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Saint Lambert's Principles of the Harpsichord of 1702 was the first tutor for harpsichord to be published in France. It draws upon the dance-oriented harpsichord style developed during the reign of Louis XIV by such masters as Jacques Champion de Chambonnierès, Louis Couperin, and Jean Henry d'Anglebert. In subject matter it ranges from the fundamentals of music through questions of meter and tempo to particulars of harpsichord technique and ornamentation. Because of its broad scope it is an important source of information about both late seventeenth-century French performance practice and music theory. It provides a good complement to Francois Couperin's well-known book l'Art de toucher le...
One of most important books in the history of Western music and a profound advance in musical theory, this work was the first to codify the principles of tonality. Supplemental corrections by Rameau are included and the numerous musical examples have been reset in modern musical notation. Includes an Introduction that discusses Rameau's mathematics, and more.
An anthology of articles on ethnic bilingualism and bilingual education from a sociolinguistic perspective. It covers theoretical paradigms (primarily structural-functionalism and group conflict theory and the problem formulations in BE typical of the paradigms), practical research methodology and a number of exemplificatory case studies.
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