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Art Papers
None
Migration
None
Ten Million Years
Paintings by Thomas Swanston describing Sandhill Cranes and their migratory behavior/patterns
SPIN
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
SPIN
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
The Book of Games
A feast for the eyes with literally thousands of vivid, high-resolution screen shots, this book provides a comprehensive visual tour through the world of PC and video gaming. Sorted by genre, 150 of the most exciting current software titles are reviewed with information of interest to players, parents, and industry professionals. Each game is featured in a two-page spread that includes detailed game summary, analysis, and strategy, nine representative in-game screen shots, games with similar skill and strategy requirements, appropriate age range, ESRB content ratings, complete technological specifications, and more. Feature stories are included throughout the book, covering game-related topics such as multiplayer online gaming, games in movies, and the future of gaming. The book also includes useful reference tools such as an illustrated glossary, an overview of game publishers, and information on current and upcoming hardware platforms such as Sony's new PS3 and Nintendo's Wii.
The Most Beautiful Man in the World
When Andy Warhol cast Paul Swan (1883?1972) in three films in the mid-1960s, he knew that the octogenarian had once been internationally hailed as ?the most beautiful man in the world? and as ?Nijinsky?s successor.? Arthur Hammerstein had advertised Swan as ?a reincarnated Greek God,? and George and Ira Gershwin had celebrated his beauty in their musical Funny Face. What Warhol didn?t know was that Swan had also been called ?America?s Leonardo,? portrait artist of the famous and the infamous, including writer Willa Cather, aviator Charles Lindbergh, British Prime Minister James Ramsay MacDonald, and dictator Benito Mussolini. This book is the first to tell Swan?s story, from his days as a wo...
SPIN
From the concert stage to the dressing room, from the recording studio to the digital realm, SPIN surveys the modern musical landscape and the culture around it with authoritative reporting, provocative interviews, and a discerning critical ear. With dynamic photography, bold graphic design, and informed irreverence, the pages of SPIN pulsate with the energy of today's most innovative sounds. Whether covering what's new or what's next, SPIN is your monthly VIP pass to all that rocks.
Dreams, Bright and Dark
"Dreams, Bright and Dark," curated by Jerry Cullum, features artwork by seven emerging young talents: photographers Jody Fausett (Whitespace, Atlanta), Amanda Palmer, Emily Karcher, and painters Heather Hartmann, Meta Gary, Shana Robbins, and Sonya Jilani. Diverse in subject matter and treatment, yet unified by their dream-like quality, the images in "Dreams" form a narrative, sometimes hopeful and romantic, and at other times more brooding and disturbed. In his poetic essay accompanying the show Cullum ruminates: "The artists in this exhibition are dreamers of personal dreams, not tellers or creators of collective stories, and yet their hopes and wishes are in a code that speaks to us even as it remains most deeply their own. .[T]he viewer is invited to engage in the dreams of day as an individual action: to dream, not the myth or story, but the dream itself onward."
