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ครบรอบ 16 ปี มสธ
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The Artist as Producer
"The Artist as Producer confronts the problem of making a politics with art. Gough's balanced rigor in mining obscure archives on the one hand, while performing brilliant readings of recalcitrant artworks on the other gives her account of Constructivism's utopian promise and less-than-utopian outcome great texture. She has produced something very rare: an art-historical study that not only adds to our knowledge but captures the intense poignancy of modern art's serious ambition to undertake a revolution of—and with—form."—David Joselit, Professor, History of Art, Yale University "To see a sculptor plunging into the politics and the cultural politics of the factory floor is a rare sight...
Anti-Gender Politics in the Populist Moment
This book charts the new phase of global struggles around gender equality and sexual democracy: the ultraconservative mobilization against "gender ideology" and feminist efforts to counteract it. It argues that anti-gender campaigns, which emerged around 2010 in Europe, are not a simple continuation of the anti-feminist backlash dating back to the 1970s, but part of a new political configuration. Opposition to "gender" has become a key element of the rise of right-wing populism, which successfully harnesses the anxiety, shame and anger caused by neoliberalism and threatens to destroy liberal democracy. Anti-Gender Politics in the Populist Moment offers a novel conceptualization of the relati...
Folk Image of Woman
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Medallions
"Nothing of the former world holds true anymore," Zofia Nalkowska wrote in her Wartime Diaries on 7 May 1943. "Nothing has remained." The burning of the Warsaw ghetto had broken Nalkowska's privileged life in two; in the years to come, the need to bear witness to the horrors she had seen firsthand would lead this gifted member of the Polish avant-garde to write the stories in Medallions.
Nation and History
The important scholarly achievements of Polish historians remain largely unknown outside Poland. In Nation and History, editors Peter Brock, John Stanley, and Piotr J. Wróbel have brought together twenty-four essays on Polish historians from the Enlightenment to the Second World War, an era of unparalleled changes in every aspect of Polish life. From the late eighteenth century until 1918, the Polish state was partitioned between its three neighbours: Russia, Prussia (Germany), and Austria. Polish historiography throughout this period tended to focus on the reasons behind the old Polish state's decline and fall. This shaped Polish historians' vision of their country's past and created the burden of not only having to discuss the state, but the issue of 'nation' – its essence, its shape, and its failure. The contributors to this volume – from Poland and abroad – closely examine the role played by historians in both the documenting and shaping of Poland's history. While featuring different approaches, Nation and History serves as the most comprehensive work on Polish historiography written in English.
Ukrainian Otherlands
Exploring a rich array of folk traditions that developed in the Ukrainian diaspora and in Ukraine during the twentieth century, Ukrainian Otherlands is an innovative exploration of modern ethnic identity and the deeply felt (but sometimes deeply different) understandings of ethnicity in homeland and diaspora.
Realty and Building
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2011
Particularly in the humanities and social sciences, festschrifts are a popular forum for discussion. The IJBF provides quick and easy general access to these important resources for scholars and students. The festschrifts are located in state and regional libraries and their bibliographic details are recorded. Since 1983, more than 639,000 articles from more than 29,500 festschrifts, published between 1977 and 2010, have been catalogued.
Necroperformance
La 4e de couverture indique : "Dorota Sajewska proposes an innovative perspective for looking back at the formative process of Polish modernity, and delves into repressed areas of experience connected with World War I and the ensuing emancipatory movements. The book shows that underpinning modern Polish nationhood, is both a romantic myth of independence and a horror of fratricidal war. Searching for traces of memory in precarious bodies inflicted with the violence of war, Necroperformance asks us to acknowledge the fragility of life as it actively reinforces an attitude of respect for the right to live. Sajewska's chief objective is to understand the social impact of remains - of the abject body (dead, wounded, disfigured, despoiled by violence) - its place in culture and its agency. These are remains like the body of Rosa Luxemburg, which opens the book's narrative - a woman, a Jew, a Polish-German communist activist who was imprisoned, persecuted, murdered, and desecrated after death. This alternative archive becomes a basis for thought on a new anthropology rooted in the experience of the Great War and recorded in the formule of modern theatre."
