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Art School
Leading international artists and art educators consider the challenges of art education in today's dramatically changed art world. The last explosive change in art education came nearly a century ago, when the German Bauhaus was formed. Today, dramatic changes in the art world—its increasing professionalization, the pervasive power of the art market, and fundamental shifts in art-making itself in our post-Duchampian era—combined with a revolution in information technology, raise fundamental questions about the education of today's artists. Art School (Propositions for the 21st Century) brings together more than thirty leading international artists and art educators to reconsider the pra...
Christopher Wilmarth
"Now, Wilmarth's legacy is recaptured in this illustrated book by art critic, historian, and poet Steven Henry Madoff. The first in-depth look at Wilmarth's extraordinary life as an artist, the book explores both the light and the darkness that underlie his work. Madoff offers a critical overview of the artist's career, examining the sculptor's response not only to historical masters such as Cezanne, Brancusi, Matisse, and Giacometti, but also to the art world of his times - particularly the dominant influence of Minimalism. Using the newly created Wilmarth archive at Harvard University's Fogg Art Museum, Madoff anchors this moving interpretation with the sculptor's own writings unearthed from journals, student notebooks, artist sketchbooks, and letters." "Madoff draws as well from interviews, articles, and poems that Wilmarth published in his lifetime, along with the body of criticism covering Wilmarth's development over the years."--BOOK JACKET.
What about Activism?
Curators and thinkers about contemporary art consider how to engage audiences in creative forms of protest and advocacy. With the global rise of a politics of shock, driven by nationalist and authoritarian regimes, what paths to resistance and sites of sanctuary can cultural institutions offer? In this book, more than twenty of the world's leading curators and thinkers about contemporary art offer powerful case studies from their own work, along with historical and theoretical perspectives, that point the way for cultural producers everywhere to engage audiences in creative forms of protest and advocacy capable of confronting the fierce political challenges of today and tomorrow. Contributors Defne Ayas, Ute Meta Bauer, Nicolas Bourriaud, Carolyn Christov-Bakargiev, Joshua Decter, Clémentine Deliss, Irmgard Emmelhainz, Boris Groys, Hou Hanru, Pi Li, Maria Lind, Steven Henry Madoff, Antonia Majaca, Gabi Ngcobo, Hans Ulricht Obrist, Jack Persekian with Alison Ramer, María Belén Saéz de Ibarra, Terry Smith, Nato Thompson, Mick Wilson, Brian Kuan Wood, Tirdad Zolghadr
OnCurating Issue 40: We Would Prefer Not To
Edited by Steven Henry Madoff, Brian Kuan WoodWith contributions by Nana Adusei-Poku, Nadim Abbas, Valerie Amend, Lux Yuting Bai, Zach Blas, Jesse Darling, Gilles Deleuze, Hendrik Folkerts, Patrick Jaojoco, Herman Melville, Ikechukwu Casmir Onyewuenyi, Vera Petukhova, Jovanna VenegasThis issue of OnCurating takes political resistance and sanctuary as its subject, with Herman Melville's nineteenth-century literary avatar Bartleby-famous for his refrain "I would prefer not to"-as its tutelary spirit. Forms of civil disobedience and tricksterism are coterminous agents in artistic and curatorial practices, both historical and contemporary. How to subvert and subvene, how to recast structural mec...
Why I Do What I Do
Twenty renowned international curators write about the exhibition or project that transformed their ideas about curating. Across the globe, thousands of curators at museums and art centers bring together the world’s artists, thinkers, and activists to grapple with the urgent issues of contemporary society. Yet the ways that curators go about their work happens behind closed doors. For this fourth volume of the series “Thoughts on Curating,” twenty renowned curators from around the world write about a single exhibition or curatorial project they created and how it illuminated their thinking about their work as curators and about curating in general as a crucial means of cultural analysis, creative production, and influence in our lives today.
Pop Art
Presents an anthology of 94 critical arcticles on the American pop art phenomenon, including information on such pop artists as Warhol, Lichtenstein, Oldenburg, and Rosenquist.
The Club No One Wanted to Join - Madoff Victims in Their Own Words
It has been the public's perception that Madoff investors were all extremely wealthy and all belonged to exclusive clubs. This perception has been reinforced by the media and the powers that be. The truth is, with very few exceptions, such as Steven Spielberg, Jeffrey Picower and Stanley Chais-most were average, small time investors. They did not belong to exclusive private clubs or any other fancy clubs. They lived an average American life; they worked hard, contributed to society and saved for their retirement years. But in the end that was not enough. No one, it turns out, could protect them from the worst financial criminal in history, Bernard L. Madoff. As a result, they were all thrown...
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The Club No One Wanted to Join
It has been the public's perception that Madoff investors were all extremely wealthy and all belonged to exclusive clubs. This perception has been reinforced by the media and the powers that be. The truth is, with very few exceptions, such as Steven Spielberg, Jeffrey Picower and Stanley Chais-most were average, small time investors. They lived an average American life; they worked hard, contributed to society and saved for their retirement years. But in the end that was not enough. No one, it turns out, could protect them from the worst financial criminal in history, Bernard L. Madoff. As a result, they were thrown tragically into one club they never expected to join: the "club" of victims....
Betrayal
“Accurate and highly readable.” —Wall Street Journal Emmy award-winning journalist Andrew Kirtzman, explores “The Life and Lies of Bernie Madoff” in Betrayal—an in-depth, personal look at the architect of the biggest financial fraud in history. The New York Times calls Betrayal, “a novelistic, you-are-there sort of narrative,” and the shocking story of the King of the Swindlers—and his hundreds of celebrity and corporation victims, and the everyday people who tragically invested their life savings with him—does indeed read like a page-turning thriller. But it’s all amazingly, disturbingly true.
