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Annibale Padovano, Ca. 1527- Ca. 1575 and Sperindio Bertholdo, Ca. 1530-1570, Compositions for Keyboard
  • Language: en

Annibale Padovano, Ca. 1527- Ca. 1575 and Sperindio Bertholdo, Ca. 1530-1570, Compositions for Keyboard

For more information, see http: ///www.corpusmusicae.com/cekm/cekm_cc034.htm

The Organ Works of Sperindio Bertoldo
  • Language: en
  • Pages: 384

The Organ Works of Sperindio Bertoldo

  • Type: Book
  • -
  • Published: 1965
  • -
  • Publisher: Unknown

None

DI SPER'IN DIO BERTHOLDO ... IL SECONDO LIBRO DI MADRIGALI A Cinque Voci Nouamente da lui Composto & dato in Luce ...
  • Language: it
  • Pages: 158
Classical Keyboard Music in Print, 1993
  • Language: en
  • Pages: 722

Classical Keyboard Music in Print, 1993

  • Type: Book
  • -
  • Published: 1993
  • -
  • Publisher: Unknown

None

Annibale Padovano (c. 1527-c. 1575), Sperindio Bertoldo (c. 1530-1570), [and] d'incerto (uncertain composer)
  • Language: en
  • Pages: 116
Fach-Katalog der Abtheilung des Königreiches Italien
  • Language: de
  • Pages: 320

Fach-Katalog der Abtheilung des Königreiches Italien

  • Type: Book
  • -
  • Published: 1892
  • -
  • Publisher: Unknown

None

Ensemble Ricercars
  • Language: en
  • Pages: 114

Ensemble Ricercars

None

Antonio Gardano, Venetian Music Printer, 1538-1569
  • Language: en
  • Pages: 827

Antonio Gardano, Venetian Music Printer, 1538-1569

  • Type: Book
  • -
  • Published: 2013-10-18
  • -
  • Publisher: Routledge

Antonio Gardano's publications are among the most important sources of sixteenth-century music. This final volume in Mary Lewis's three volume set completes the catalogue of Antonio Gardano's publications, covering the years 1560-1569.

Keyboard Music Before 1700
  • Language: en
  • Pages: 421

Keyboard Music Before 1700

  • Type: Book
  • -
  • Published: 2004-08-02
  • -
  • Publisher: Routledge

Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music.