British Raj and familiar with European languages, religion, and currents of thought. Dayananda was an itinerant Gujarati ascetic who did not speak English and was not integrated into the culture of the colonizers. Salmond’s examination of Dayananda after Rammohun complicates the easy assumption that nineteenth-century Hindu iconoclasm is simply a case of borrowing an attitude from Muslim or Protestant traditions. Salmond examines the or...