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The Scher Collection of Commemorative Medals
"It is an honor and pleasure to publish this imposing volume on the outstanding Stephen K. and Janie Woo
Perspectives on the Renaissance Medal
The papers published in this book were delivered at two conferences held in conjunction with the exhibition, " The Currency of Fame: Portrait Medals of the Renaissance"
Rethinking Health Care Ethics
The goal of this open access book is to develop an approach to clinical health care ethics that is more accessible to, and usable by, health professionals than the now-dominant approaches that focus, for example, on the application of ethical principles. The book elaborates the view that health professionals have the emotional and intellectual resources to discuss and address ethical issues in clinical health care without needing to rely on the expertise of bioethicists. The early chapters review the history of bioethics and explain how academics from outside health care came to dominate the field of health care ethics, both in professional schools and in clinical health care. The middle ...
The Currency of Fame
A study of the portrait medals as manifesto for the humanist cult of personal fame and as a vehicle for the finest artists of the age. This is a huge book, with nearly 500 illustrations.
Temptation Transformed
A "brisk and entertaining" (Wall Street Journal) journey into the mystery behind why the forbidden fruit became an apple, upending an explanation that stood for centuries. How did the apple, unmentioned by the Bible, become the dominant symbol of temptation, sin, and the Fall? Temptation Transformed pursues this mystery across art and religious history, uncovering where, when, and why the forbidden fruit became an apple. Azzan Yadin-Israel reveals that Eden’s fruit, once thought to be a fig or a grape, first appears as an apple in twelfth-century French art. He then traces this image back to its source in medieval storytelling. Though scholars often blame theologians for the apple, accounts of the Fall written in commonly spoken languages—French, German, and English—influenced a broader audience than cloistered Latin commentators. Azzan Yadin-Israel shows that, over time, the words for “fruit” in these languages narrowed until an apple in the Garden became self-evident. A wide-ranging study of early Christian thought, Renaissance art, and medieval languages, Temptation Transformed offers an eye-opening revisionist history of a central religious icon.
Echoing Helicon
In the construction of a private princely identity before the eyes of a select public in the study rooms of Italian Renaissance rulers, ideals of sober recreation met with leisured reality. Echoing Helicon reconstructs, through the interpretation of painted and intarsia decoration, the roles played by music in such settings.
Brushed Aside
Discover anew the herstory of art that Publishers Weekly calls "illuminating" and Foreword Reviews calls "spirited" for an enlightening art history read. How many female artists can you name? Frida Kahlo, Georgia O’Keeffe, Marina Abramovic? How about female artists who lived prior to the Modern era? Maybe Artemisia Gentileschi and then… even a regular museum-goer might run out of steam. What about female curators, critics, patrons, collectors, muses, models and art influencers? This book provides a 360 degree look at the role, influence, and empowerment of women through art—including women artists, but going beyond those who have taken up a brush or a chisel. In 1971, Linda Nochlin published a famous essay, “Why Have There Been No Great Women Artists?” This book responds to it by showing that not only have there been scores of great women artists throughout history, but that great women have shaped the story of art. The result is a book that sheds light on the art world in a very new way, finally celebrating the great women artists and influencers who deserve to be much better known. The entire history of art can be told as a herstory of art.
Artful Armies, Beautiful Battles
Warfare, and the circumstances surrounding it, have often provided important impulses for cultural production. This book explores the relationship between warfare and image-making in the early modern period. Rather than dealing with images simply as reproductions of actual events, the volume demonstrates complex processes by which political, national and social identities are negotiated and fashioned in warfare imagery. The book analyses three main issues: the impact of war on art, the ways in which warfare imagery supports dominant ideologies, and the manner in which such imagery also constructs alternative identities. The essays offer a broad range of methodologies while dealing with a wide array of chronological, geographical and artistic materials. Historians and art historians will find this volume particularly useful in its nuanced examination of the relationship between art and history.
