Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Together We Fall Apart
A beautifully crafted and deeply affecting portrait of a dysfunctional family from a compelling new voice in Australian fiction. For the past seven years, Clare has been living in London. She works for a judge on child protection cases. Her partner, Miriam, is devoted to raising their young son, Rupert; their days are dominated by nap times, laundry, and hiding from each other. When Clare returns to Melbourne to visit her ailing father, another family crisis looms – her brother Max's long-term drug addiction. She turns her efforts towards helping Max into rehab, but is this at the expense of her family back in London? Moving, heartbreaking and devastatingly insightful, Together We Fall Apart is a novel about running away and coming home.
Comparative Defamation and Privacy Law
Leading experts from common law jurisdictions examine defamation and privacy, two major and interrelated issues for law and media.
Arab France
"Ian Coller's fascinating book explores the making of modern France during the Napoleonic period and under the Restoration 'from the outside inward'. He examines the life of Arab migrants in France: their role as outsiders, and victims, but also as participants in the creation of the modern nation and its empire. In the process he also throws much light on the history of the contemporary Arab Middle East and North Africa."—C.A. Bayly, University of Cambridge
Queer and Bookish
Queer and Bookish: Eve Kosofksy Sedgwick as Book Artist represents the first book-length study to explore the intersections of Sedgwick's critical writing, poetry, and, most importantly, book art, making the case that her art criticism, especially her meditations on domestic and nineteenth-century photography, and "artist's book" projects are as formally complex and brilliant, conceptually significant and life-changing, as her literary criticism and theory. In addition, the book represents a significant intervention into recent debates about reparative reading, surface reading, and the descriptive turn across the humanities, because of its sustained, positive accounts on Sedgwick's books as ...
Cubism & Australian Art
Cubism was a movement that changed fundamentally the course of twentieth-century art. It had far-reaching effects, both conceptual and stylistic, which are still being felt today. Described in 1912 by French poet and commentator Guillaume Apollinaire as 'not an art of imitation, but an art of conception', Cubism irreversibly altered art's relationship to visual reality. 'I paint things as I think them, not as I see them', Picasso said. Cubism and Australian Art examines for the first time the impact of this transformative art movement on the work of Australian artists, from the early 1920s to the present day. The authors argue that by its very nature, Cubism was characterised by variation an...
Apocalypse in British Art and Visual Culture in the Early Twentieth Century
This book is the first substantial study of the presence and relationship with the concepts of apocalypse, eschatology, and millennium in modern British art from 1914 to 1945, addressing how and why practitioners in both religious and secular spheres turned to the subjects. The volume examines British art and visual culture’s relationship with the then-contemporary anxieties and hopes regarding the orientation of society and culture, arguing that there is an acute relationship to the particular forms of cultural discourse of eschatology, apocalypse, and millennium. Chapters identify the continued relevance of religion and religious themes in British art during the period, and demonstrate t...
New Australian Fiction 2024
A wartime hero refuses to pick up his weapon. Koalas begin a mass exodus. A writer finds her voice again. New Australian Fiction showcases the strength and diversity of Australian short fiction at its best. Now in its sixth year, these stories will move, entertain and enlighten you. Featuring award-winning writers: Jumaana Abdu Alice Bishop Behrouz Boochani Ennis Ćehić Paige Clark Ceridwen Dovey Tracey Lien Aisling Smith Josephine Rowe Plus a short story by award-winning journalist and human rights defender Behrouz Boochani, and more exciting names to come! Praise for the 2023 edition: ‘I can’t recall a better collection of multi-authored short fiction than New Australian Fiction 2023.’ – Miles Franklin winner Amanda Lohrey, Sydney Morning Herald ‘This collection is varied and compelling, showcasing both the state of Australian writing and the state of the world as seen through it.’ – Giselle Au-Nhien Nguyen, Saturday Paper
Van Gogh and the Seasons
A new look at the ways van Gogh represented the seasons and the natural world throughout his career The changing seasons captivated Vincent van Gogh (1853–90), who saw in their unending cycle the majesty of nature and the existence of a higher force. Van Gogh and the Seasons is the first book to explore this central aspect of van Gogh's life and work. Van Gogh often linked the seasons to rural life and labor as men and women worked the land throughout the year. From his depictions of peasants and sowers to winter gardens, riverbanks, orchards, and harvests, he painted scenes that richly evoke the sensory pleasures and deprivations particular to each season. This stunning book brings to lif...
Modern Britain, 1900-1960
There is a real sense of rediscovery with this formidable gathering of modern British art that covers work from the birth of the Edwardian era through decades of experimentalism, through the two world wars. Beautifully, produced much of the art has not be
Time, Media, and Visuality in Post-Revolutionary France
The radical break with the past heralded by the French Revolution in 1789 has become one of the mythic narratives of our time. Yet in the drawn-out afterlife of the Revolution, and through subsequent periods of Empire, Restoration, and Republic, the question of what such a temporal transformation might involve found complex, often unresolved expression in visual and material culture. This diverse collection of essays draws attention to the eclectic objects and forms of visuality that emerged in France from the beginning of the French Revolution through to the end of the July Monarchy in 1848. It offers a new account of the story of French art's modernity by exploring the work of genre painters and miniaturists, sign-painters and animal artists, landscapists, architects, and printmakers, as they worked out what it meant to be “post-revolutionary.”
