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A personal story of female genital mutilation. Mire reveals what it means to grow up in a traditional Somali family, where girls' and women's basic human rights are violated on a daily basis. She describes FGM is the ultimate child abuse, a ritual of mutilation handed down from mother to daughter and protected by the word "culture."
A personal story of female genital mutilation. Mire reveals what it means to grow up in a traditional Somali family, where girls' and women's basic human rights are violated on a daily basis. She describes FGM is the ultimate child abuse, a ritual of mutilation handed down from mother to daughter and protected by the word "culture."
Extrait de la couverture : "[This book] is a much-needed response to the ethnocentric and arrogant Western perceptions surrounding female genital cutting (FGC), often referred to as either female genital mutilation or female circumcision but including a variety of practices of varying history, severity, geographical distribution, and consequences. In five provocative essays, the contributors to this timely volume challenge representations of FCG. In doing so, they interweave a range of perspectives, including history, human rights, law ... Balancing feminist ideals with culturally conscious approaches, they dispel sensationalized and widely accepted concepts about FCG that influence Western media, law, and feminism thought."
There are many questions that surround Christian womanhood: What does it mean? When does it happen; at a certain age, status, or maturity? How do we know we're no longer girls? And when we've figured that out, how will others know how to recognise us as a woman rather than a girl? After all, Christian women don't usually get a rite of passage in which they are named a woman. Seeing this need, Amy Davis Abdallah has created such a rite, and this book accompanies it; there is no need to go through her rite of passage, however, to name yourself a woman. The Book of Womanhood creates a path through the confusion that surrounds the identity of women by its flexible framework, developing the reade...
In 1994 a small Los Angeles based film crew traveled to East Africa to begin shooting the film production of the award-winning film, MAANGAMIZI - THE ANCIENT ONE. WARRIORS: SPIRITUALLY ENGAGED was written with the intent to provide information to those seeking to know more about the Maangamizi experience: what led up to it and how it came about? It is a personal first-hand narrative of the journey told through the eyes of its author, screenwriter and film producer Queenae Taylor Mulvihill. Utilizing vivid, reflective and introspective excerpts from her personal journals, the struggles of her personal journey are shared with stark honesty. It is not merely a behind-the scenes film chronology of events. Its unique quality is the paranormal and interactive play of ancient Spirits whom the film process awakened. This team of filmmakers dared to go to a land rooted in spirits (active spirits) that for eons have grown accustomed to operating in a tenuous climate of adversity and confrontation.
"Essays I: Comparative Literature and Culture Criticism: France, Africa, America" is a compilation of 5 critical essays designed to provoke thoughts ranging from Modern African System of government inherited from (French) colonization and its consequences on the mentality of African leaders/dictators, to slavery time in America and the status of black learned people in the American society. Also, the theme of war is covered in the essay dealing with the works of Claude Simon. This collection is a good tool for education and research.
From Beijing to Seattle, women's movements within academe and in local-global communities are growing at an unprecedented rate, raising pointed questions about paradigms of Western feminism, development, global trade, and scholarship. Despite this growing visibility, the perspectives of far too many women, especially from the Global South, are still excluded from mainstream U.S. scholarship. Presented with the task of preparing students for life in this new and rapidly shrinking world, many scholars have found themselves overwhelmed by the need to cross disciplinary and geographic borders. But some faculty are leading the way -- often in defiance of academic traditions and prejudices -- to a curriculum that reflects consequences of globalization. Encompassing Gender is the long-awaited anthology of more than 40 essays by 60 scholars, many of them working in curriculum-transformation groups that cut across the humanities, the sciences, and the social sciences, all of them committed to an interdisciplinary approach to internationalizing the curriculum.
Groundbreaking volume provides positive strategies for eliminating gender bias in middle school and high school classrooms.
This vast dictionary launches the new series, Historical Dictionaries of Women in the World, and fills a huge gap in the literature, as there previously has not been any comprehensive reference work on African women. This dictionary includes over 660 entries on notable women in history, politics, religion, the arts, and other sectors; on events particularly associated with women; on women's organizations and publications; and on a range of topics that are important to women in general or that have a special importance for African women, including marriage, fertility, market women, goddesses, and much more. Entries include cross-referencing information that facilitates readers' ability to fin...
This collection of essays deals directly and compellingly with contemporary issues in African cinema. In particular, they address key aspects of post-colonialism and feminism - the two major topics of interest in current criticism of African films - but coverage is also given to spectatorship, national identity, ethnography, patriarchy, and the creation of key film industries in developing countries.