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Lying between deserts, mountain chains and seas, Iran developed a fascinating cultural landscape. 360 objects from the time of the first advanced civilisations during the 3rd millennium BC until the end of the Safavid Empire in the early 18th century illustrate the outstanding significance of Iran as the initiator and centre of intercultural exchange. Exquisite artworks from the Sarikhani Collection in London and the Staatliche Museen zu Berlin invite visitors to embark on a journey in time through the cultural heritage of Iran. The highlights include the great pre-Islamic empires of the Achaemenids and the Sassanids, the establishment of a Persian-Islamic culture, the masterly artistic achievements of the 9th to the 13th centuries and the Golden Age of the Safavids. They are brought together as in a multifaceted kaleidoscope in the copious illustrations and provide insight into the art of the courts and the urban elites.
This book offers a wide ranging collection of work by Picasso; including paintings, drawings and sculptures, all produced in high quality, large-format illustrations.
David Chipperfield's spectacular reconstruction of the Neues Museum marks a further stage in the conservation and modernisation of the Museum Island in Berlin. The original museum, erected from 1841 to 1859 to designs by Friedrich August Stüler, was itself a notable attraction, celebrated for its use of the latest construction technology and for its conception as a total work of art in which architecture, pictorial imagery and the exhibits worked together to acquaint visitors with 'exotic' cultures ranging from the ancient world to the more recent past. All parts of the building that survived the Second World War and a half-century of neglect as a ruin have been carefully conserved. They are joined by outstanding modern additions made in sympathy with the original. The Neues Museum can now take its place as a building worthy of the UNESCO World Heritage site. This book traces the genesis of the building, describes its former and current splendour and explains its significance. The author also outlines the heated debate over the right way to reconstruct the museum.
Calder’s sculptural works can fit in the palm of a hand, or tower over a city square. This fascinating exhibition catalog examines how the artist’s sensitivity to matters of size, scale and shape engaged audiences in a variety of ways. Few artists are able to work successfully on both large and small scales, but throughout his career Calder brilliantly moved from the miniature to the monumental and back again. This publication focuses on the enormous stabiles he created mostly for public places, as well as his elegant hanging mobiles in sheet metal, miniature standing mobiles, and chess sets, shedding light on the social and performative aspects of his work. Essays explore how Calder approached the effects of kinetics and space, solidity and transparency, stasis and activity, volume and void. The book also looks at how Calder’s small-scale sculptures echoed the public spectacle of his larger pieces, creating a “private drama” that encouraged direct participation. Whatever the size, Calder’s works employed movement and interaction in unpredictable ways, and this enlightening book helps readers appreciate the important continuity of his oeuvre.
Kaum eine Epoche der Kunst ist von so durchgreifenden Veränderungen geprägt wie die Spätgotik im 15. Jahrhundert. Angeregt durch niederländische Vorbilder werden Licht und Schatten, Körper und Raum zunehmend wirklichkeitsnah dargestellt. Der Alltag hält Einzug in die Künste. Mit der Erfindung der Drucktechnik kommt es zu einer ungeahnten Verbreitung von Bildern und Texten. Künstler wie Nicolaus Gerhaert oder Martin Schongauer erlangen überregionale Berühmtheit und nehmen über alle Gattungen hinweg Einfluss auf die Entwicklung der Bildkünste in ganz Europa. Die Gegenüberstellung der unterschiedlichen Gattungen macht den Katalog zu einem Handbuch der Kunst am Übergang zur Neuzeit.
Now available in a new edition, this opulent book reaches back 25,000 years to trace the history of jewelry from the Paleolithic Era to the present day. Drawn from the extensive holdings of the Staatliche Museen in Berlin, this collection of jewelry through the ages links cultures and eras to show how the design, wearing, and collecting of personal adornment has evolved over the ages. They range from classic items such as necklaces, rings and earrings to less common items with origins in non-European cultures. The book features jewelry ranging from the splendid crowns of ancient Greece, gold earrings from Babylon and jewelled collars worn by 13th-century Islamic royalty to more modern pieces such as those contained in the imperial collection of Queen Louise of Prussia, Art Nouveau jewelry designed by Rene Lalique, and work by contemporary designers. This chronologically arranged survey includes numerous brief essays and 400 illustrations with detailed captions, making it an ideal reference for anyone interested in cultural history, the history of jewelry, or the art and craft of jewelry making.
Oswald Mathias Ungers is one of Germany's most influential architects as well as one of the 20th century's most influential architectural theorists. This volume uses his collection of art and architectural models, his buildings and library, to shed light on the different aspects of his theoretical approach.
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