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Staging Politics in Mexico
Neoliberalism in Mexico - characterized by free markets, by the privitization of thousands of State enterprises, and by influence from Washington and Wall Street - has forever changed the political climate, making it necessary to theorize new paths for the future. Indeed, liberal ideology champions not only economic freedom but individual liberty as well: In the canon of liberal texts, Adam Smith's The Wealth of Nations coexists with John Stuart Mill's The Subjugation of Women, a biting commentary on gender inequality. The debate over neoliberalism in Mexico is not exclusively a left-right conflict. Many leftists see ties with the U.S. as a means to promote social change even though they oppose neoliberal economics; many on the right, while supporting neoliberalism, fear social influences from the North. This volume focuses on the neoliberal debate in plays by four Mexican authors: Sabina Berman, Vicente Lenero, Victor Hugo Rascon Banda, and Alejandra Trigueros. These playwrights stage the complexity of neoliberalism, providing insight into a global trend and its manifestation in Mexico. Stuart A. Chapel Hill.
Performances that Change the Americas
This collection of essays explores activist performances, all connected to theater or performance training, that have changed the Americas—from Canada to the Southern Cone. Through the study of specific examples from numerous countries, the authors of this volume demonstrate a crucial, shared outlook: they affirm that ordinary people change the direction of history through performance. This project offers concrete, compelling cases that emulate the modus operandi of people like historian Howard Zinn. In the same spirit, the chapters treat marginal groups whose stories underscore the potentially unstoppable and transformative power of united, embodied voices. This book will be of great interest to students and scholars of theatre, performance, art and politics.
Opera in Performance
Opera in Performance elucidates the performative dimension of contemporary opera productions. What are the most striking and decisive moments in a performance? Why do we respond so strongly to stagings that transform familiar scenes, to performers’ bodily presence, and to virtuosic voices as well as ill-disposed ones? Drawing on phenomenology and performance theory, Clemens Risi explains how these moments arise out of a dialogue between performers and the audience, representation and presence, the familiar and the new. He then applies these insights in critical descriptions of his own experiences of various singers, stagings, and performances at opera houses and festivals from across the German-speaking world over the last twenty years. As the first book to focus on what happens in performance as such, this study shifts our attention to moments that have eluded articulation and provides tools for describing our own experiences when we go to the opera. This book will particularly interest scholars and students in theater and performance studies, musicology, and the humanities, and may also appeal to operagoers and theater professionals.
The London Gazette
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Staging Politics in Mexico
Neoliberalism in Mexico - characterized by free markets, by the privitization of thousands of State enterprises, and by influence from Washington and Wall Street - has forever changed the political climate, making it necessary to theorize new paths for the future. Indeed, liberal ideology champions not only economic freedom but individual liberty as well: In the canon of liberal texts, Adam Smith's The Wealth of Nations coexists with John Stuart Mill's The Subjugation of Women, a biting commentary on gender inequality. The debate over neoliberalism in Mexico is not exclusively a left-right conflict. Many leftists see ties with the U.S. as a means to promote social change even though they oppose neoliberal economics; many on the right, while supporting neoliberalism, fear social influences from the North. This volume focuses on the neoliberal debate in plays by four Mexican authors: Sabina Berman, Vicente Lenero, Victor Hugo Rascon Banda, and Alejandra Trigueros. These playwrights stage the complexity of neoliberalism, providing insight into a global trend and its manifestation in Mexico. Stuart A. Chapel Hill.
Outside Theater
"Outside Theater looks at how written words and performances have been used to promote civic engagement and provoke activism in Mexico"--Provided by publisher.
Stuart: A Life Backwards
‘Stuart does not like the manuscript. He’s after a bestseller, “like what Tom Clancy writes”. “But you are not an assassin trying to frazzle the president with anthrax bombs,” I point out. You are an ex-homeless, ex-junkie psychopath, I do not add.’
Stuart
New Paperback Edition Of The Most Original And Captivating, Award-Nominated Memoir Of The Year. Stuart, A Life Backwards, Is The Story Of A Remarkable Friendship Between A Reclusive Writer And Illustrator ( A Middle Class Scum Ponce, If You Want To Be Honest About It, Alexander) And A Chaotic, Knife-Wielding Beggar Whom He Gets To Know During A Campaign To Release Two Charity Workers From Prison. Interwoven Into This Is Stuart S Confession: The Story Of His Life, Told Backwards. With Humour, Compassion (And Exasperation) Masters Slowly Works Back Through Post-Office Heists, Prison Riots And The Exact Day Stuart Discovered Violence, To Unfold The Reasons Why He Changed From A Happy-Go-Lucky Little Boy Into A Polydrug-Addicted-Alcoholic Jekyll And Hyde Personality, With A Fondness For What He Called Little Strips Of Silver (Knives To You And Me). Funny, Despairing, Brilliantly Written And Full Of Surprises: This Is The Most Original And Moving Biography Of Recent Years.
