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Dreams, Bright and Dark
"Dreams, Bright and Dark," curated by Jerry Cullum, features artwork by seven emerging young talents: photographers Jody Fausett (Whitespace, Atlanta), Amanda Palmer, Emily Karcher, and painters Heather Hartmann, Meta Gary, Shana Robbins, and Sonya Jilani. Diverse in subject matter and treatment, yet unified by their dream-like quality, the images in "Dreams" form a narrative, sometimes hopeful and romantic, and at other times more brooding and disturbed. In his poetic essay accompanying the show Cullum ruminates: "The artists in this exhibition are dreamers of personal dreams, not tellers or creators of collective stories, and yet their hopes and wishes are in a code that speaks to us even as it remains most deeply their own. .[T]he viewer is invited to engage in the dreams of day as an individual action: to dream, not the myth or story, but the dream itself onward."
Interventions and Provocations
This book presents interviews with some of the most provocative artists of the postmodern era. These sculptors, writers, filmmakers, activists, and performance artists have forged a new vision of art that is confrontational, political, and concerned with interrupting the domination of our lives by mass culture.
In the Eye of the Muses
Clark Atlanta University Art Galleries in Atlanta, Georgia celebrates the seventieth anniversary of the founding of its permanent collection and the sixtieth anniversary of the unveiling of the Art of the Negro murals with this commemorative volume. Initially conceived with works selected from annual exhibitions, the collection today constitutes a rare and remarkable assemblage of African-American art. In the Eye of the Muses tells the story of the Atlanta University Art Annuals held between 1942 and 1970, from which the collection stemmed, cataloging the 887 artists who participated and crucially enhancing our understanding of art by African Americans. In an accompanying essay, Hale Woodruff's Art of the Negro mural suite is eloquently explicated by art critic Jerry Cullum. In the Eye of the Muses presents a monumental catalogue of a unique collection.
Souls Grown Deep
The first comprehensive overview of an important genre of American art, Souls Grown Deep explores the visual-arts genius of the black South. This first work in a multivolume study introduces 40 African-American self-taught artists, who, without significant formal training, often employ the most unpretentious and unlikely materials. Like blues and jazz artists, they create powerful statements amplifying the call for freedom and vision.
Changing Religious Worlds
Assesses Mircea Eliade's contribution to the contemporary understanding of religion and the academic study of religion.
The Story of International Relations, Part Three
This book is the third volume in a trilogy that traces the development of the academic subject of International Relations, or what was often referred to in the interwar years as International Studies. This volume explores how International Relations progressed through the 20th century looking specifically at World War II, from the looming world war to the post-War reconstruction in Europe. This one of a kind project takes on the task of reviewing the development of IR, aptly published in celebration of the discipline’s centenary.
The Psychological Foundations of Culture
How is it that cultures come into existence at all? How do cultures develop particular customs and characteristics rather than others? How do cultures persist and change over time? Most previous attempts to address these questions have been descriptive and historical. The purpose of this book is to provide answers that are explanatory, predictive, and relevant to the emergence and continuing evolution of cultures past, present, and future. Most other investigations into "cultural psychology" have focused on the impact that culture has on the psychology of the individual. The focus of this book is the reverse. The authors show how questions about the origins and evolution of culture can be fr...
Everyday Genius
From Henry Darger's elaborate paintings of young girls caught in a vicious war to the sacred art of the Reverend Howard Finster, the work of outsider artists has achieved unique status in the art world. Celebrated for their lack of traditional training and their position on the fringes of society, outsider artists nonetheless participate in a traditional network of value, status, and money. After spending years immersed in the world of self-taught artists, Gary Alan Fine presents Everyday Genius, one of the most insightful and comprehensive examinations of this network and how it confers artistic value. Fine considers the differences among folk art, outsider art, and self-taught art, explain...
The Aliens Within
Discrimination, stigmatization, xenophobia, heightened securitization – fear and blaming of "aliens within" – characterize the world infected by COVID-19. Such fears have a long cultural history, however, particularly in connecting pathology with race, poverty, and migration. This volume explores theory and narratives of disease, danger, and displacement through the lenses of cultural, literary, and film studies, historical representation, ethnics studies, sociology and cultural geography, classics, music, and linguistics. Investigations range from, for example, illness discourse in the ancient classics to images of perilous intruders in the Age of Trump, from the Haitian Revolution and ...
V Bombers
Britains desire to stay at the leading edge in the design and development of modern jet powered aircraft was born in the later stages of World War Two. The RAF sent requests to the leading aircraft manufactures for a variety of specifications, among which was one for a long-range heavy bomber. Three designs were accepted and eventually went into production these became the V-Bomber Force.
