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When the Romans came north to what is now modern Scotland they encountered the fierce and proud warrior society known as the Picts, who despite their lack of discipline and arms, managed to prevent the undefeated Roman Army from conquering the northern part of Britain, just as they later repulsed the Angles and the Vikings.A New History of the Picts is an accessible true history of the Picts, who are so often misunderstood. New historical analysis, recently discovered evidence and an innovative Scottish perspective will expose long held assumptions about the native people.This controversial text contests that Scottish history has long since been dominated and distorted by misleading perspectives. A New History of the Picts discredits the idea that the Picts were a strange historical anomaly and shows them to be the descendants of the original inhabitants of the land, living in a series of loose tribal confederations gradually brought together by external forces to create one of the earliest states in Europe: a people, who after repulsing all invaders, merged with their cousins, the Scots of Argyll, to create modern Scotland. All of Scotland descends from the fierce Picts.
McHardy presents a new approach to history, changing our mindset to look at Scotland as the centre of our story. Rather than starting from the Mediterranean, from the classical/Christian bias we have been taught for centuries. Rather than being a remote dark land populated by barbaric tribes. Perhaps we were the centre of a well-organised civilisation around the Orkneys and islands and coasts and rivers, with our own priorities, community-centred, locally self-sufficient, well-versed in lore of all kinds. Who were/are we? The great centres of ritual in Orkney, Lewis and Kilmartin suggest an indigenous population much more sophisticated in terms of social ritual and communal rule than we have been led to believe. In whose interest is it that we accept the classical/Christian version of history relayed to us by monks? These are some of the questions McHardy addresses in a passionate and accessible style. Read and become more Alba-centric in terms of what we see as important to research, study and understand.
The culture of all nations is rooted in past experience, individual and communal. In Scotland's Future History McHardy looked at the misrepresentation of so much of Scotland's political and social history. In this new volume he takes a wider look at aspects of Scotland's culture that have been at the heart of how we have developed into who we are in today's world. Topics include literature, religion, history and story, the Radical 1790s, the remarkable Douglas Young and an introduction to Geomythography, a new way of melding prehistory and history to present a new and refreshing way seeing our past. Understanding our past is vital to the process of building a new Scotland in the years ahead. As Scotland moves towards reclaiming her status among the nations of the world it is important that we understand just how culturally distinctive we are. Being Scottish is no better than having any other nationality, but is is certainly no worse, and as this work hopefully shows, it is something worth celebrating.
The Wey Forrit is a political work written in Scots which examines the current British political climate, with a particular focus on how the inner workings of Westminster affect Scotland and her people. Arguing from a communitarian perspective, Stuart McHardy meticulously pulls apart the long-standing political ideas and traditions which many citizens of the United Kingdom have automatically accepted as correct or justified. He challenges his readers to re-think the consensus. Focusing on some of today's most highly discussed and potentially divisive topics - such as Brexit and Scottish Independence - McHardy lambasts the 'peelie-wallie politicians and lickspittle journalists' who protect the needs of the rich and sneer at those outside the realms of money and power. His views on the sovereignty of the Scottish Nation are also put forward, considering both the past and future implications of the way in which Britain came into being and the way in which it has been run for the three centuries since the Act of Union.
Behind the tales of cateran raiding in the Scottish Highlands was an age old practice, beloved of the clan warriors. Trained in the ways of the School of the Moon they liked little better than raiding other clans to lift their cattle and disappear into the wild mountains under the cover of darkness. If pursued and battle became necessary, that was no problem to the clansmen. This traditional practice of the Scottish Highland warriors, originating at least as far back as the Iron Age, has left us many grand stories, apocryphal and historical. Through investigating these stories Stuart McHardy came across material, some of it as yet unpublished, which leads to a startling new interpretation of what was going on in the Scottish Highlands in the years after Culloden. The British government called it cattle thieving but the men who returned to the ways of the School of the Moon were the last Jacobites, fighting on in a doomed guerrilla campaign against an army that had a garrison in every glen and town in Scotland.
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All over the world people associate the bagpipes with Scotland. In this informative and entertaining book Stuart McHardy introduces Scotland's national instrument - its history, development and repertoire - and examines the part that the piper himself has played in Highland and Lowland society over the centuries. The main bulk of the book is a series of thematically grouped tales from all periods and parts of the country in which we see aspects of traditional lore in stories of warriors, musicians, ghostly battles, the hand of friendship, exemplary heroism and the cost of supernatural help. There are tales of the MacCrimmons, the most famous island pipers of all, as well as Habbie Simpson, who was possibly the most famous of all the Lowland pipers. Whether dealing with great bravery or contemptible jealousy, the supernatural or the mundane, these stories reflect the central role that the bagpipes have played, and continue to play, in Scottish traditional culture.
King Arthur went to Avalon with Morgan and her eight sisters. In this book McHardy traces similar groups of nine maidens throughout the ancient Celtic and Germanic worlds and far beyond. In Pictland, Wales, Ireland, Scandinavia, Gaul and Iberia the nine Maidens were known in mythology and as practising priestesses. As far away as Kenya the Kikuyu people claim descent from nine sisters, while a cave painting in Catalonia shows nine dancing maidens from almost 15,000 years ago. Weather-workers, shape-shifters, diviners and healers - the Nine Maidens are linked to the Old Religion over much of our planet.
The origins of the Scottish clans go back over a thousand years, and for centuries these extended networks of families dominated life in the Scottish Highlands and Islands. The warriors of the clan, fiercely loyal to each other and to their chief, were well known for their extraordinary courage and military skills. Retold by one of Scotland's most acclaimed storytellers, these stories illustrate the drama and the dynamism of a society which lived close to nature, had little in the way of material wealth but which boasted a remarkable treasure house of stories that were passed down over generations.
In addition to introducing some of the most famous, as well as some of the lesser-known, tales of the Scottish fiddle, Stuart McHardy also examines the history of the instrument, its repertoire and the place the fiddle and the fiddler have played in Scottish culture over the centuries.